Black Jazz Records

Black Jazz Records was a jazz record company and label founded in Oakland, California[1] by pianist Gene Russell (December 2, 1932 - May 3, 1981)[2][3][4] and percussionist Dick Schory.[1][5][2][6] The label was created to promote the talents of young African American jazz musicians and singers, and released twenty albums between 1971 and 1975. Some of the more notable artists to record for Black Jazz Records were Cleveland Eaton, former bassist for Count Basie and Ramsey Lewis, and organist/pianist Doug Carn, whose four albums were the most successful of any Black Jazz artist.[7] Carn's wife at the time, Jean Carn, sang on his albums; she changed her name to Jean Carne and went on to have a successful solo career as an R & B singer.[8] Singer Kellee Patterson gained notoriety as the first black Miss Indiana in 1971, before recording her debut album, Maiden Voyage, with Black Jazz Records in 1973.[9][10] The label was distributed and financed by Ovation Records, a country and western label based in Chicago, which was also founded by Schory.[6][11] Black Jazz Records was considered at the time to be the first jazz label started by an African American since brothers John and Reb Spikes started Sunshine Records in 1921.[3][Note 1]

Black Jazz Records
Founded1969 (1969)
FounderGene Russell
Dick Schory
Defunct1975 (1975)
Distributor(s)Ovation Records
GenreJazz
Country of originU.S.
LocationOakland, California

History

Black Jazz Records was founded in 1969, and released its first four albums on August 1, 1971.[5][6] The founders were Gene Russell, a veteran jazz pianist, and Dick Schory, a Grammy-nominated percussionist also known for his development of the stereo recording techniques quadraphonic sound, Dynagroove, and RCA Victor's Stereo Action.[16][17] Schory started Ovation Records in 1969, after leaving RCA.[16] Ovation financed and distributed Black Jazz Records, while Russell served as an A&R executive. Russell also produced and engineered the label's initial releases, while maintaining complete artistic control through his production company, GR Productions.[6][18]

Russell's vision for Black Jazz Records was for it to be geared towards the Black community, and all of the artists recording for the label were African American.[6] The label was created as an alternative to traditional jazz, invoking a more political and spiritual tone, often with funk overtones.[5] Black Jazz released various types of music including, funk, free jazz and soul jazz. Black Jazz Records was also known for its unique album cover concept, which was copyrighted by the label. The concept included a design that allowed the title to be shown regardless of how the albums were positioned in the browsing rack at record stores. All of the albums had white lettering on a black background, with the liner notes and personnel listed in the same place on each of the label's releases.[6] Russell organized a promotional tour for the label in September 1971. In addition to promoting the first four Black Jazz albums, Russell and his marketing consultant Ray Lawrence did radio, television and newspaper interviews to showcase the label and its artists.[19] A 1974 Billboard Magazine article noted that Doug Carn, one of the label's more successful artists, sold more records than Dave Brubeck and Ramsey Lewis at that time.[5][7] The label existed for six years during its first run, folding in 1975.[5][4]

Re-discovery

James Hardge

Gene Russell closed Black Jazz Records in 1975 to focus on his new label, Aquarican Records. He started the new label in an effort to "remove the stigma attached to jazz titles."[18] Russell intended to move Black Jazz artists to Aquarican Records, but he did not sign his first artist to the label until 1980, when he signed singer Talita Long. Long recorded with Gene Russell as well as Henry Franklin, and is the mother of actress Nia Long.[3][20] Gene Russell died in 1981, and the albums from Black Jazz Records gradually faded out of circulation until 1986, when James Hardge, Jr. bought the defunct label's master recordings. By the early 1990s he had re-issued the entire collection on compact disc, including a new release by Doug Carn.[5][21][22]

Interest in Black Jazz was revived in the early 1990s when Carn's songs "Infant Eyes", "Adam's Apple", and "Spirit in a New Land" became popular in England and Japan. The label's music also became popular through samples used by hip-hop artists such as Ice Cube and A Tribe Called Quest. This new demand led to numerous bootleg copies of Black Jazz material entering the market.[21][23] While Hardge maintains a Myspace page for the label, attempts to sell the CDs online were unsuccessful, and he eventually offered Black Jazz Records for sale on Craigslist for $285,000 in 2011.[21][22][24] The Black Jazz catalog was eventually licensed to the Japanese label Snow Dog Records.[25][26]

Snow Dog Records

Snow Dog Records acquired the licensing to Black Jazz Records in 2012, and began reissuing the albums as its first project.[26] The remastered albums included new liner notes and previously unpublished photographs.[25] They have also released a series featuring remixes of Black Jazz material produced by DJ's from Japan, Germany, and the United States: DJ Mitsu, Gilles Peterson, Muro, and Theo Parrish.[27][28][29]

Legacy

The legacy of Black Jazz Records has been kept alive by reissues of its albums, remixes and samples by DJ's and hip-hop artists. There have also been occasional tours and concerts where former Black Jazz artists have performed music from their recordings with the label. Doug Carn, Rudolph Johnson and Henry Franklin joined other veteran musicians as the Black Jazz Allstars, and performed a series of shows at the Center for African and African American Art and Culture in San Francisco, California, from April 29 to May 7, 2000.[23] Guitarist Calvin Keys joined former label mates Henry Franklin and Carl Burnett in "Heroes of Black Jazz, a Tribute to Gene Russell", on July 14, 2011 at the Barbara Morrison Performing Arts Center in Leimert Park, Los Angeles.[30] Calvin Keys' first album, Shawn-Neeq, originally recorded with Black Jazz Records in 1971, was re-issued by Tompkins Square Records in 2012.[31] Keys celebrated the re-issue of "Shawn-Neeq" by performing the entire album at Yoshi's jazz club in San Francisco, California on January 5, 2012.[32] Doug Carn and his ex-wife Jean Carne played together at the 2013 Savannah Jazz Festival in Savannah, Georgia on September 28, 2013.[33]

Black Jazz Records Discography
BJQDArtistsTitleRecorded
1Gene RussellNew Direction1971
2Walter Bishop Jr.Coral Keys1971
3Doug CarnInfant Eyes1971
4Rudolph JohnsonSpring Rain1971
5Calvin KeysShawn-Neeq1971
6Chester ThompsonPowerhouse1971
7Henry FranklinThe Skipper1972
8Doug CarnSpirit of the New Land1972
9The AwakeningHear, Sense and Feel1972
10Gene RussellTalk To My Lady1973
11Rudolph JohnsonThe Second Coming1973
12Kellee PattersonMaiden Voyage1973
13Walter Bishop, Jr.Keeper of My Soul1973
14Doug CarnRevelation1973
15The AwakeningMirage1973
16Doug CarnAdam's Apple1974
17Henry FranklinThe Skipper At Home1974
18Calvin KeysProceed With Caution!1974
19Roland HaynesThe Second Wave1975
20Cleveland EatonPlenty Good Eaton1975
21Doug CarnNew Incentive: Firm Roots2001

[22]

Black Jazz Releases Under Snow Dog Records

Re-mix Series
BJQDArtistsTitleRecorded
1DJ MitsuThe Beats: Solid Black2012
2Gilles PetersonBlack Jazz Radio2012
3MuroKing of Diggin': Diggin' Black Jazz2013
4Theo ParrishBlack Jazz Signature - Black Jazz Records: 1971-19762013

Musicians
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gollark: Look at what BF DERIVATIVE CREATORS have been demanding your Respect for all thsi time, with all the computers and software we built for them:These are REAL BF Derivatives, done by REAL BF Derivative Creators:
gollark: STOP DOING BF DERIVATIVES- BF WAS NOT MEANT AS A SERIOUS LANGUAGE- SO MANY DERIVATIVES yet NO REAL-WORD USE FOUND for mildly different variants of it- Wanted to have basic substitutions of it anyway for a laugh? We had a tool for that. It was called `sed`- Hello, how are >---><><.,><><> doing? Isn't the weather <><++++<>< today? - Statements dreamed up by the utterly Deranged.
gollark: I love how the binary package is actually smaller than the one for source.

References
  1. "Black Jazz Records." www.allrecordlabels.com. Retrieved October 12, 2015.
  2. Nastos, Michael G. "Gene Russell." www.allmusic.com. Retrieved October 12, 2015.
  3. "Gene Russell's Back With L.A. Label." Billboard Magazine, September 27, 1980. Google Books. Retrieved October 19, 2015.
  4. Williams, Jean. "It's Back to Piano for Russell." Billboard Magazine, June 9, 1979. Google Books. Retrieved October 19, 2015.
  5. "A Tribute to Black Jazz Records." www.choicecuts.com. Retrieved October 12, 2015.
  6. "Black Owned Jazz Label to Bow With Black Acts Only." Billboard Magazine, July 3, 1971. Google Books. Retrieved October 16, 2015.
  7. "Top Jazz Albums: ARTISTS." Billboard Magazine, December 26, 1974. Google Books. Retrieved November 27, 0215.
  8. Wynn, Ron. "Doug Carn." www.allmusic.com. Retrieved October 16, 2015.
  9. Harris, Tamara. "Throwback: Kellee Patterson-Turn on the Lights." www.kickmag.net, August 14, 2011. Retrieved January 3, 2016.
  10. "Profile: Kellee Patterson." Discogs. Retrieved January 3, 2016.
  11. "Who's Who in A&R at Ovation." New on the Charts, 1979. www.notc.com. Retrieved October 16, 2015.
  12. "Benjamin F. Spike." www.doctorjazz.co.uk. Retrieved February, 19, 2017.
  13. Granshaw, Michelle. "Black Swan Records(1921-1923)." www.blackpast.org. Retrieved February 20, 2017.
  14. Pekar, Harvey. "A new reissue chronicles Debut Records' jazz highlights of the 1950s." www.metroactive.com, October 30-November 5, 1997. Retrieved February 20, 2017.
  15. "Debut Records Discography Project." www.jazzdisco.org. Retrieved February 20, 2017.
  16. Weiss, Lauren Vogel. "Hall of Fame: Dick Schory." www.pas.org. Retrieved November 20, 2015.
  17. "RCA Victor Stereo Action Series." www.musiceureka.wordpress.com, October 29, 2014. Retrieved November 20, 2015.
  18. Williams, Jean. "Jazz Sneaks Into R&B Scheduling." Billboard Magazine, September 13, 1975. Google Books. Retrieved December 13, 2015.
  19. "Black Jazz Promo Tour." Billboard Magazine, September 4, 1971. Google Books. Retrieved December 5, 2015.
  20. "Talita Long." www.burkemanagementfirm.com. Retrieved December 13, 2015.
  21. Koshkin, Brett. "Wanna Own a Legendary Record Label? Black Jazz Puts Itself Up for Sale." www.laweekly.com, August 6, 2011. Retrieved October 17, 2015.
  22. "Black Jazz Records." www.discogs.com. Retrieved October 12, 2015.
  23. Varela, Jesse. "Black Jazz Label Reborn." www.mtv.com, April 29, 2000. Retrieved October 17, 2015.
  24. Harvey, Jamison. "Black Jazz Records Master Tapes for Sale on Craigslist?" www.fleamarketfunk.com, June 28, 2011.
  25. "Label Profile: Snow Dog Projects." www.snwdg.com. Retrieved October 19, 2015.
  26. "Releases." www.snwdg.com. Retrieved August 10, 2016.
  27. "Snow Dog Records: Mixes." www.snwdg.com. Retrieved November 6, 2015.
  28. Shaw, Steve. "Theo Parrish’s Black Jazz Signature: Black Jazz Records 1971-1976." www.factmag.com, August 27, 2013.
  29. "Muro: King of Diggin': Diggin' Black Jazz." www.forcedexposure.com, November 6, 2015. Retrieved November 6, 2015.
  30. "Barbara Morrison Performing Arts Center Features Gene Russell Tribute, 7/14." www.broadwayworld.com, July 5, 2011. Retrieved October 19, 2015.
  31. "Calvin Keys: Shawn-Neeq." www.tompkinssquare.com. Retrieved November 9, 2015.
  32. Gilbert, Andrew. "Guitarist Calvin Keys Helps Celebrate Vinyl Reissue of His 1971 'Shawn-Neeq' With a Yoshi's Gig." www.mercurynews.com, January 5, 2012. Retrieved October 19, 2015.
  33. DeYoung, Bill. "Doug and Jean Carn: The First Couple of Black Jazz: Reunited onstage for the Jazz Fest." www.connectsavannah.com, September 25, 2013. Retrieved November 8, 2015.

Notes
  1. Sunshine Records only released six records, all by Kid Ory's jazz band. [12] Black Swan Records, also founded in 1921 by Harry Pace, specialized in jazz and blues. It is more commonly known as the first black-owned jazz label due to its wider distribution.[13] The Billboard article also fails to mention Debut Records, a jazz label started in 1952 by bassist Charlie Mingus, his wife Celia, and drummer Max Roach.[14][15]
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