Alison Bauld

Alison Margaret Bauld (born 7 May 1944) is an Australian writer and composer who lives and works in London, England.

Alison Margaret Bauld
Born (1944-05-07) 7 May 1944
OriginSydney, Australia
GenresClassical music
Occupation(s)Composer, Author

Biography

Bauld was born in Sydney and studied piano with Alexander Sverjensky at the New South Wales Conservatorium of Music.[1] She also studied acting at the National Institute of Dramatic Art and toured as a Shakespearian actress for a year before graduating with a Bachelor of Music degree from the University of Sydney.[2] She continued her education in England through a university scholarship, studying composition with Elisabeth Lutyens and Hans Keller and graduated with a doctorate in composition from the University of York in 1974.[3][4]

After completing her education, Bauld worked as a composer and music teacher. Her works have been performed internationally, and she has received a Gulbenkian Dance Award for composition.[5]

Works

Selected works include:

  • Van Diemen's land, choral fantasy for mezzo-soprano, bass, 2 tenors, baritones, male speaker and a cappella chorus
  • Dear Emily, music theatre for actress/soprano and harp or piano. Text by William Blake and Alison Bauld
  • Nell, ballad opera
  • Farewell Already, adaptation from Richard III
  • Banquot's Buried, music theatre
  • Where Should Othello Go for tenor/baritone and piano
  • Pluto, theatrical chamber work for soprano, female chorus and instruments
  • No More of Love, song for soprano and piano
  • Play Your Way, three volume piano tutor
  • Van Diemen's Land for a cappella choir[5]

Bauld has also published a novel:

  • Mozart's Sister (Autumn 2005) Alcina Press
gollark: Oh, actually there's option #3: just do single user mode and don't bother stopping editing of "OS" files.
gollark: Well, your current implementation lets them do stuff to OS files, so no.
gollark: I would recommend against #1, because weirdly enough people like being able to write, download and run programs.
gollark: In potatOS I do #2. Unfortunately the sandboxing implementation is about 500 lines of code, very version-specific because it runs half the BIOS for weird internal reasons, and has several known holes.
gollark: There are two ways around this:- make your "OS" unable to run arbitrary code and instead use a highly limited shell/GUI- sane sandboxing via providing no/a limited FS API to environments where you can run arbitrary code

References
  1. Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers (Digitized online by GoogleBooks). Retrieved 23 January 2011.
  2. Pendle, Karin (1991). Women & music: a history.
  3. "Alison Bauld (b. 1944)". Retrieved 23 January 2011.
  4. Lebrecht, Norman (1996). The companion to 20th-century music.
  5. "Alison Bauld:Represented Artist". Retrieved 23 January 2011.
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