Étienne Azambre

Étienne Azambre (2 February 1859, Paris -21 June 1933, Paris) was a French painter, best known for his religious and genre scenes, done in a subdued manner.

Offering to the Virgin Mary
Return from the Fields

Life & work

His father was a lawyer. After attending the Collège Stanislas de Paris, he decided to become an artist. From 1879 to 1882, he was enrolled at the Académie Julian, then attended the École Nationale des Beaux-Arts until 1885, where he studied with William Bouguereau and Tony Robert-Fleury. During his military duty in Orléans, he made lifelong friends with the painters Lucien Simon and Georges Desvallières[1].

Between 1883 and 1904, he exhibited regularly at the Salon des Artistes français[2] In 1889, he participated in the annual exhibition held by the Friends of Art of the Département of Seine-et-Oise, which was held at the Château de Versailles[3]. In 1893, he had a showing at the Musée royal d'Art moderne à Bruxelles.[4].

His religious works could also be seen at several artistic exhibitions organized by the Rosicrucians.[5] Their largest was held in 1893, at the Palais du Champs de Mars, which was demolished in 1988. Many of his works were reproduced as illustrations in magazines such as Le Monde Illustré, La Famille and La France Illustrée.

In 1895, he was one of the artists chosen to decorate the Church of Sainte Marie-Madeleine of Équennes-Éramecourt in Somme. He created frescoes that adorn the cupola, representing the Coronation of the Virgin in the presence of a large assembly of angels. Later, he became a member of the Société de Saint-Jean, where he participated in their exhibitions, held the office of Vice-President for a short time and contributed numerous articles to their magazine, Notes d'Art et d'Archéologie.[6]. This helped him establish a relationship with the publisher, Bouasse-Lebel, which specialized in religious items. He eventually provided hundreds of pious images, many for postcards, reproduced by lithography, rotogravure and chromolithography. He focused entirely on scenes from the New Testament.

Between 1916 and 1919, he devoted himself almost exclusively to producing four large frescoes, representing the Nativity and the Assumption, at the Église Saint-Firmin de Senan in Yonne, a village near his family estate.[7] Following his death, in 1933, he was interred in a nearby cemetery.

gollark: And it clearly isn't what we might stereotypically think of an AI as, since it isn't agenty and doesn't even have writable memory.
gollark: There are also a lot of things it can't do, like many other reasoning tasks, anything not expressible as text, and a lot of things requiring world modeling. But I don't know if that means it isn't "thinking".
gollark: I don't know if it can "think" because that's quite poorly defined. I do know that it can do some amount of logical and common-sense reasoning and has very good language abilities.
gollark: <@267332760048238593> "Manages charts"?
gollark: This is also "behavior".

References
  1. "Lucien Simon et Georges Desvallières" (in French). Retrieved 11 April 2018.
  2. "Catalogue illustré du Salon des Artistes Français 1884" (in French).
  3. "Catalogue de l'Exposition des Amis des Arts de Seine-et-Oise 1889" (in French).
  4. "Chronique des Arts et de la Curiosité n° 37 Déc 1893" (in French).
  5. "Catalogue du 2ème Salon de la Rose-Croix 1893 page 9 Bnf Gallica" (in French).
  6. "La Renaissance de l'Art français et des Industries de luxe 3ème année N°1-1920 p36 Bnf Gallica" (in French).
  7. "Paroisse des Trois Vallées - Eglise de Senan" (in French). Retrieved 11 April 2018.

Further reading
  • Enzo Pagliara, Étienne Azambre: un pittore per la religione : immaginette d'autore tra Otto e Novecento, Barbieri, 2003 ISBN 978-88-7533-005-7
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.