Bang Eun-jin

Bang Eun-jin (born August 5, 1965) is a South Korean actress and film director. She is best known for starring in Park Chul-soo's 301, 302 and Kim Ki-duk's Address Unknown. Bang made her feature directorial debut with Princess Aurora in 2005,[1] and has since directed Perfect Number (2012),[2] and Way Back Home (2013).[3]

This is a Korean name; the family name is Bang.
Bang Eun-jin
Born (1965-08-05) August 5, 1965
South Korea
EducationKookmin University - Clothing Design
Chung-Ang University - Graduate School of Advanced Imaging Science, Multimedia & Film
OccupationActress, film director, screenwriter
Years active1993–present
Korean name
Hangul
Hanja
Revised RomanizationBang Eun-jin
McCune–ReischauerPang Ŭn-chin

Filmography

Director and screenwriter

Actress

Film

  • The Naked Kitchen (2009) (cameo)
  • A Light Sleep (2009) (cameo)
  • Crush and Blush (2008)
  • Bleach (2008)
  • Nowhere to Turn (2008) (voice cameo)
  • Tool (2006)
  • Salt: Korean Railway Women Workers Story (2003)
  • Rewind (2002)
  • Road Movie (2002)
  • My Beautiful Days (2002)
  • No Comment (2002)
  • Scent of Love (2001)
  • Address Unknown (2001)
  • Doomealee, The Very First Step (2000)
  • Gui: A Space between Two Deaths (2000)
  • Subrosa (2000)
  • Black Hole (2000)
  • The Uprising (1999)
  • The Wooden Closet (1998)
  • Rub Love (1998)
  • Birdcage Inn (1998)
  • Reclaiming Our Names (1998)
  • Push! Push! (1997)
  • Do You Believe in Jazz? (1997)
  • Farewell My Darling (1997)
  • Seven Reasons Why Beer is Better Than a Lover (1996)
  • 301, 302 (1995)
  • Mom, the Star and the Sea Anemone (1994)
  • The Taebaek Mountains (1994)

Television series

Awards

Other activities
gollark: I'm not sure what the square root of anti is. I'm sure someone will work it out.
gollark: It's just sqrt(anti)rally.
gollark: I think that would be a rally against a rally against a rally against a rally. It's hard to say. Rally stopped sounding like an actual word some time ago.
gollark: Anti³rally⁴ when?
gollark: Current historians increasingly use lots of past records to assemble a more complete picture of history, instead of just looking at things explicitly written as historical records. There's no reason to think future ones wouldn't do this even more, and we have a *lot* of data on random unimportant people, and the ability to store it basically forever (unless there's some kind of civilizational collapse, in which case it will all just disintegrate into half-remembered legends).

References
  1. "K-FILM REVIEWS: 오로라 공주 (Princess Aurora)". Twitch Film. 19 March 2006. Retrieved 2012-12-01.
  2. Jang, Sung-ran (5 October 2012). "I carved Out every single scene rather than filming: PANG Eun-jin, director of Perfect Number". Korean Cinema Today. Retrieved 2012-12-07.
  3. Song, Soon-jin (28 January 2014). "PANG Eun-jin, the Director of Way Back Home: "I Want to Make Films That Audiences Respond To"". Korean Cinema Today. Retrieved 2014-01-30.
  4. "If You Were Me 4". IndieStory. Retrieved 2012-12-01.
  5. "Puff the Rice". IndieStory. Retrieved 2012-12-01.
  6. "Ain't No Maid". IndieStory. Retrieved 2012-12-01.
  7. "Jury" Archived 2011-09-14 at the Wayback Machine. SIYFF.com. Retrieved 2012-12-01.
  8. "배우 출신 여성감독 방은진, 전주국제영화제 심사위원 위촉" (in Korean). Newsen. 20 March 2006. Retrieved 2012-12-01.
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