Étude No. 12 (Villa-Lobos)

Heitor Villa-Lobos's Étude No. 12, the last of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.

History

The autograph manuscript of Etude No. 12 is dated 1929, Paris (Villa-Lobos, sua obra 1989).

Structure

The piece is in A minor and is marked Animé (Santos 1985, 27).

Analysis

Étude No. 12 is a study in glissandos, boldly turning to musical use the normally unpleasant sounds produced when the player's finger slides over the guitar's strings. Like the preceding two studies (and unlike the earlier ones), it is in ternary (ABA) form, with a strongly contrasting middle section (marked più mosso) featuring drumming sounds produced on the fifth and sixth strings together (Santos 1985, 27–28).

gollark: And pretty obviously?
gollark: Isn't this, er, politics? Again?
gollark: Wikipedia, font of infinite knowledge, says that the Boötes void is "only" 330 million light years across.
gollark: I do wonder what void that's actually referring to.
gollark: I'm not sure what void that's talking about, but I'm pretty sure most of them do have *some* things in them.

References
  • Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.
  • Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009

Further reading
  • Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).
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