Ada Gilmore

Ada Gilmore (later Ada Gilmore Chaffee; 1883–1955) was an American watercolorist and printmaker, one of the Provincetown Printers.

Life

Gilmore was born in Kalamazoo, Michigan.[1][2] As a pre-teen, she and her three siblings became orphaned, and she moved to Belfast, Ireland, to live with an aunt.[1] She was a student at the Belfast School of Art[1] and then at the Art Institute of Chicago[3] from 1906 to 1912,[4] under the tutelage of Robert Henri.[1] There, she and her long-time companion Mildred McMillen first met.[4]

After completing their studies, Gilmore and McMillen moved to Long Island and from there to Paris;[4] In 1915, World War I forced them to return to the US and they settled in Provincetown, Massachusetts.[3][4] With McMillen, Ethel Mars, and Maud Hunt Squire they formed a group known as the Provincetown Printers.[5] In 1923, on another visit to Paris, Gilmore re-encountered Oliver Newberry Chaffee, Jr., who had studied with her under Robert Henri in Chicago. They married, and under Chaffee's influence Gilmore began concentrating more on her painting and less on her prints. Gilmore and Chaffee returned to Provincetown in 1928, where she died in 1955.[1]

Art

Gilmore exhibited her prints at the 1915 Panama–Pacific International Exposition.[1] With the other members of the Provincetown Printers, she developed a new style of printmaking using multiple colors on a single printing block, separated by white lines. Her prints have been described as "softer and more imaginative than the severely geometric" prints of the other members of the collective.[6]

Gilmore's works are included in the collections of the Smithsonian American Art Museum,[2] the National Gallery of Canada,[7] the Herbert F. Johnson Museum of Art,[8] the Cleveland Museum of Art,[9] the Indianapolis Museum of Art,[6] and the Museum of Fine Arts, Boston.[10]

gollark: I could use the orbital lasers possibly. With some tweaks to the focus.
gollark: Also, it's not like *I* have a blowtorch.
gollark: It was obvious to any follower of the LyricLy mythos that I was addressing them particularly.
gollark: I meant how easily could LyricLy do so. They may not have one.
gollark: https://m.youtube.com/watch?v=IGJ2jMZ-gaI

References
  1. Heller, Jules; Heller, Nancy G. (2013), "Chaffee, Ada Gilmore (1883–1955)", North American Women Artists of the Twentieth Century: A Biographical Dictionary, Routledge, p. 120, ISBN 9781135638825
  2. Ada Gilmore Chaffee, Smithsonian American Art Museum, retrieved 2018-06-28
  3. Johnson, Ken (July 6, 2001), "Ada Gilmore – 'The Summer of 1915: Watercolors from Provincetown", Art in Review, The New York Times
  4. Krahulik, Karen Christel (2007), Provincetown: From Pilgrim Landing to Gay Resort, NYU Press, p. 88, ISBN 9780814747629
  5. Burchard, Hank (September 9, 1983), "A Vibrant Legacy of Forgotten Artists", The Washington Post
  6. Chaffee, Ada Gilmore, The Wild Goose, Indianapolis Museum of Art, retrieved 2018-06-28
  7. Gilmore, Ada, Rag Rugs, National Gallery of Canada, retrieved 2018-06-28
  8. Gilmore, Ada, Untitled (Floral), Herbert F. Johnson Museum of Art, retrieved 2018-06-28
  9. Ada Gilmore Chaffee (American, 1883-1955), Cleveland Museum of Art, retrieved 2018-06-28
  10. Chaffee, Ada Gilmore, Cagnes, Alpes Maritimes, Museum of Fine Arts, Boston, retrieved 2018-06-28
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