Étude No. 4 (Villa-Lobos)

Heitor Villa-Lobos's Étude No. 4 ("de acordes repetidos"), part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.

Structure

The piece shows the influence of folk guitar music, is in G major, and is marked Un peu modéré (Santos 1985, 23).

Analysis

Étude No. 4 is a chord study, but does not employ all of the harmonic and polyphonic resources of the instrument (Santos 1985, 23).

gollark: Weird, desert is nearly empty.
gollark: It seems to have randomly become unsick anyway, so that's fine.
gollark: I have a sick 4d1h egg; it's really unlikely to die if it becomes a hatchling, right?
gollark: Right now I'm just trying to compile a "high trade value" group so I can manage the ones which are good for breeding more easily.
gollark: I really should have done groups earlier. I know I have a bunch of cool stuff like SAltkins somewhere, but they're not labelled and I have a thousand dragons to sort through at this point.

References
  • Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.

Further reading
  • Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989.
  • Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.