Sonata in G major for two flutes and basso continuo, BWV 1039

The Sonata in G major for two flutes and basso continuo, BWV 1039, is a trio sonata by Johann Sebastian Bach. It is a version, for a different instrumentation, of the Gamba Sonata, BWV 1027. The first, second and fourth movement of these sonatas also exist as a trio sonata for organ.

Historical context

This sonata, scored for two transverse flutes and continuo, is one of the few trio sonatas that can genuinely be attributed to Bach. Although traditionally thought to have been composed during Bach's period in Weimar or Cöthen, Bach scholars have revised that dating based on an analysis of the extant manuscripts and on stylistic considerations. According to Wolff (1994), the trio sonata was composed between 1736 and 1741 in Leipzig, where, since 1729, Bach had been director of the Collegium Musicum, a chamber music society performing weekly at the Café Zimmermann. The version for viola da gamba and harpsichord, BWV 1027, as well as the other two sonatas for this ensemble, are dated by Laurence Dreyfus, Christoph Wolff and others to the same period.[1][2]

Movements

BWV 1039 has four movements:[3]

  1. Adagio
  2. Allegro ma non presto
  3. Adagio e piano
  4. Presto

Trio sonata for organ

Apart from the sonata for viola da gamba and the trio sonata for two flutes and continuo, there is a third version of the sonata for organ—the trio sonata in G major in three movements (BWV 1027a and BWV 1039a). The first two movements are organ transcriptions of the first two movements of BWV 1039; while its last movement is a transcription of the fourth movement of BWV 1027. According to the Bach scholar Russell Stinson, the transcription for organ was not made by Bach, but probably by Johann Peter Kellner.[4][5][6][7] Peter Dirksen has surmised that although the Gamba sonata BWV 1027 corresponds to one of Bach's own autograph manuscript from 1740, the other sources, one of them with Bach's son Johann Gottfried Bernhard as scribe, probably date from 1735 or later. Stinson also thinks it possible that the organ arrangement could originate from a lost trio sonata in G major for two violins and basso continuo.[8][9][10][5]

Notes
  1. Cyr 1989, p. 108
  2. Wolff 1994, pp. 227–234
  3. Rust 1860, pp. 260–273.
  4. Williams 2003, pp. 537-538
  5. Dirksen 2010, p. 21, and online appendix Nos. 3–5
  6. Sonata, G BWV 1039 at Bach Digital.
  7. Dürr & Kobayashi 1998, p. 462.
  8. Stinson 1989
  9. Stinson 1992
  10. Wollny 1994

References

Scores, manuscripts and catalogues

  • "Sonata, G BWV 1039". Bach Digital. Leipzig: Bach Archive; et al. 2019-12-05.
  • "Trio, G BWV 1027 / Anh. II 46→". Bach Digital. Leipzig: Bach Archive; et al. 2015-11-01.
  • Dürr, Alfred; Kobayashi, Yoshitake, eds. (1998), Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe [Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition] (in German), Kirsten Beißwenger (collaborator). (BWV2a ed.), Wiesbaden: Breitkopf & Härtel, ISBN 9783765102493. Preface in English and German.CS1 maint: ref=harv (link)
  • Rust, Wilhelm, ed. (1860), Kammermusik: Band 1 [Chamber music: Vol. 1], Bach-Gesellschaft Ausgabe (in German), 9, Leipzig: Breitkopf & HärtelCS1 maint: ref=harv (link)

Commentary

  • Cyr, Mary (1989), "Review: Three Sonatas for Viola da Gamba and Harpsichord (BWV1027-1029) by J. S. Bach, Hans Eppstein, Lucy Robinson, Laurence Dreyfus and Jean-Louis Charbonnier", Early Music, 17: 106, 108, 110, 113, JSTOR 3127270
  • Dirksen, Pieter, ed. (2010), Sonatas / Trios / Concertos, Introduction, commentary and on-line material, Johann Sebastian Bach: Complete Organ Works – Urtext, 5, Breitkopf & Härtel, pp. 14–28, EB 8805
  • Stinson, Russell (1989), "Three organ-trio transcriptions from the Bach-circle: Keys to a lost Bach chamber work", in Franklin, Don O. (ed.), Bach Studies, Cambridge University Press, pp. 125–159
  • Stinson, Russell, ed. (1992), "Keyboard Transcriptions from the Bach Circle", Recent Researches in the Music of the Baroque Era, 69: vii–ix
  • Williams, Peter (2003), The Organ Music of J. S. Bach, Cambridge University Press, ISBN 978-0-521-89115-8
  • Wolff, Christoph (1994), "Bach's Leipzig Chamber Music", Bach: Essays on his life and work, Harvard University Press, pp. 223–238, ISBN 0674059263
  • Wollny, Peter (1996), "Zur Überlieferung der Instrumentalwerke Johann Sebastian Bachs: Der Quellenbesitz Carl Philipp Emanuel Bachs", Bach-Jahrbuch, 82: 11, 19
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