Bouteldja Belkacem

Bouteldja Belkacem (5 April 1947 – 1 September 2015 in Oran) was an Algerian raï songwriter, lyricist and composer.[2]

Bouteldja Belkacem
Born5 April 1947
Oran, Algeria
Died1 September 2015(2015-09-01) (aged 68)
GenresRaï[1]
Occupation(s)Singer, musician
Years active1964–2015

Biography

Bouteldja Belkacem grew up in the El Hamri neighborhood of Oran in Algeria.[3] He is considered a pillar of modern raï. One of those who modernized the raï with Messaoud Bellemou, in the 1960s, he began to use the accordion in place of the zamr, which allowed a rai performer to play and sing at the same time. But since the accordion could not play quarter tones, Bouteldja transformed it by changing the length of the strips of metal inside, making it compatible with the traditional Algerian melodic system.[4]

On 9 December 1965, he recorded at Brahim El Feth's, his first tape followed by a disk with two hits. In 1968, his editor left for Paris, and Belkacem Bouteldja to honor his contract had an obligation to go back and forth to record three discs. In late 1969 his encounter with Messaoud Bellemou upset the traditional raï; their 1974 record marked the effective birth of pop-raï.[5] Their collaboration endured until the end of 1979. Bouteldja withdrew for a while returning in 1985, for the first held Rai Festival in Oran, with representatives of the new wave such as Cheb Khaled, Hamid and many others.

In 1993, summarizing the history of rai, Belkacem Bouteldja would say: "Life is like that. To each his own time: Cheikh Hamada in the 30s, Rimitti in the 50s, Bouteldja in the 60s, Bellemou in the 70s, Khaled in the 80s, Hasni and Nasro in the 90s."

Discography
  • Gatlek Zizia (????, 1965)
  • Hadi França / Li Bik Bia (Chandor, 1967)
  • Milouda / Serbili baoui (Chandor, 1966) (Casaphone, 1970)

Songs
  • Milouda[6]
  • Gatlek Zizia (Cheikha El Wachma cover)[7]
  • Serbili baoui[8]
  • Ya Rayi[9]
  • Hiya Hiya Wahrania[10]
  • Sidi el Hakem[11]
  • Taliya Rabi Bik Blani
gollark: +[-[<<[+[--->]-[<<<]]]>>>-]>-.---.>..>.<<<<-.<+.>>>>>.>.<<.<-.
gollark: <@435756251205468160> interpret BF +[-[<<[+[--->]-[<<<]]]>>>-]>-.---.>..>.<<<<-.<+.>>>>>.>.<<.<-.
gollark: !interpret list
gollark: Sounds cool, actually.
gollark: Oh, phew.

References
  1. Koskoff, Ellen, ed. (2008). "Raï". The Concise Garland Encyclopedia of World Music. 2. Routledge. p. 805. ISBN 978-0-415-97293-2.
  2. http://www.lefigaro.fr/flash-actu/2015/09/02/97001-20150902FILWWW00382-deces-d-un-pere-de-la-musique-rai-moderne.php
  3. El Watan 2009-01-06
  4. Garland Encyclopedia of World Music (1 February 2013). The Concise Garland Encyclopedia of World Music. Routledge. p. 805. ISBN 978-1-136-09602-0.
  5. Dr Michael Drewett; Professor Martin Cloonan (28 January 2013). Popular Music Censorship in Africa. Ashgate Publishing, Ltd. p. 206. ISBN 978-1-4094-9358-7.
  6. Video on YouTube
  7. Video on YouTube
  8. Video on YouTube
  9. Video on YouTube
  10. Video on YouTube
  11. Video on YouTube
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