Beatie Wolfe

Beatie Wolfe is an Anglo-American award-winning, pioneering singer-songwriter[1] known for "seeing music differently"[2] and creating new tangible formats for albums in the digital era.[3]. These musical innovations, which include a Space Broadcast via the Holmdel Horn Antenna[4] and the world's first live 360 AR stream[5], have gained Wolfe critical acclaim with the Victoria and Albert Museum inviting Wolfe to exhibit her 'world first' album designs in a solo exhibition[6][7][8]; the Barbican Centre commissioning a documentary on Wolfe's work[9]; Wired featuring Wolfe as one of 22 changing the world[10] and UN Women selecting Wolfe as one of nine innovators for a global campaign for International Women's Day[11]. In January 2020, Wolfe received the She Rocks Innovator award[12] alongside Suzi Quatro, Gloria Gaynor, Linda Perry and Tal Wilkenfield.

Beatie Wolfe
Beatie Wolfe in the anechoic chamber
Background information
BornLondon, England
Genres
  • Indie Rock
  • Folk
  • Rock
Occupation(s)Artist, musician
Instruments
  • Vocals
  • Guitar
  • Piano
Years active2010–present
LabelsIndie
Websitewww.beatiewolfe.com

Wolfe is also the co-founder of a "profound"[13] research project looking at the Power of Music for people living with dementia and in March 2020 gave a TEDMED[14] talk about the power of music as medicine and her work in the field.

Early life

Wolfe was born in Sands End, South London, to an English mother and American father. She attended the Young Blood Theatre group at the Riverside Studios between 2000 and 2004 where she wrote and performed in a number of plays at the Riverside Theatre and Lyric Theatre. Wolfe attended Ibstock Place School from age 3 to 16. Following Ibstock, she attended Goldsmiths, University of London where she studied English Literature. For her dissertation, Wolfe wrote about Canadian singer-songwriter Leonard Cohen, which she received a first for and it was subsequently published online.[15] This led to her musical interpretation of Cohen's poem "Thousand Kisses Deep" and correspondence with Cohen and his team.

Early music career

On 10 – 12 November 2007, Wolfe was invited to play the Jack Kerouac Festival[16] at the Marquee Club alongside American performers Carolyn Cassady, Saul Williams and David Amram. David Amram, who declared Wolfe to be "the Baroness of bob", invited the London singer songwriter to perform at his residency night at the Cornelia Street Cafe in New York. On 7 April 2008, Wolfe performed her first of several New York shows[17] with Amram at Cornelia Street Cafe, alongside The Sopranos star John Ventimiglia. She also performed at New York clubs Rockwood Music Hall, The Living Room, Pete's Candy Store and on East Village Radio a residency with Punchdrunk's theatre show Sleep No More.

Burst EP (2010–2011)

Wolfe's debut EP, Burst was released in January 2010 as an iPhone App as was one of very few artist apps available. GQ Magazine[18] reviewed the launch concert at St Pancras Old Church as "the best concert [they'd] been to all year."

In July 2011, Wolfe performed at Secret Garden Party in Huntington. In August 2011, she was selected by EMI and Roundhouse to be featured in its 30/30 compilation album. This was released in December 2011 on Roundhouse Records. In August 2011, Wolfe shared the bill with American jazz musician Wynton Marsalis at Ronnie Scott's Jazz Club. Following the show, Wolfe and Marsalis became friends and he became an important musical influence and mentor.

Debut album 8ight: 2013 – 2014

In July 2013, Wolfe released her debut album 8ight as a vinyl, lyric book and 'world's first' 3D interactive album app[19] which British GQ premiered in its magazine, online and via its app, titled "Beatie Wolfe enters a new dimension: How folk's sultry songtress gave depth to her debut album."[20] The album was positively reviewed by GQ as "updating traditional sounds with themes from modern life... she enraptured us with her smoky, captivating melodies about love and loss." It was also positively reviewed by Monocle as "Beautiful, it's hitting me like lovely records do"[21] and Wolfe appeared on the front page of the Archant's Ham&High[22] with a double album page review, which described 8ight as: "Raw, brooding and so diverse it features everything from spongy bass to ukuleles, the record is an irresistible collection of melodious three-minute pop nuggets."

8ight's Innovations

Wolfe's "world’ first"[23] format was positively received by various critics such as Wired magazine who described it as an "ingenious 3D layered view that beautifully brings to life her captivating folk sounds"[19] and British GQ magazine who stated that Wolfe "continues to innovate with her beautiful new album 8ight". Several magazines noted that Wolfe was "the first artist to introduce Palm Top Theatre to her product".[24]

8ight Tour

Following her 3D Interactive App release, Apple Inc. invited Wolfe to perform at its worldwide flagship event theatres – London, New York & Berlin – to present her App in a live interview and perform tracks off her album 8ight. Live interviewers included Spin and Billboard editor & chief Craig Marks, GQ's commissioning editor Charlie Burton and Debug Founder Sascha Kösch.

Prior to the US tour for 8ight, Wolfe appeared on Monocle 24's Review Show[25] to talk about the influences behind the album, which coincided with a review in Monocle Mediterraneo 2013 summer publication.[26] In September 2013, Wolfe performed a US tour including headline shows in San Francisco, San Diego, LA, New York and Boston. UK tour performances included The Stables[27] in Buckinghamshire, Hare & Hounds in Birmingham and 606 Club in London. European performances included Hamburg's Nochtspeicher, CeBIT in Hanover and the Berlin Kurfürstendamm theatre. In November 2013, Wolfe was invited to present her App and perform at Wired's creative salon in Old Street. Her "8" App was later reviewed in January 2014's Wired Insider,[19] as a highlight of the night.

Beatie Wolfe standing in her album exhibition at the Victoria and Albert Museum

Album Lyric Book – Words of 8ight

On 19 February 2014, at Mayfair's Maggs Bros Ltd on Berkeley Square – one of the longest-established antiquarian booksellers in the world – Wolfe launched the first edition of 'Words of 8IGHT',[28] her lyric book to accompany the album.

Album: Montagu Square: 2015 – 2016

Wolfe's second album Montagu Square was conceived and recorded at 34 Montagu Square – the former home of Jimi Hendrix, Ringo Starr, Paul McCartney, John Lennon & Yoko Ono – and the album's single "Take Me Home" was recorded in the room where McCartney wrote ‘"Eleanor Rigby" & Hendrix penned "The Wind Cries Mary."

Montagu Square received positive reviews with The Independent newspaper calling the album "absolutely gorgeous"[29] and praising Wolfe for being a "pioneering songwriter", Forbes calling it "extraordinary,"[30] The Huffington Post highlighting its "strong percussive sound with a bluesy overtone" and praising its "refreshingly low fi and honest"[31] sound and Monocle Magazine describing the album as: "pure and simple; a short, sharp flip-it-over-and-listen-again LP of well-made, expertly played, beautifully sung chamber pop."[32]

Following Montagu Square's release, Wolfe was nominated for Google Play Music's "Best Digital Artist" alongside the 1975.

Montagu Square's Innovations

Musical Jacket

Following on the innovations of 8ight, Montagu Square was released as a woven album jacket made by legendary tailor Michael Fish (fashion designer).[33] Wolfe recorded the album at 34 Montagu Square, Marylebone, the former home of Jimi Hendrix, Paul McCartney, Ringo Starr, John Lennon & Yoko Ono and in the room where "The Wind Cries Mary" and "Eleanor Rigby" had been written. Wolfe's live recording – complete with its ambient sound, resonance of the room – was translated into a woven fabric and cut by tailor Michael Fish (fashion designer) (who dressed Jimi Hendrix, David Bowie & Mick Jagger in the 60s and 70s) as the first Musical Jacket of its kind.[34] The Jacket has been NFC-enabled, allowing people to hear the music by tapping their phone onto the fabric. Wolfe's jacket has been featured in the Evening Standard, Craft Magazine, Creative Review, Huffington Post,[35] Wired, Forbes,[30] Recode,[36] The Next Web,[37] Tech Crunch[38] and Fast Company.[39] Tech Crunch called the Musical Jacket "spectacular" and praised Wolfe for "making music physical again, in a very literal way."

Wolfe has told the story of her Musical Jacket at Digital Life Design in Munich alongside Arianna Huffington; at Apple HQ's Steve Jobs Theatre in Cupertino; at an audience with Her Majesty Queen Elizabeth II in Liverpool; at South by Southwest and in the Victoria and Albert Museum alongside David Bowie's designer Jonathan Barnbrook for the 'Records and Rebels' exhibition.[40]

NFC Album Deck

In addition to the musical jacket, 'Montagu Square' was released as the world's first NFC Album Deck[41] in collaboration with MOO. The Next Web called this release "a brilliant inspiring idea that transcends novelty"[37] and Wired called it "bleeding edge." The Montagu Square album deck comes as a pack of printed cards with each card corresponding to each track off the album and featuring artwork, lyrics and an embedded Near field communication (NFC) chip – allowing listeners to tap the song cards onto their phone to play the music and access its content. The Montagu Square Deck was previewed at London's Serpentine Gallery.

Album: Raw Space: 2017

Wolfe's third album Raw Space was conceived at Bell Labs' Anechoic chamber, cited in the Guinness World Records as the quietest room in the world. The album features

Beatie Wolfe in the anechoic chamber at Bell Labs

"Little Moth", a song written in tribute to singer songwriter Elliott Smith and described by Spindle Magazine as "a tender homage with the intimate double vocals, distant mellotron and all round low-fi sound, very much in the spirit of Smith’s style and production."[42] Highsnobiety named Wolfe as one of '10 Ways Music Will Change in 2017.'[43]

Raw Space was released in May 2017 and reviewed positively by BBC Radio 4[44] who called it "delicious", KCRW who called it "raw, gritty and honest", Jazziz[45] who praised the song arrangements for having echoes of George Martin, New Scientist who described it as "intimate, like the sound of secrets whispered under bed covers," and Nathan Brackett who called it "amazing" and made it an Amazon Music album of the month. It also featured on Bayerischer Rundfunk, BBC Radio 2, Hoxton Radio, XETRA-FM.

Raw Space's Innovations

Live 360 AR Stream

Responding to the streaming age of music becoming the principal way of listening and continuing her approach of trying to reunite music in the digital age with a sense of tangibility, ceremony and storytelling,[46] Wolfe released Raw Space as the world's first live 360 AR stream[47][48] in collaboration with Bell Labs[49] and Theo Watson's design company, Design I/O. This was a first in the world for combining live, 360˚ stereoscopic video and real-time AR visuals, creating a modern, Fantasia-like live streamed album experience.[50] In an interview with Hoboken Life, Wolfe described the thinking behind Raw Space:

Raw Space touches on the themes I’ve been exploring since my first album but in perhaps the most extreme and technicolor way. For this album, it began with a question. What would the anti-stream of today look like? With Raw Space, I wanted to create the antithesis of our current streaming experience and really celebrate the world of the album—it’s artwork, arc, narrative, music—in a fully immersive and multi sensory way, which has the effect of placing the listener at the centre of this dynamic world.[51]

The live stream started on 5 May 2017 and ran continuously for 7 days straight. A turntable physically played Wolfe's album Raw Space on repeat from inside the Bell Labs' Anechoic chamber while people logged on via YouTube to listen to the music and explore the room in 360-degree video with the Augmented reality animation bringing the album's artwork, lyrics and visual landscape to life in real-time for the viewers.[44] The Augmented reality animation was also part-generative, which meant that with every spin the visuals would evolve and listeners might experience different things. The Raw Space live stream was given high praise by TechCrunch,[52] Axios (website), Fast Company,[53] Wired[54] and New Scientist, who described it as "like walking around in a dream someone had made for me"[55] and the BBC Radio 4 called it "transformative"[44] and "an extraordinary production: music and visuals" for "operating in this liminal space between online and offline." Raw Space was featured in YouTube's 'Best of 360.'

Live, generative AR performance

In addition to the live stream, Wolfe also pioneered the world's first live, generative Augmented reality performance for songs "Little Moth" and "As You" as part of the launch of Raw Space.[56][57] This was achieved by using kinect's motion-sensing devices, designed for Microsoft's Xbox 360 games console, to track Wolfe's movements in the chamber and allow the Augmented reality animation to respond to her specific location in real time. New Scientist described this as "an enchanting effect," with the song's lyrics streaming out of her mouth as her sung and the graphics following her round the room in real time.[58]

Beatie Wolfe standing at the Holmdel Horn Antenna from which she broadcast her album into Space

Raw Space galactic broadcast

On 26 September 2017, Wolfe broadcast her album Raw Space into space via the Holmdel Horn Antenna and with the assistance of Robert Woodrow Wilson[59][60][61]. Robert Woodrow Wilson made an update to the horn to ensure Wolfe's music got past the earth's atmosphere and into space, making this the first music broadcast into space using the Holmdel Horn Antenna.

Experiments in Art and Technology collaborator

Wolfe's Raw Space sits under the umbrella of Bell Labs Experiments in Art and Technology, a 50-year-old collaborative program which began in October 1966 with 9 Evenings: Theatre and Engineering. Wolfe is one of the first 21st century collaborators joining the likes of past participants John Cage, Andy Warhol, Robert Rauschenberg. Bell Labs president and Nokia CTO Marcus Weldon said the program had "attenuated" over the decades, but he's hoping to kickstart it by working with Wolfe.[52]

Philanthropic work

Power of Music and Dementia
Beatie Wolfe Collision Conf 2018 03

Power of Music & Dementia[62] is a philanthropic collaboration between Wolfe and The Utley Foundation. Wolfe was inspired by the work of neurologist Oliver Sacks and his book Musicophilia to begin this project after family members became inflicted by the condition.[63] The Power of Music & Dementia research project was the first recorded study to look at new music for people living with dementia. Wolfe's study has been described as "ground-breaking"[64] and "profound" for testing music unconnected to memory and has been endorsed by the American Alzheimer's Association[65] and Stanford University. The Power of Music research tour ran for 4-months between November 2014 and February 2015 and Wolfe performed her original music at Priory Group care homes across the UK while responses were monitored, both during the live performance and in the weeks following as the patients listened to the same songs on headsets. The findings, which included a significant improvement in communication and memory,[13] were published in May 2015 and received positive press from The Times, Independent, Guardian, BBC Radio 4,[66] and Wired[67] as the first study to both test and show the benefits of new (novel) music.[68]

Wolfe has presented about 'Power of Music & Dementia' at TEDMED, WIRED's Conference,[69] Digital Life Design, UCSD, Royal Institution, Social Innovation Summit, the American Alzheimer Association, in a televised interview for Stanford University "Of Sound Mind"[70] and Sky News. Wolfe's song "Need Somebody" (from on Montagu Square) was inspired by this dementia project. Wolfe also collaborated with Punchdrunk on their Greenhive Green[71] as the musical artist for the installation.

Power of Music & Dementia was turned into the UK charity Music For Dementia 2020[72] with the aim of getting music in all UK care homes. Wolfe is an ambassador for the charity.

Awards, patronage and nominations

Musical style and influences

Wolfe's style has been described by The Huffington Post as "low fi and honest"[80] indie rock with a "strong percussive sound and bluesy overtone" and by Monocle as "expertly played, beautifully sung chamber pop."[32] Praised by GQ for her "smoky captivating melodies that envelop the listener in tales of love and loss"[20] Wolfe's music pulls from the brooding poeticism of Leonard Cohen, the tender intimacy of Elliott Smith and occasionally veers into Americana and grunge territory. Wolfe's live performance has been hailed as "absolutely breathtaking" by The New York Times Magazine and "a profound delivery of depth and soul" and Wolfe has been described as a "beguiling, excellent live performer."[23]

Wolfe influences include: "Donny Hathaway’s vocals, James Brown’s sass, Nina Simone’s soul, Tom Waits’ grit, Leonard Cohen's words, Stevie Wonder's melodies, Brian Wilson's harmonies, Otis Redding's feeling, The Beatles’ versatility, John Lennon's honesty, Rick Rubin's production and Elliott Smith's everything."[47]

Discography

Albums

Raw Space

Released: 5 May 2017

SongTrackLengthWritten By
Little Moth103:55Beatie Wolfe
The Man Who205:25
Pure Being304:06
Gimme Some Love404:26
Oh Darling504:45
Broken Bird605:03
As You703:54
How Can I804:24

Montagu Square

Released: 26 October 2015

SongTrackLengthWritten By
Set Her Free102:56Beatie Wolfe
Battleships203:54
From Green To Red304:27
Take Me Home404:13
This Love504:38
Simply Friends603:20
To Be Saved705:38
Need Somebody804:29

8ight

Released: 1 July 2013

SongTrackLengthWritten By
Lied103:05Beatie Wolfe
Make it Up203:05
Never Ever302:59
Too Lovely403:28
Danger Blue503:12
Thinking For Two603:18
Could She Be703:18
Beautiful Affair803:52
Lied (Extd Ver)Bonus03:25

EPs

Burst EP

Released: 1 January 2010

SongTrackLengthWritten By
Beautiful Affair103:40Beatie Wolfe
Burst204:54
11:07304:11
It Will All Fall404:08
As You503:24

Singles
TitleTrackLengthReleasedWritten By
"Never Ever"102:5711 July 2012Beatie Wolfe
"Too Lovely"103:2826 September 2012
"Wish"103:348 June 2014
"Kids Wish for the World"103:368 February 2015
"Back On Track"103:363 February 2017

Videos
VideoDirected ByReleased
Never EverPhil Connolly15 July 2012
Too Lovely1Take TV25 September 2012
Make It UpRobin Pattinson & Columbia Film Institute4 December 2012
Lied (2D Version)Phil Connolly1 August 2013
WishBen Stevenson8 June 2014
Kids Wish for the WorldBen Stevenson2 January 2015

Apps
AppDeveloperReleasedDesignerFormat
Beatie Wolfe – Burst EPTheodore Watson8 February 2010Design I/0iOS
Beatie Wolfe – 8Theodore Watson1 July 2013Design I/0iOS
gollark: Well, I listened to the first 10 seconds, and it's really boring.
gollark: I will open it now.
gollark: What genre is this "album"?
gollark: I like "sun" so I picked that.
gollark: LyricLy is to be terminated by arachnoanarchocommunism and Mobile Task Force σ-18 "Lyric Bad".

References
  1. Walsh, John (15 November 2015). "Beatie Wolfe interview: Musician explains why she's selling new album Montagu Square on a shirt, but not in record shops". The Independent. The Independent. Retrieved 15 November 2015.
  2. Rundle, Michael. "Beatie Wolfe wants to you look at music differently, literally". Wired UK. Condé Nast UK. Retrieved 17 October 2015.
  3. Lunny, Oisin. "Beatie Wolfe Explores The Art of Music In The Digital Age At The V&A". Forbes. Retrieved 13 March 2020.
  4. "Beatie Wolfe, beaming music into space | CLOT Magazine". Retrieved 13 March 2020.
  5. Whyte, Chelsea. "Augmented reality brings Beatie Wolfe's new songs to life". New Scientist. Retrieved 13 March 2020.
  6. "V&A · The Art of Music in the Digital Age: a series of world-first designs". Victoria and Albert Museum. Retrieved 13 March 2020.
  7. Steven, Rachael (17 September 2018). "Beatie Wolfe: Rethinking the album format". Creative Review. Retrieved 13 March 2020.
  8. "BBC World Service – Digital Planet, Music Tech Fest in Stockholm". BBC. Retrieved 13 March 2020.
  9. "Beatie Wolfe: Orange Juice for the Ears | Barbican". Barbican.org.uk. Retrieved 13 March 2020.
  10. Woollaston, Victoria. "On International Women's Day, WIRED highlights the females changing the world". WIRED UK. Retrieved 30 September 2017.
  11. "International Women's Day: UN campaign celebrates achievements of 'impossible to ignore' women with international campaign – Visionary Arts Organisation". Retrieved 13 March 2020.
  12. "NAMM 2020: She Rocks Awards deliver powerful performances from Gloria Gaynor, Suzi Quatro and more". Orange County Register. 18 January 2020. Retrieved 13 March 2020.
  13. Bennett, Rosemary. "Listening to new music improves memory of dementia patients". The Times. The Times. Retrieved 12 May 2015.
  14. "Beatie Wolfe". TEDMED. Retrieved 13 March 2020.
  15. "The Leonard Cohen Files". Hydra.
  16. "Festival Line Up". Achilles Productions. Retrieved 21 November 2007.
  17. "David Amram Celebres Fifty Three Years in Greenwich Village".
  18. Mullinger, James. "Introducing Beatie Wolfe". GQ.com. Archived from the original on 28 April 2010. Retrieved 24 April 2010.
  19. Munson-Hirst, Ruby. "Meet Beatie Wolfe and her 3D interactive album app '8'". Wired UK. Condenast. Archived from the original on 24 January 2014. Retrieved 24 January 2014.
  20. Mullinger, James (August 2017). "Beatie Wolfe enters a new dimension". GQ Magazine. Condé Nast: 2, 26.
  21. "Culture". Radio National. 8 February 2012. Archived from the original on 8 October 2013. Retrieved 30 September 2017.
  22. Bellotti, Alex. "Watched by Mick Jagger, endorsed by Leonard Cohen: the star-studded world of Beatie Wolfe". The Ham&High. Retrieved 7 November 2013.
  23. Daunton, Nichola. "Beatie Wolfe at The Clubhouse | Live review". The Upcoming. The Upcoming. Retrieved 13 July 2013.
  24. "Is This Virtual/Augmented Reality Album The Future of Streaming? – A Journal of Musical Things". A Journal of Musical Things. 6 May 2017. Retrieved 30 September 2017.
  25. "The Monocle Daily, episode 819 – Radio". Monocle. Retrieved 1 October 2017.
  26. Hall, Tom (Summer 2013). "Record High – Music Makers pick hot tunes to see you through summer". Monocle Mediterranean: 33.
  27. Coffer, Nick. "Nick Coffer with Beatie Wolfe". BBC Radio Three. BBC Radio. Retrieved 29 October 2013.
  28. "A Musical Modern Classic". The Culturepreneur. Archived from the original on 20 March 2014. Retrieved 21 February 2014.
  29. "Beatie Wolfe explains why she's not selling her new album in record shops". The Independent. 15 November 2015. Retrieved 29 May 2016.
  30. Howard, George. "Beatie Wolfe Celebrates The Power Of Music To Reach And Reanimate Even The Most Disconnected Of Us". Forbes. Retrieved 30 September 2017.
  31. "Beatie Wolfe's Tap and Play Album Launch and Musically Generated Digital Textiles". HuffPost UK. Retrieved 30 September 2017.
  32. Bound, Robert (1 March 2016). "On the record, sounds from around the world". Monocle Magazine (90). p. 103.
  33. "We Asked 7 SXSW Artists to Design Inspirational Posters to Represent Their Music". Retrieved 20 October 2017.
  34. Franklin-Wallis, Oliver (30 November 2015). "Beatie Wolfe is using music to treat dementia". Wired UK Magazine. Wired UK Magazine. Retrieved 1 November 2015.
  35. "Sartorial Serendipity at 34 Montagu Square". HuffPost UK. Retrieved 30 September 2017.
  36. Fried, Ina (30 January 2016). "British Singer Beatie Wolfe Uses NFC, Other Technology to Bring Her Music Closer to Fans". Recode. Retrieved 29 May 2016.
  37. Bryant, Martin (26 January 2016). "Clever stuff: This deck of cards is actually a music album". The Next Web. Retrieved 30 September 2017.
  38. Ha, Anthony. "Beatie Wolfe shows off her NFC-powered musical jacket". TechCrunch. Retrieved 29 May 2016.
  39. "Beatie Wolfe Turns Her Music Into A Fashion Experience You Can Actually Wear". Fast Company. 25 May 2016. Retrieved 30 September 2017.
  40. "LDF Graphics Weekend at the V&A: five things to see". Creative Review. 13 September 2016. Retrieved 30 September 2017.
  41. "Beatie Wolfe's Tap and Play Album Launch and Musically Generated Digital Textiles". The Huffington Post UK. Retrieved 29 May 2016.
  42. "Spindle Selects: Tracks of the Week". Spindle Magazine. 18 May 2017. Retrieved 30 September 2017.
  43. "Music in 2017: These Trends Will Be Huge". Highsnobiety. 30 September 2017. Retrieved 30 September 2017.
  44. "The Politics of Tech Resistance, Click – BBC World Service". BBC. Retrieved 30 September 2017.
  45. "Beatie Wolfe – JAZZIZ Magazine". JAZZIZ Magazine. 26 August 2017. Retrieved 30 September 2017.
  46. "Beatie Wolfe on bringing back 'the art of music in the digital age'". musically.com. Retrieved 30 September 2017.
  47. "Video Premiere – Beatie Wolfe 'Raw Space'". Spindle Magazine. 16 June 2017. Retrieved 9 October 2017.
  48. "BBC World Service – Digital Planet, Creating artwork for music in a digital age". BBC. Retrieved 13 March 2020.
  49. "Beatie Wolfe – Merging physical and digital worlds – Bell Labs". bell-labs.com. Archived from the original on 13 September 2017. Retrieved 1 October 2017.
  50. "Music Comes Alive In "World's-First" AR 360 Degree Livestream 'Raw Space'". VRFocus. Retrieved 9 October 2017.
  51. "Getting "Raw" with Beatie Wolfe | HobokenLife™". HobokenLife™. 31 May 2017. Retrieved 30 September 2017.
  52. Ha, Anthony. "Beatie Wolfe brings her new album Raw Space to life with augmented reality". TechCrunch. Retrieved 30 September 2017.
  53. "VIDEO | This Artist Will Be Streaming Her New Album From A Soundproof Chamber". Fast Company. Retrieved 30 September 2017.
  54. "Beatie Wolfe steht auf Vinyl – und macht deshalb Augmented Reality". WIRED Germany (in German). 4 May 2017. Retrieved 30 September 2017.
  55. "Augmented reality brings Beatie Wolfe's new songs to life". New Scientist. Retrieved 30 September 2017.
  56. O’Dea, Ann (11 May 2017). "AR brings ceremony to Wolfe's Raw Space from Bell Labs' room without echoes". Silicon Republic. Retrieved 9 October 2017.
  57. "BBC World Service – Digital Planet, Beatie Wolfe performs 'Little Moth'". BBC. Retrieved 13 March 2020.
  58. "Augmented reality brings Beatie Wolfe's new songs to life". New Scientist. Retrieved 9 October 2017.
  59. "Beatie Wolfe, beaming music into space | CLOT Magazine". Retrieved 13 March 2020.
  60. "BBC World Service – Digital Planet, Creating artwork for music in a digital age". BBC. Retrieved 13 March 2020.
  61. "dublab". Dublab.com. Retrieved 13 March 2020.
  62. "Beatie Wolfe is using music to treat dementia". WIRED UK. Retrieved 29 May 2016.
  63. Franklin-Wallis, Oliver. "Beatie Wolfe is using music to treat dementia". Retrieved 9 October 2017.
  64. Jupp, Emily. "A musical miracle for dementia". The Independent. The Independent.
  65. "Music, Art and Alzheimer's". Alzheimers and Dementia Blog – Alzheimers Association of Northern California and Northern Nevada. 13 December 2016. Retrieved 30 September 2017.
  66. Adams, Anna (29 August 2015). "BBC Radio 4's PM interviews Wolfe's on her Power of Music and Dementia". BBC. BBC Radio 4.
  67. Franklin-Wallis, Oliver. "Beatie Wolfe is using music to treat dementia". WIRED UK. Retrieved 30 September 2017.
  68. Clarkson, Natalie. "Music could be the best medicine for dementia patients". Virgin. Virgin. Retrieved 10 June 2015.
  69. "Gallery: Beatie Wolfe wants to you look at music differently, literally". WIRED UK. Retrieved 30 September 2017.
  70. "Videos: Of Sound Mind | Stanford Alzheimer's Disease Research Center | Stanford Medicine". Med.stanford.edu. Retrieved 29 May 2016.
  71. "Ground-breaking Greenhive Green by Punchdrunk". London Theatre 1. 9 March 2016. Archived from the original on 3 August 2016. Retrieved 29 May 2016.
  72. "Beatie Wolfe". TEDMED. Retrieved 13 March 2020.
  73. "Beatie Wolfe on bringing back 'the art of music in the digital age'". musically.com. Retrieved 1 October 2017.
  74. McDonough, Tony (7 June 2016). "Great British design and innovation on show at IFB2016". liverpoolecho. Retrieved 1 October 2017.
  75. "The Genesis of E.A.T. – Bell Labs". bell-labs.com. Retrieved 1 October 2017.
  76. Woollaston, Victoria. "On International Women's Day, WIRED highlights the females changing the world". Wired UK. Condé Nast. Retrieved 8 March 2017.
  77. "Female Creative Leaders 2017 – Meet the 150 women redefining the creative industries". The Dots. The Dots.
  78. Jardine, Alexandra (10 March 2019). "Female innovators dominate outdoor sites for International Women's Day in UN Women campaign". adage.com. Retrieved 13 March 2020.
  79. "NAMM 2020: She Rocks Awards deliver powerful performances from Gloria Gaynor, Suzi Quatro and more". Orange County Register. 18 January 2020. Retrieved 13 March 2020.
  80. "Beatie Wolfe's Tap and Play Album Launch and Musically Generated Digital Textiles". HuffPost UK. Retrieved 1 October 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.