1764 in music

List of years in music (table)

Events

  • The Temple of Comus or Every Gentleman and Lady's Beard, Brent and Lowe: Being Songs for the Year 1764[4]

Classical music

Opera

Methods and theory writings

  • Daniel BayleyA New and Compleat Introduction to the Grounds and Rules of Musick[9]
  • L'Abbé DuvalPrincipes de la musique pratique
  • Jean-Philippe RameauTraité des accords et de leur succession selon le système de la Basse-fondamentale
  • Valentin Roeser – Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor
  • Francisco Inácio SolanoNova instrucção musical, ou theorica pratica da musica rythmica

Births

Deaths

gollark: They might BOTH be wrong.
gollark: Strange.
gollark: They do have the problem that they can't really not run constantly or output drops lots.
gollark: If you assume 100% efficiency (with active cooling it *will* go up to reach that if the reactor runs constantly) then it should be easier.
gollark: Maximum power output?

References

  1. Robert Dearling (1982). The Music of Wolfgang Amadeus Mozart, the Symphonies. Fairleigh Dickinson Univ Press. p. 32. ISBN 978-0-8386-2335-0.
  2. Christopher Hogwood (12 June 2003). The Keyboard in Baroque Europe. Cambridge University Press. pp. 177–. ISBN 978-0-521-81055-5.
  3. Charles J. Hall (April 1990). An eighteenth-century musical chronicle: events 1750-1799. Greenwood Press. p. 44. ISBN 978-0-313-26576-1.
  4. George Watson (2 July 1971). The New Cambridge Bibliography of English Literature:. Cambridge University Press. p. 1968. ISBN 978-0-521-07934-1.
  5. Denis Montague De Coteau (1965). Symphony, no. 22, in E flat major (Der Philosoph), by Franz Joseph Haydn. Department of Music. p. 23.
  6. Ivan March; Edward Greenfield; Robert Layton; Paul Czajkowski (26 October 2004). The Penguin guide to compact discs and DVDs yearbook. Penguin. p. 491. ISBN 978-0-14-051523-7.
  7. Here Publishing (28 April 1998). The Advocate. Here Publishing. p. 77.
  8. Enciclopedia dello spettacolo (in Italian). Unedi-Unione editoriale. 1975. p. 390.
  9. Richard Crawford (1984). The Core Repertory of Early American Psalmody. A-R Editions, Inc. p. 69. ISBN 978-0-89579-198-6.
  10. John Denison Champlin; William Foster Apthorp (1899). Easter-Myste res. C. Scribner's Sons. p. 433.
  11. David Mason Greene (1985). Greene's Biographical Encyclopedia of Composers. Reproducing Piano Roll Fnd. p. 272. ISBN 978-0-385-14278-6.
  12. Ruth Tatlow; Ruth Mary Tatlow (21 February 1991). Bach and the Riddle of the Number Alphabet. Cambridge University Press. p. 116. ISBN 978-0-521-36191-0.
  13. Randel Don (1996). The Harvard Biographical Dictionary of Music. Harvard University Press. p. 660. ISBN 978-0-674-37299-3.
  14. Stanley Sadie (1980). The New Grove Dictionary of Music and Musicians. Macmillan Publishers. p. 346. ISBN 978-0-333-23111-1.
  15. Jean Philippe Rameau; Roger Lee Briscoe (1975). Rameau's Démonstration Du Principe de L'harmonie and Nouvelles Réflexions de M. Rameau Sur Sa Démonstration Du Principe de L'harmonie. Indiana University. p. 13.
  16. Joseph P. Swain (6 June 2013). Historical Dictionary of Baroque Music. Scarecrow Press. p. 163. ISBN 978-0-8108-7825-9.
  17. Charles Dudley Warner; John William Cunliffe; Ashley Horace Thorndike (1917). The Warner Library. Warner Library Company. p. 549.
  18. Enciclopèdia Espasa Vol. 35, page 766 (ISBN 84 239-4535-9)
  19. Concerto: Das Magazin für Alte Musik (in German). Gitarre & Laute. 1997. p. 40.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.