The Kink Kontroversy

The Kink Kontroversy is the third studio album by English rock band the Kinks, released on 26 November 1965 in the United Kingdom and in March 1966 in the United States, where it was the first American Kinks album to feature an identical tracklist to its UK counterpart. It is a transitional work, with elements of both the earlier Kinks' styles (heavily blues-influenced songs such as "Milk Cow Blues" and variations on the band's hits from 1964–1965 such as "Till the End of the Day") and early indications of the future direction of Ray Davies' songwriting styles ("The World Keeps Going Round" and "I'm On an Island"). The liner notes were written by Michael Aldred.

The Kink Kontroversy
Studio album by
Released26 November 1965 (1965-11-26)
Recorded23–30 October 1965 (except early August 1965 for "Milk Cow Blues")[1]
StudioPye Studios, London
Genre
Length30:12
Label
ProducerShel Talmy
The Kinks chronology
Kwyet Kinks
(1965)
The Kink Kontroversy
(1965)
Face to Face
(1966)
The Kinks American chronology
Kinkdom
(1965)
The Kink Kontroversy
(1966)
Face to Face
(1966)
Singles from The Kink Kontroversy

Background

The album's title is a mocking reference to the notorious reputation the band had developed over the previous year, including onstage fights and concert riots in Europe, which led to a ban on the group's concerts in the US.

"Where Have All the Good Times Gone" makes several references and/or allusions to Beatles and Rolling Stones songs.[4]

Track listing

All songs written and composed by Ray Davies, except where noted.

Side one
No.TitleWriter(s)Length
1."Milk Cow Blues"Sleepy John Estes; arranged by The Kinks3:44
2."Ring the Bells" 2:21
3."Gotta Get the First Plane Home" 1:49
4."When I See That Girl of Mine" 2:12
5."I Am Free"Dave Davies2:32
6."Till the End of the Day" 2:21
Side two
No.TitleLength
1."The World Keeps Going Round"2:36
2."I'm on an Island"2:19
3."Where Have All the Good Times Gone"2:53
4."It's Too Late"2:37
5."What's in Store for Me"2:06
6."You Can't Win"2:42
1998 and 2004 CD reissue bonus tracks
No.TitleLength
13."Dedicated Follower of Fashion"3:05
14."Sittin' on My Sofa"3:08
15."When I See That Girl of Mine" (Demo version)2:01
16."Dedicated Follower of Fashion" (Alternate stereo take)3:01
2011 Sanctuary Records deluxe edition Disc 2
No.TitleLength
1."Dedicated Follower of Fashion"3:04
2."Sittin' on My Sofa"3:09
3."I'm Not Like Everybody Else"3:30
4."Mr. Reporter" (outtake)3:58
5."Dedicated Follower of Fashion" (alternative take; different take from previous CD reissues and the Picture Book boxset)2:54
6."Time Will Tell" (outtake)2:46
7."And I Will Love You" (unissued EP track)2:26
8."I'm Not Like Everybody Else" (alternative vocal version)3:33
9."All Night Stand" (Ray Davies solo demo)1:54
10."Milk Cow Blues" (BBC performance)2:47
11."Ray Talks about Songwriting" (BBC interview)1:02
12."Never Met a Girl Like You Before" (BBC performance)2:01
13."Wonder Where My Baby Is Tonight" (BBC performance)1:49
14."Pete Talks about Records" (BBC interview)1:17
15."Till the End of the Day" (BBC performance)2:19
16."A Well Respected Man" (BBC performance)2:41
17."Where Have All the Good Times Gone" (BBC performance)2:46

Release

The single "Till the End of the Day" was a major hit, reaching #8 in the UK[5] and #50 in the US, spending eight weeks or more in each chart.[6]

American singer Bobby Rydell covered "When I See That Girl of Mine", which was released as a single in the US a full month before the Kinks' version was made public.

Reception

Professional ratings
Review scores
SourceRating
Allmusic[7]
Encyclopedia of Popular Music[8]

Allmusic praised the album as the Kinks' coming-of-age, commenting that their raw early material was being replaced by more thoughtful and sophisticated songs. They pointed out "I'm on an Island", "Where Have All the Good Times Gone", "Ring the Bells", "The World Keeps Going Round", and "I Am Free" as particularly strong examples of this.[7]

Personnel

Track numbering refers to CD and digital releases of the album.

The Kinks
Additional musicians

Legacy

American indie rock band Sleater-Kinney used the same album cover layout as an homage for their 1997 album Dig Me Out.

References

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