Another World (1937 film)
Another World (German: Andere Welt) is a 1937 French-German drama film directed by Marc Allégret and Alfred Stöger and starring Käthe Gold, Karl Ludwig Diehl and Franz Schafheitlin.
Another World | |
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Directed by | |
Produced by | Herbert Engelsing |
Written by |
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Starring | |
Music by | Louis Beydts |
Cinematography | Jules Kruger |
Production company | Regina Film |
Distributed by | Tobis Film |
Release date |
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Running time | 93 minutes |
Country |
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Language | German |
Shot at the Epinay Studios of Tobis Film in Paris, the film is the German-language version of Woman of Malacca.[1] The film's sets were designed by the art directors Jacques Krauss and Alexandre Trauner.
Cast
- Käthe Gold as Audrey
- Karl Ludwig Diehl as Prinz Selim
- Franz Schafheitlin as Dr. Herbert Carter
- Herbert Hübner as Lord Brandmore
- Leopoldine Konstantin as Lady Brandmore
- Annemarie Steinsieck as Lady Lyndstone
- Karl Günther
- Alexander Engel as Dr. Jerrys, Arzt
- Karl Meixner as Li, Carters Diener
- Herbert Spalke as Sirdar, Adjutant Selims
- Margarete Kupfer as Mme. Turpin
- Maria Krahn as Mme. Tramon
- Melanie Horeschowsky as Mme. Tremons Schwester
- Andrews Engelmann as Ein Fremder
- F.W. Schröder-Schrom as 1. Journalist
- Kurt Meisel as 2. Journalist
- Jim Simmons as Kapitän Gerald Smith
- Ilka Thimm as Journalistin
- Richard Ludwig as Kapitän
- Erwin van Roy as Bordkommissar
gollark: It might actually be worse in that case, because at least for the universe thing you can just lean on the anthropic principle - if things *had* gone differently such that we did not exist, we would not be here to complain about it.
gollark: I am saying that gods are also complicated so this doesn't answer anything.
gollark: For purposes only, you understand.
gollark: There are lots of *imaginable* and *claimed* gods, so I'm saying "gods".
gollark: So basically, the "god must exist because the universe is complex" thing ignores the fact that it... isn't really... and that gods would be pretty complex too, and does not answer any questions usefully because it just pushes off the question of why things exist to why *god* exists.
References
- Passerini, Labanyi & Diehl p. 118
Bibliography
- Passerini, Luisa; Labanyi, Jo; Diehl, Karen, eds. (2012). Europe and Love in Cinema. Chicago: Intellect Books. ISBN 978-1-84150-672-2.
- Rentschler, Eric (1996). The Ministry of Illusion: Nazi Cinema and Its Afterlife. Cambridge, Mass: Harvard University Press. ISBN 978-0-674-57640-7.
External links
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