Bulbs (song)

"Bulbs" is a song written by Northern Irish singer-songwriter Van Morrison. It was the only single to be taken from his 1974 album Veedon Fleece, with a B-side of "Cul de Sac" for the US release and "Who Was That Masked Man" for the UK release.[1][2]

"Bulbs"
Single by Van Morrison
from the album Veedon Fleece
A-side"Bulbs"
B-side
  • "Cul de Sac" (US)
  • "Who Was That Masked Man" (UK)
ReleasedNovember 1974
RecordedMarch 1974, Mercury Studios, New York City, United States
GenreFolk rock
Length4:19
LabelWarner Bros.
Songwriter(s)Van Morrison
Producer(s)Van Morrison
Van Morrison singles chronology
"Ain't Nothing You Can Do"
(1974)		 "Bulbs"
(1974)		 "Caledonia"
(1974)

Recording and composition

"Bulbs" was first recorded with different lyrics at the recording session for the 1973 album, Hard Nose the Highway, released in 1973.[3] After the first recording session for Veedon Fleece, "Bulbs" was re-cut at Mercury Studios in New York City in March 1974, along with "Cul de Sac" to give it a more rock feeling. According to Jef Labes this was "cause he (Morrison) didn't feel they had the right feeling... It was me, Van and a bunch of other guys that he'd never played with."[4] Bass player Joe Macho had previously played on the 1966 Bobby Hebb hit song "Sunny".

"Bulbs" has been described as "a pleasant, catchy country ditty, a Dire Straits song before its time" by biographer John Collis.[5] As with many of Morrison's songs, "Bulbs" does not have a clear story line, but in part focuses on immigration to the United States as in the lines:

She's leaving Pan American
Suitcase in her hand
I said her brothers and her sisters
Are all on Atlantic sand

Critical reception

In an interview with Morrison, Tom Donahue said, after he had listened to "Bulbs": "You always make great noises. The other things you do in songs beside the words."[6]

In a Stylus Magazine review for the album Veedon Fleece, Derek Miller says of the song:[7]

"Of course, the best and most immediately memorable song on Veedon Fleece is "Bulbs". Coming about as close to laying down a groove as he does on the album, the song quickly makes dust of its acoustic start, leaping headstrong into a Waylon Jennings' style bass-roll, rump heavy and plush, pianos shimmering and fingerdense."

Morrison performed the song on the German television show Musikladen on 13 November 1974.[8]

Title

The title might come from the lines:

And her batteries are corroded
And her hundred watt bulb just blew
or the repeated chorus:
.. she's standing in the shadows
Where the street lights all turn blue

Personnel

Other releases

A live performance of this song is featured on the 1974 disc of Morrison's 2006 issued DVD, Live at Montreux 1980/1974. Morrison used a stripped-down band on this Montreaux Jazz Festival appearance consisting of:

Covers

Notes
  1. "Van Morrison - Bulbs" – via www.45cat.com.
  2. "Van Morrison - Bulbs" – via www.45cat.com.
  3. Heylin, Can You Feel the Silence? p. 521
  4. Heylin, Can You Feel the Silence? p. 284
  5. Collis, Inarticulate Speech of the Heart, pp. 140–141
  6. Hinton, Celtic Crossroads, p. 179
  7. "Van Morrison - Veedon Fleece". stylusmagazine.com. Retrieved 3 August 2008.
  8. "Lights, Camera, Backbeat - Search". www.lightscamerabackbeat.com.
  9. Hal Horowitz (5 August 2003). "Vanthology: A Tribute to Van Morrison - Van Morrison | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 15 February 2014.
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gollark: orange man badhe is unironically bad but somehow doing bad things constantly makes people stop caring???
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gollark: But also think the government would manage to mess it up horribly if they ended up getting involved in some way.
gollark: I sort of agree that having companies arbitrarily do fact checking and stuff might be a bad idea.

References
  • Collis, John (1996). Inarticulate Speech of the Heart, Little Brown and Company, ISBN 0-306-80811-0
  • Heylin, Clinton (2003). Can You Feel the Silence? Van Morrison: A New Biography, Chicago Review Press ISBN 1-55652-542-7
  • Hinton, Brian (1997). Celtic Crossroads: The Art of Van Morrison, Sanctuary, ISBN 1-86074-169-X
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