Bloom (Audio Adrenaline album)

Bloom is the third studio album released by Audio Adrenaline. In 1999, the album was certified Gold by RIAA.[1]

Bloom
Studio album by
Audio Adrenaline
ReleasedFebruary 20, 1996
Recorded1995
StudioArdent Recordings, Memphis, TN
The Salt Mine, Brentwood, TN
House of Insomnia, Franklin, TN
GenreChristian rock
Length50:29
LabelForeFront
ProducerJohn Hampton
Audio Adrenaline chronology
Live Bootleg
(1995)		 Bloom
(1996)		 Some Kind of Zombie
(1997)
Alternate cover

Concept

Bloom represented a departure from the band's previous efforts into a more straightforward rock with hints of grunge music.[2] According to the band, both the title and the music reflects the way they've matured and "grown into a new phase of life".[3]

Recording

Bloom was recorded in 1995 at various studios in Tennessee: Ardent Recordings in Memphis, The Salt Mine in Brentwood, and House of Insomnia in Franklin. Producer, John Hampton, was in charge of the recording and mixing. The mastering was done by Ken Love at MasterMix, Nashville, Tennessee.[4]

Critical reception
Professional ratings
Review scores
SourceRating
allmusic[5]
Jesus Freak Hideout[6]

Bloom was well received by the audience becoming the first album of the band to be certified gold by RIAA.[7] John DiBiase, of Jesus Freak Hideout, gave the album 4.5 stars out of 5, calling it "a brave and risky album for the band that only proved to be an ultimately wise stylistic change... it's among their best, and a dang good 90's rock album." Paul Portell, also of Jesus Freak Hideout, gave it 3.5 stars out of 5, and wrote that the album "showed Audio A's growth and potential... No 90's Christian rock fan should be without this monumental project." Sherwin Frias, of Jesus Freak Hideout too, praised the band's improved songwriting and called the album "fantastic" and "essential for any AudioA fan".[8]

Commercial performance

The album peaked at No. 77 on Billboard 200.[9]

Track listing
No.TitleWriter(s)Length
1."Secret"Barry Blair, Bob Herdman, Will McGinniss, Mark Stuart3:43
2."Never Gonna Be as Big as Jesus[a][b]"Blair, Herdman, McGinniss, Stuart4:27
3."Good People"Blair, Herdman, McGinniss, Stuart3:26
4."I'm Not the King[a]"Blair, Herdman, McGinniss, Stuart3:53
5."Walk on Water[a]"Blair, Herdman, McGinniss, Stuart3:52
6."See Through"Blair, Herdman, McGinniss, Stuart4:58
7."Free Ride"Blair, Daniel Hartman, Herdman, McGinniss, Stuart3:23
8."Man of God"Blair, Herdman, McGinniss, Stuart4:18
9."Gloryland"Blair, Herdman, McGinniss, Stuart4:24
10."Jazz Odyssey"Blair, Herdman, McGinniss, Stuart1:22
11."Bag Lady"Blair, Herdman, McGinniss, Stuart4:11
12."I Hear Jesus Calling"Blair, Herdman, McGinniss, Stuart3:22
13."Memoir" (The song "Memoir" ends at 5:10. After 23 seconds of silence [5:10 - 5:33], begins an untitled hidden track: it is a brief studio out-take.)Blair, Herdman, McGinniss, Stuart6:15
Total length:50:37
a appears on Hit Parade
b appears on Adios: The Greatest Hits

Personnel

Audio Adrenaline
  • Mark Stuart – lead vocals
  • Will McGinniss – bass, vocals
  • Bob Herdman – guitar, keyboards, vocals
  • Barry Blair – guitar, vocals

Additional musicians
  • Greg Herrington – drums
  • Todd Collins – percussion montage, background vocals
  • John Hampton – percussion montage
  • Ben Cissell – percussion montage
  • Eddie DeGarmo – keyboard arrangements

Production
  • John Hampton – producer, engineer, mixer
  • The Gotee Brothers – producers
  • Eddie DeGarmo – executive producer
  • Dan R. Brock – executive producer
  • Erick Flettrich – engineer
  • John Painter – engineer
  • Jef Curtiss – engineer
  • Todd Collins – additional engineering on "See Through"
  • Reid Waltz – additional engineering on "See Through"
  • Ken Love – mastering
  • John Falls – photography
  • Rusty Rust – aluminum photography
  • Kerri McKeehan Stuart – art direction
  • Brad Talbott – design
gollark: Heterochromia?
gollark: Which thing? Automated racism?
gollark: I assume someone has something like that so they can train racism *detection* things.
gollark: Some bits of reddit, possibly.
gollark: If we trained GPT-3 to be racist, would it be *truly* racist or merely a bad simulacrum of a racist human?

References
  1. RIAA website
  2. Bloom Reviews on Jesus Freak Hideout
  3. 100% Pure Adrenaline on CCM Magazine; Selby, Marykay (April 1996)
  4. Bloom slip cover; Audio Adrenaline (1996)
  5. allmusic review
  6. Jesus Freak Hideout review
  7. RIAA website
  8. Bloom review on Jesus Freak Hideout; John DiBiase, Paul Portell, and Sherwin Frias
  9. Bloom on Billboard


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.