Francis de Croisset

Francis de Croisset (French: [fʁɑ̃sis də kʁwasɛ]; born Franz Wiener, 28 January 1877 – 8 November 1937) was a Belgian-born French playwright and opera librettist.

Francis de Croisset
Photograph of de Croisset
Born
Franz Wiener

(1877-01-28)28 January 1877
Brussels, Belgium
Died8 November 1937(1937-11-08) (aged 60)
Neuilly, France
Spouse(s)
Marie-Thérèse Bischoffsheim
(
m. 1910; his death 1937)
Children2
RelativesPhilippe de Montebello
AwardsCroix de Guerre

Early life

He was born, as Franz Wiener, and educated in Brussels on 28 January 1877 into a prominent Belgian family that was distinguished in diplomacy and the army.[1] His parents were Alexandre Jacques Wiener and Eugenie Bertha (née Straus) Wiener. After moving to France, where he spent most of his life, he had his name changed by Presidential decree.[1]

At age 17, he rebelled against his parents' wishes that he take up a military career, and ran away to Paris. The following year, his play The Chérubin was produced at the Comédie-Française where Cécile Sorel (later the Comtesse de Ségur) made her debut in it. Jules Massenet set Chérubin to music and, in 1904, Mary Garden sang it at the Opéra-Comique.[1]

Career

Mary Garden, at the 1905 premiere of Chérubin

He was a lawyer by profession, but de Croisset gradually devoted more and more time to the theatre, "until play writing became his vocation."[1]

His opera librettos include Massenet's Chérubin (1905), based on his play of the same name, and Reynaldo Hahn's Ciboulette (1923).[2]

In 1919, de Croisset came to the United States to study film for the French government. By 1927, his name was attached to more than fifty plays. In 1925, he collaborated with Somerset Maugham on Dr. Miracle, which was produced in New York City.[1] Additional plays were produced in New York, including Pierre or Jack?.[3]

Military service

Notwithstanding his aversion to a career in the military, upon the outbreak of World War I, he enlisted in the French Army as a private, serving for four years before mustering out as a Lieutenant. He was twice decorated for his gallantry, including being awarded the Croix de Guerre for his valor.[1]

Personal life

In 1909, he was engaged to Mlle. Isola, the daughter of one of the directors of the Théâtre de la Gaîté. The engagement was broken off and, instead, he married wealthy widow Marie-Thérèse Bischoffsheim, in 1910. A daughter of Count and Countess Adhéaume de Chevigné, she was a descendant of the Marquis de Sade and her grandmother Laure de Sade was, in part, the inspiration for the character of the Duchess of Guermantes in Marcel Proust's Remembrance of Things Past).[4] From her first marriage to banking heir Maurice Bischoffsheim, she had a daughter, the arts patron Marie-Laure de Noailles (later the Vicomtesse de Noailles from her 1923 marriage to Charles, Vicomte de Noailles). Together, Marie-Thérèse and Francis were the parents of two children:

  • Philippe de Croisset (1912–1965),[5] who married Ethel Woodward, a daughter of American banker William Woodward, in 1941.[6] After having two sons,[7][8] they divorced and Philippe married Jacqueline de la Chaume. After his death in 1965, she became the third wife of actor Yul Brynner.[9]
  • Germaine de Croisset (1913–1975), who married Marquis André Roger Lannes de Montebello (1908–1986), in 1933.

De Croisset died American Hospital at Neuilly on 8 November 1937.[1] His widow died in Grasse in October 1963.

Descendants

Through his son Philippe, he was a grandfather of two boys.[7][8] Though his daughter Germaine, he was a grandfather of four boys, including Georges de Montebello (1934–1996), an investment banker and president of the Swiss Helvetia Fund, and Philippe de Montebello (b. 1936), the Director of the Metropolitan Museum of Art in New York City from 1977 until 2008.[10]

Filmography

gollark: https://www.smbc-comics.com/comics/1519651900-20180226.png
gollark: Not that somehow returning everyone to monke would fix environmental issues so much as make them happen slower and make people unable to do anything about them.
gollark: You seemed to be suggesting it was anarchoprimitivism before.
gollark: Possibly air pollution too.
gollark: It also isn't a very stable equilibrium when people know what "farming" and "tool use" are.

References

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