A Masque of Poets

A Masque of Poets is an 1878 book of poetry published in the United States. The book included several poems, all published anonymously, including one by Emily Dickinson.

Cover of A Masque of Poets, 1878

Background

The book compiled 68 poems as well as a "novellette in verse" titled Guy Vernon. The book was published by Roberts Brothers as part of their "No Name" series and included both American and British poets.[1] The series was meant to allow readers to enjoy literature based on inherent merit without the burden of knowing the author's popularity, as the New York Graphic reported, readers were "forced to trust more to their own taste and judgment, and rely less on reputations".[2] Harper's also wrote approvingly of the series: "The idea is a good one, not only because it will pique the curiosity of the reader, but also because it will put the writers on their mettle to do their best, and absolutely prevent that trading on reputation which is the greatest vice of American litterateurs."[3]

A Masque of Poets was edited by George Parsons Lathrop[4] and its contributors included Amos Bronson Alcott, Louisa May Alcott, Thomas Bailey Aldrich, Ellery Channing, Annie Adams Fields, James T. Fields, Sidney Lanier, Rose Hawthorne Lathrop, James Russell Lowell, Louise Chandler Moulton, Christina Rossetti, Franklin Benjamin Sanborn, Edmund Clarence Stedman, Celia Thaxter, and Sarah Chauncey Woolsey.[5] Guy Vernon, the long piece that concluded the book, was by John Townsend Trowbridge.

Emily Dickinson, who rarely published poetry in her lifetime, contributed her poem "Success is Counted Sweetest" (published as "Success") at the urging of Helen Hunt Jackson. Jackson first wrote to Dickinson to encourage a contribution on August 20, 1876, before attempting to persuade her in person on October 10. Dickinson appealed to Thomas Wentworth Higginson to tell Jackson he disapproved of a contribution, but Jackson insisted: "You say you find great pleasure in reading my verses", she wrote to Dickinson, "Let somebody somewhere whom you do not know have the same pleasure in reading yours."[1] She revived the idea in April 1878 and offered to send the poem now known as "Success is Countest Sweetest" because she already knew it by heart.[6]

After the book's publication, Jackson wrote to Dickinson, "I suppose by this time you have seen the Masque of Poets. I hope you have not regretted giving me that choice bit of verse for it."[7] Jackson also published a review of the book, singling out "Success" as "undoubtedly one of the strongest and finest wrought things in the book", before noting conjecture on the poem's authorship would be worthless.[8] Dickinson thanked the publisher Thomas Niles for including her poem, to which he responded somewhat apologetically: "you have doubtless perceived [it] was slightly changed in phraseology."[9]

gollark: I can think of a few things:* some breeds are snapped up by faster people, or collectors - maybe these have different naming preferences to most?* some of mine have weirder names than others
gollark: Interestingly, some of my dragons have many named offspring, others very few.
gollark: The trick to avoiding the pain is to never hunt again!
gollark: I feel a strange sense of pride. I managed to make someone with a "normal" naming scheme (i.e. vaguely pronounceable syllables with no visible meaning) call a dragon `Peppered Sausage II` just by breeding `Avocado Sausages` to the AP ages ago.
gollark: It's not as if all names are actually what we'd call humans.

References
  1. Phillips, Kate. Helen Hunt Jackson: A Literary Life. Berkeley: University of California Press, 2003: 146. ISBN 0-520-21804-3
  2. Dowling, David. Literary Partnerships and the Marketplace: Writers and Mentors in Nineteenth Century America. Louisiana State University Press, 2012: 180. ISBN 9780807138472
  3. Ashton, Susanna. Collaborators in Literary America, 1870–1920. Palgrave Macmillan, 2003: 170. ISBN 9781403982575
  4. Valenti, Patricia Dunlavy. To Myself a Stranger: A Biography of Rose Hawthorne Lathrop. Louisiana State University Press, 1991: 61. ISBN 0-8071-1612-2
  5. Danduran, Karen. "Dickinson and the Public" in Dickinson and Audience (Martin Orzeck and Robert Weisbuch, editors). The University of Michigan Press, 1996: 256–257. ISBN 0-472-10325-3
  6. Phillips, Kate. Helen Hunt Jackson: A Literary Life. Berkeley: University of California Press, 2003: 146–147. ISBN 0-520-21804-3
  7. Barnstone, Aliki. Changing Rapture: Emily Dickinson's Poetic Development. Lebanon, NH: University Press of New England, 2006: 121. ISBN 978-1-58465-534-3
  8. Phillips, Kate. Helen Hunt Jackson: A Literary Life. Berkeley: University of California Press, 2003: 147. ISBN 0-520-21804-3
  9. Sewall, Richard B. The Life of Emily Dickinson. Cambridge, MA: Harvard University Press, 2003 (sixth edition): ISBN 0-674-53080-2
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