Alicja Kwade

Alicja Kwade (b. 1979, Poland) is a German contemporary visual artist. Her sculptures and installations focus on the subjectivity of time and space. Kwade lives and works in Berlin.[1]

Alicja Kwade
Alicja Kwade photograph by Oliver Mark, Berlin 2014
Born1979 (1979)
Katowice, Poland
NationalityGerman
EducationBerlin University of the Arts
Known forsculpture
Partner(s)Gregor Hildebrandt

Early life and education

Kwade was born in Katowice, Poland.[2] She was the daughter of a cultural scientist and gallery owner and conservator, and reports knowing that she wanted to be an artist at as young as five years old. Her family escaped to West Germany in 1987.[3] She grew up in Hannover and at age 19 moved to Berlin and studied sculpture at the University of the Arts (UdK) in Berlin from 1999 to 2005.[3] In 2002, she spent an Erasmus year at Chelsea College of Arts in London.

Work

Kwade manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world. Her works often include reflection, repetitive sounds, and inaccurate doubling to create immersive and experiential spaces that beg viewers to question their perception of reality.[4] In a 2013 interview with ArtReview magazine, Kwade explained “I’m fascinated with the borders between science and suspicion. All the in-betweens. Mr Houdini is one of my biggest heroes.” For her first solo public art commission in the United States, for example, Kwade installed a 16-feet-tall aluminium timepiece at the entrance to Central Park, directly opposite the storied Plaza Hotel; the clock's face moved counter clockwise while the hour and minute hands turned in the opposite direction.[5]

In 2017, Kwade was photographed by Mario Testino for Vogue in Venice.[6]

Since becoming a full-time artist, Kwade has worked from studios in Berlin's Kreuzberg (2008-2011, together with Thomas Kiesewetter)[7] and Weißensee districts (2012-2018). She also completed an artist-in-residence program in Le Vauclin in 2012. In 2018, she moved her practice to a studio in Oberschöneweide, alongside Olafur Eliasson, Christian Jankowski and Jorinde Voigt.[8]

Exhibitions

Beginning with her first institutional show at Hamburger Bahnhof in 2008, Kwade had solo exhibitions at Kestnergesellschaft in Hannover; Kunsthalle Schirn in Frankfurt (2015); and Whitechapel Gallery, London (2016); among others. She also participated in the 2015 Venice Biennale. She also produced Parapivot for the 2019 Metropolitan Museum of Art Roof Garden Commission.[9][10] Her most recent exhibition is at the MIT LIST center in Boston Massachusetts, on view from October 18 2019 - January 5, 2020. Titled “In Between Glances”, the exhibit displays a variety of Kwade’s recent works, as well as a never before seen installation entitled “Light Touch of Totality.” The instillation is made up of five stainless steel rings, each about 16 feet in diameter, which appear frozen in time at various angles and points of contact. Curtains of stringed beads hang from different parts of the rings, and ungulate slightly with movement of the air in the room. The ring are representative of both planetary rings and longitudinal lines, while the beads represent units of information. In this way, the work aligns with Kwade’s persistent interest in perception and the ways we categorize and understand our world.

Kwade is represented by König Galerie in Berlin and London; 303 Gallery in New York;[3] and Galerie Kamel Mennour in Paris.

Recognition
  • 2002 – German Academic Scholarship Foundation
  • 2010 – Robert Jacobsen Prize, Würth Foundation
  • 2015 – Hector Prize, Kunsthalle Mannheim

Personal life

Since 2000, Kwade has been in a relationship with fellow artist Gregor Hildebrandt.[11]

gollark: I overhauled the network handling code recently, so it's way faster now.
gollark: What would that do?
gollark: Heævþoo!t
gollark: PotatOS build numbers are done with CRC32 or something.
gollark: You're bad. You're SCP-096.

References
  1. Ken Johnson (December 20, 2012), Alicja Kwade: ‘The Heavy Weight of Light’ New York Times.
  2. Phaidon Editors (2019). Great women artists. Phaidon Press. p. 229. ISBN 0714878774.
  3. Thomas Rogers (March 29, 2019), On the Met Roof, Alicja Kwade's Test of Faith New York Times.
  4. "Alicja Kwade | Artists | 303 Gallery". www.303gallery.com. Retrieved 2018-03-09.
  5. Brook Mason (September 11, 2015), Time bandit: Alicja Kwade installs 16 ft clock at Central Park Wallpaper.
  6. New Model Star Birgit Kos Takes Venice in the Chicest Vacation-Ready Looks Vogue, July 26, 2017.
  7. Sarah Elsing (December 25, 2011), Alicjas Wunderland Die Welt.
  8. Thomas Loy (January 11, 2012), Zu Besuch im neuen Atelierhaus von Bryan Adams Tagesspiegel.
  9. Farago, Jason (April 18, 2019). "Celestial Visions on the Met Roof". New York Times. Retrieved 2019-09-21.
  10. Klimoski, Alex (April 18, 2019). "The Met's Annual Rooftop Commission Opens for the Spring 2019 Season". www.architecturalrecord.com. Retrieved 2019-06-21.
  11. Michael Zöllner (March 5, 2012), Alicja Kwade im Wunderland B.Z..

Further reading
  • Baum, Kelly; Wagstaff, Sheena (2019). Alicja Kwade: ParaPivot. The Roof Garden Commission. New York: The Metropolitan Museum of Art. ISBN 9781588396679.
  • Blackwick, Iwona; Hermann, Daniel F.; Foote, Cameron (2017). Alicja Kwade: Medium Median. London: Whitechapel Gallery. ISBN 9780854882540.
  • Bradley, Kimberly (December 2013). "Cosmic Girl" (PDF). ArtReview. Vol. 65 no. 9. pp. 74–91.
  • Gamst, Helene; Russe, Roulette, eds. (2019). Alicja Kwade: In Aporie. Berlin: Hatje Cantz. ISBN 9783775745444.
  • Kwade, Alicja (November 2017). "The Great Attractor". Art in America. Vol. 105 no. 10. pp. 46–47.
  • Wetzler, Rachel (September 2016). "Alicja Kwade". Art in America. Vol. 104 no. 8. pp. 145–146.
  • article on Alicja Kwade by Kimberly Bradley in ArtReview
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