Alberto Zayas

Alberto Zayas Govín[nb 1] (February 14, 1908 – 1983) was a Cuban rumba singer and songwriter who founded one of the first recorded rumba ensembles, Grupo Afrocubano Lulú Yonkori. He is considered one of the most important guaguancó vocalists/composers in the history of rumba.[2]

Alberto Zayas
Birth nameAlberto Zayas Govín
Also known asEl Melodioso
Born(1908-02-14)February 14, 1908
Pueblo Nuevo, Matanzas, Cuba
Died1983 (aged 74–75)
Guanabacoa, Havana, Cuba
GenresGuaguancó (Cuban rumba), conga, Santería music, Abakuá music, son cubano
Occupation(s)Musician, songwriter
InstrumentsVocals, Afro-Cuban percussion
Years active1922–1983
LabelsPanart, Impresora Cubana de Discos
Associated actsGrupo Afrocubano Lulú Yonkori, Roberto Maza, Carlos Embale

Life and career

Alberto Zayas Govín was born in the Pueblo Nuevo neighborhood of Matanzas on February 14, 1908.[3][4] When he was one year old his family moved to Havana. At age 14 he lived in El Cerro district of Havana and sang in coros de clave, the precursor ensembles of the guaguancó. There he earned the nickname "El Melodioso" (The Melodious One).[3] In 1925 he moved to Guanabacoa, another district of Havana.[3] According to several accounts, Zayas played with several son ensembles such as Sexteto Habanero and Sexteto Boloña, before focusing on rumba and other Afro-Cuban genres.[4][5]

Zayas became a collaborator of ethnomusicologist Fernando Ortiz and in 1941 he invited anthropologist Harold Courlander to an Abakuá ceremony in Guanabacoa.[6] This meeting yielded part of the 10 hours of recorded material that are kept at the Archives of Traditional Music (Indiana University), some of which were released by Folkways Records in 1951 under the title Cult Music of Cuba.[7]

The first folkloric guaguancó to get popular through jukebox recordings was "El vive bien" by the conjunto of Alberto Zayas, based in Guanabacoa. This recording and the consumer interest that it generated led to the national promotion of the Grupo Guaguancó Matancero, later known as the Muñequitos de Matanzas.

Robin Moore, University of Texas[8]

During the 1950s, his ensemble, Grupo Afrocubano Lulú Yonkori, featured lead singers Roberto Maza and Carlos Embale, backing vocalists Adriano Rodríguez, Bienvenido León, Mercedes Romay and Juanita Romay, and percussionists Giraldo Rodríguez and Gerardo Valdés among others.[4] They recorded four LPs for Panart, which have been called "some of the first authentic rumba recordings in Cuban history" by ethnomusicologist Ivor Miller (University of Calabar).[9] The first one was Guaguancó afro-cubano (1956), which featured the hit "El vive bien", penned by Zayas.[1] It was followed by El guaguansón (1957), credited to "Alfredito Zayas y su Grupo Folklórico". The next record was Afro-frenetic. Tambores de Cuba (1958), and in July 1959 the band released a conga album Congas y comparsas del carnaval habanero (Side-B included recordings by Carlos Barbería).[1] In 1961, Impresora Cubana de Discos released two tracks by Zayas' ensemble with Pacho Alonso on lead vocals.[5]

Zayas would continue his career in theatre shows and radio broadcasts, and he toured abroad as director of the Grupo Folklórico Cubano.[4] Zayas died in 1983 in Guanabacoa.[4]

Discography

Albums

  • 1956: Guaguancó afro-cubano (Panart)
  • 1957: El guaguansón (Panart)
  • 1958: Afro-frenetic. Tambores de Cuba (Panart)
    • 1959: Hi-Fi Cuban Drums (reissue, Capitol)
  • 1959: Congas y comparsas del carnaval habanero (Panart)
  • 2001: El yambú de los barrios (compilation, Tumbao Cuban Classics)

Singles

  • 1955: El vive bien / Congo mulenze (Panart)
  • 1956: La chapalera / Que me critiquen (Panart)
  • 1956: Se corrió la cocinera / Tata Perico (Panart)
  • 1956: Una rumba en la bodega / El yambú de los barrios (Panart)
  • 1956: Ya no tengo amigos / A mi no me tocan campana (Panart)

Notes
  1. He is mistakenly referred to as Alfredo or Alfredito Zayas in some accounts and releases.[1]
gollark: Well, Piewter is obviously pies made of pewter (alloy).
gollark: Really?
gollark: Yes. It is a Macron backend.
gollark: Mindbreak is just Macron but fairly not good?
gollark: I can implement Macron, if you like.

References
  1. Díaz Ayala, Cristóbal (Fall 2013). "Grupo Afrocubano Lulú Yonkori" (PDF). Encyclopedic Discography of Cuban Music 1925-1960. Florida International University Libraries. Retrieved May 26, 2015.
  2. Candelaria, Cordelia (2004). Encyclopedia of Latino Popular Culture, Volume 2. Westport, CT: Greenwood Press. p. 715.
  3. Castillo, Andrés (1980). "Alberto Zayas, "El melodioso"". Boletín de Guanabacoa (in Spanish). p. 3.
  4. Pendrás, José (February 15, 2013). "Alberto Zayas, rumbero cubano por excelencia". Radio Cadena Habana (in Spanish). Archived from the original on April 6, 2015. Retrieved May 26, 2015.
  5. Díaz Ayala, Cristóbal (Fall 2013). "Alberto Zayas" (PDF). Encyclopedic Discography of Cuban Music 1925-1960. Florida International University Libraries. Retrieved May 26, 2015.
  6. Courlander, Harold (October 1944). "Abakwa meeting in Guanabacoa". The Journal of Negro History. 29 (4): 461–470. doi:10.2307/2715164. JSTOR 2715164.
  7. Courlander, Harold (1941). "Cuba, Eastern and central regions, Afro-Cubans, 1940". Archives of Traditional Music. Bloomington, Indiana: Indiana University.
  8. Moore, Robin (2006). Music and Revolution: Cultural Change in Socialist Cuba. Oakland, CA: University of California Press. p. 280.
  9. Miller, Ivor (2009). Voice of the Leopard: African Secret Societies and Cuba. Jackson, MS: University Press of Mississippi. p. 166.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.