Boston Society of Film Critics Award for Best Foreign Language Film
The Boston Society of Film Critics Award for Best Foreign Language Film is one of the annual film awards given by the Boston Society of Film Critics.
Winners
1990s
Year | English title | Original title | Country | Director |
---|---|---|---|---|
1990 | Mr. Hire | Monsieur Hire | France | Patrice Leconte |
1991 | Europa Europa | Europa Europa | Germany/France/Poland | Agnieszka Holland |
1992 | No information | |||
1993 | Farewell My Concubine | 霸王別姬 Ba wang bie ji | China/Hong Kong | Chen Kaige |
1994 | Three Colours: Red | Trois couleurs: Rouge | France/Poland | Krzysztof Kieślowski |
1995 | Mina Tannenbaum | France | Martine Dugowson | |
1996 | My Favorite Season | Ma saison préférée | France | André Téchiné |
1997 | Underground | Serbo-Croatian: Podzemlje Serbian Cyrillic: Подземље | France/Germany | Emir Kusturica |
1998 | A Taste of Cherry | طعم گيلاس Ta'm-e gīlās | France/Iran | Abbas Kiarostami |
1999 | All About My Mother | Todo sobre mi madre | Spain | Pedro Almodóvar |
2000s
Year | English title | Original title | Country | Director |
---|---|---|---|---|
2000 | Crouching Tiger, Hidden Dragon | 臥虎藏龍 Wo hu cang long | Taiwan | Ang Lee |
2001 | Love's a Bitch | Amores perros | Mexico | Alejandro González Iñárritu |
2002 | And Your Mother Too | Y tu mamá también | Mexico | Alfonso Cuarón |
2003 | The Triplets of Belleville | Les triplettes de Belleville | Belgium/Canada/France | Sylvain Chomet |
2004 | House of Flying Daggers | 十面埋伏 Shi mian mai fu | China/Hong Kong | Zhang Yimou |
2005 | Kung Fu Hustle | 功夫 Kung fu | China/Hong Kong | Stephen Chow |
2006 | Pan's Labyrinth | El laberinto del fauno | Mexico/Spain/USA | Guillermo del Toro |
2007 | The Diving Bell and the Butterfly | Le scaphandre et le papillon | France/USA | Julian Schnabel |
2008 | Let the Right One In | Låt den rätte komma in | Sweden | Tomas Alfredson |
2009 | Summer Hours | L'heure d'été | France | Olivier Assayas |
2010s
Year | English title | Original title | Country | Director |
---|---|---|---|---|
2010 | Mother | 마더 Madeo | South Korea | Bong Joon-ho |
2011 | Incendies | Incendies | Canada | Denis Villeneuve |
2012 | Amour | Amour | Austria/France/Germany | Michael Haneke |
2013 | The Great Beauty | La grande bellezza | Italy | Paolo Sorrentino |
2014 | Two Days, One Night | Deux jours, une nuit | Belgium | The Dardenne Brothers |
2015 | The Look of Silence | Senyap | Denmark/Indonesia | Joshua Oppenheimer |
2016 | The Handmaiden | Agassi | South Korea | Park Chan-wook |
2017 | The Square | Sweden | Ruben Östlund | |
2018 | Shoplifters | 万引き家族 (Manbiki Kazoku) | Japan | Hirokazu Koreeda |
2019 | Parasite | 기생충 (Gisaengchung) | South Korea | Bong Joon-ho |
gollark: They might end up doing it anyway, though, yes.
gollark: How are you defining "functionally assist" here, how do they do that, and do you care about intent at all?
gollark: Anyway, there are annoying theorems restricting the ability of *any* voting system to satisfy a bunch of important goals: not encouraging tactical voting, not having one person with extra power, having more than two options, sort of thing.
gollark: I doubt many people actually think they *don't*.
gollark: Also score voting.
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