Albertina Carri

Albertina Carri (born 1973, Buenos Aires) is an Argentine screenwriter, movie producer, movie director and audiovisual artist.

Albertina Carri
Albertina Carri, 2020
Born1973
Buenos Aires, Argentina
NationalityArgentine
OccupationScreenwriter, movie producer, movie director, audiovisual artist

Biography

Albertina Carri was born in Buenos Aires in 1973, where she currently lives and works.[1] She is the daughter of Ana María Caruso and Roberto Carri, both abducted during the last military dictatorship in Argentina.[2]

She has a son, Furio Carri Dillon Ros, registered in Argentina using a so-called triple filiation; he is son of a father, Alejandro Ros and two mothers, Albertina Carri and Marta Dillon.[3][4]

The Carri Dillon couple dissolved in 2015. They are divorced.[5]

She filmed her first movie, No quiero volver a casa, at age 24.[6] This work was selected later for the Rotterdam, London and Vienna film festivals.[7]

Her foray into animation techniques resulted in the short movies Aurora[8] and Barbie también puede estar triste, (which is a pornographic short animation).[9] This last short won the Best Foreign Film award in the New York Mix Festival.

Her second feature film, Los Rubios,[10][11][12] put her amongst the best directors of her age. Los Rubios was released in United States and Spain after being shown in the Locarno, Toronto, Gijón, Rotterdam and Göteborg film festivals, and received the following awards: Del Público and Mejor Película Argentina in the BAFICI, Mejor Nuevo Director in Las Palmas and Mejor Película in L’alternative, in Barcelona. She also won three Clarín Awards: Mejor Actriz, Mejor Documental and Mejor Música. This movie, according to Julián Gorodischer, can be defined "as a reality show about the Memory".[notes 1] Also, it can be defined as a film that marked a turning point in the way victims of the Dirty War are represented in the media.[10][12][13]

Géminis, her third feature film, was presented in the Director's Fortnightof Cannes Film Festival and was commercially released worldwide in 2005.[14][15][16]

Her 2008 feature film, La Rabia, has been awarded with two FIPRESCI Awards in Havana and Transylvania, with the distinctions of Best Director in the Havana Film Festival and both Best Director and Best Actress in Monterrey Film Festival.[10][17][18]

In 2009, she won the achievement award Luna de Valencia, in the Cinema Jove Festival, on Valencia.[19][20]

In 2010, she created, along with journalist Marta Dillon, the TV production company Torta, through which she made the TV series Visibles, La Bella Tarea and 23 Pares.

During 2011, Carri has developed Partes de Lengua for the Language and Book Museum (Museo del Libro y de la Lengua); it's an artistic work about the mother tongue being a result of the historic process of conquest and the problems aborigin languages and oral and written tradition face in the Argentine territory as they struggle to survive.

In 2015, Carri staged the exhibition Operación fracaso y el sonido recobrado in the Parque de la Memoria de Buenos Aires;[21][22] this exhibition consisted in five video installments with different formats: audible, sculptural and visual, forming an intimate and reflective corpus about the multiple ways of evocating memoria,[23][notes 1] with the intention of making a sensitive experience of the memories of the traumatic events suffered by the victims of dirty war.[24]

Since 2013, Carri is the artistic director of Asterisco, an international LGBTIQ film festival that lasts a week and is held in Buenos Aires.[25]

Filmography[26]

Director
  • 2000: No quiero volver a casa
  • 2001: Excursiones (cortometraje)
  • 2001: Aurora (cortometraje)
  • 2001: Historias de Argentina en vivo (cortometraje)
  • 2001: Barbie también puede estar triste (cortometraje)
  • 2003: Los rubios
  • 2003: Fama (cortometraje)
  • 2004: De vuelta (cortometraje)
  • 2005: Géminis
  • 2007: Urgente
  • 2008: La rabia
  • 2018: Las Hijas Del Fuego (The Daughters of Fire)

Writer
  • 2000: No quiero volver a casa
  • 2001: Barbie también puede estar triste (cortometraje)
  • 2003: Fama (cortometraje).
  • 2003: Los rubios
  • 2005: Géminis
  • 2007: Urgente
  • 2008: La rabia

Producer
  • 2000: No quiero volver a casa
  • 2001: Barbie también puede estar triste (cortometraje)
  • 2003: Los rubios

Technical equipment

Camera
  • 2000: No quiero volver a casa
  • 2003: Los rubios

Mounting
  • 2001: Aurora (cortometraje)

Camera assistant

Books
  • 2007: Los Rubios: cartografía de una película.[27][28]

TV series
  • 2012: 23 pares.[29]
  • 2014: La bella tarea.[30]
gollark: It sounds more like it's meant to just make things glowy so they're more visible.
gollark: Would that not make seeing *worse*?
gollark: I'm not asking "how does it glow", I'm asking "why do you want goggles filled with glowy stuff".
gollark: No, I mean, realistically, how will sticking glowy things in front of your eyes do anything useful?
gollark: How is sticking glowy things in front of your eyes meant to help with anything?

References
  1. "Albertina Carri" (in Spanish). Cine nacional. Retrieved April 21, 2016.
  2. García, Lorena (April 23, 2003). "Albertina Carri: "La ausencia es un agujero negro"" (in Spanish). La Nación. Retrieved April 21, 2016.
  3. Rodríguez, Carlos (July 14, 2015). "El derecho de un niño a ser lo que realmente es" (in Spanish). Página/12. Retrieved April 22, 2016.
  4. Plotkin, Pablo (August 13, 2010). "Albertina Carri y Marta Dillon: retrato de una nueva familia" (in Spanish). Rolling Stone. Archived from the original on May 5, 2016. Retrieved April 22, 2016.
  5. https://www.elcohetealaluna.com/la-onda-expansiva
  6. No quiero volver a casa on IMDb
  7. "No quiero volver a casa" (in German). Viennale. 2000. Retrieved April 20, 2016.
  8. Aurora on IMDb
  9. Barbie también puede estar triste on IMDb
  10. Pinto Veas, Iván (2008). "Entevista a Albertina Carri" (in Spanish). laFuga. Retrieved April 20, 2016.
  11. Moreno, María (October 18, 2015). "A las patadas". Radar (in Spanish). Página/12. Retrieved April 20, 2016.
  12. Moreno, María (October 19, 2003). "Esa rubia debilidad". Radar (in Spanish). Página/12. Retrieved April 20, 2016.
  13. Young, Deborah (May 12, 2003). "Review: 'The Blonds'". Variety. Retrieved April 21, 2016.
  14. Holland, Jonathan (May 3, 2005). "Review: 'Gemini'". Variety. Retrieved April 21, 2016.
  15. Batlle, Diego (May 20, 2005). "Día consagratorio para Carri" (in Spanish). La Nación. Retrieved April 22, 2016.
  16. ""Quincena de los Realizadores" del Festival de Cannes en Buenos Aires (Sala Leopoldo Lugones / 19 de marzo – 1° de abril)" (in Spanish). Embajada de Francia. October 23, 2007. Archived from the original on May 6, 2016. Retrieved April 22, 2016.
  17. Felperin, Leslie (February 15, 2008). "Review: 'La Rabia'". Variety. Retrieved April 20, 2016.
  18. Ramos, Luis (August 25, 2008). ""La rabia" de Albertina Carri gana en el 4° Festival de Cine de Monterrey" (in Spanish). Cinencuentro. Retrieved April 22, 2016.
  19. Tormo, Luis (June 30, 2009). "24 Cinema Jove de Valencia (7): Albertina Carri" (in Spanish). encadenados. Retrieved April 21, 2016.
  20. "La directora argentina Albertina Carri, homenajeada en España" (in Spanish). El Sol. May 25, 2009. Archived from the original on April 27, 2016. Retrieved April 21, 2016.
  21. "Operación fracaso y el sonido recobrado". Goethe Institut. Retrieved April 22, 2016.
  22. Arfuch, Leonor (November 1, 2015). "Albertina, o el tiempo recobrado" (in Spanish). Informe escaleno. Archived from the original on May 9, 2016. Retrieved April 26, 2016.
  23. Villar, Eduardo (September 17, 2015). "Nada desaparece sin dejar huella" (in Spanish). Revista Ñ. Retrieved April 20, 2016.
  24. Lerner, Mariana (November 17, 2015). "Muestras: "Operación fracaso y el sonido recobrado", de Albertina Carri" (in Spanish). losinRocks. Archived from the original on April 28, 2016. Retrieved April 21, 2016.
  25. "Putos hubo siempre" (in Spanish). Revista Anfibia. August 13, 2013. Retrieved April 20, 2016.
  26. Albertina Carri on IMDb
  27. Carri, Albertina (2007). Los Rubios: cartografía de una película. Ediciones Gráficas Especiales. ISBN 978-9870524779. |access-date= requires |url= (help)
  28. Moreno, María (March 23, 2007). "El libro de ésta" (in Spanish). Página/12. Retrieved April 22, 2016.
  29. Reale, Victoria (September 28, 2012). "23 Pares: Identidades, amor y genética" (in Spanish). Revista Ñ. Retrieved April 22, 2016.
  30. Yuszczuk, Marina (October 31, 2014). "Parirás con placer" (in Spanish). Página/12. Retrieved April 22, 2016.

Notes
  1. In this context, "memory" refers to the memories of the Dirty War, in which people was abducted my paramilitary forces and kept in secret places, often being tortured and killed.
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