Zama (film)

Zama is a 2017 Argentine period drama film directed by Lucrecia Martel, based on the 1956 novel of the same name by Antonio di Benedetto.[3] It premiered at the 74th Venice International Film Festival.[4] It was also screened in the Masters section at the 2017 Toronto International Film Festival.[5] On 29 September 2017, the Argentine Academy of Cinematography Arts and Sciences chose the film as the national entry for Best Foreign Language Film at the 90th Academy Awards and Best Iberoamerican Film at the 32nd Goya Awards.[6][7]

Zama
Theatrical release poster
Directed byLucrecia Martel
Produced byVania Catani
Benjamin Domenech
Santiago Gallelli
Matias Roveda
Screenplay byLucrecia Martel
Based onZama
by Antonio di Benedetto
Starring
CinematographyRui Poças
Edited by
  • Miguel Schverdfinger
  • Karen Harley
Production
company
  • Bananeira Filmes
  • Rei Cine
Distributed by
Release date
  • 31 August 2017 (2017-08-31) (Venice)
  • 28 September 2017 (2017-09-28) (Argentina)
Running time
115 minutes
CountryArgentina
LanguageSpanish
Box office$475,910[1][2]

Plot

In the late 18th century Don Diego de Zama is a functionary in a remote outpost in Argentina. His wife and children are far away from him and he longs to be assigned to a post in Lerma, a change he believes is imminent.

The town is plagued by rumours of the feats of Vicuña Porto, a man who robs and rapes at will and who others are always claiming to have met and defeated. Uninterested by the gossip, Zama spends his time trying to seduce the wealthy, married, Spanish noblewoman Luciana Piñares de Luenga who rebuffs him.

He learns that the governor, who had been promising to recommend his transfer, is being transferred himself by order of the King of Spain. Brokenhearted that he has not been transferred, Zama runs afoul of the new Governor when the Governor learns that one of the employees is writing a book while at work. The Governor orders Zama to read the book and issue a full report. Reluctantly Zama agrees. After he writes a damning report the Governor agrees to write a first letter of recommendation, revealing that the king always ignores first requests and a second one will take several more years to make its way to the king.

Defeated, Zama agrees to join a party of men looking to hunt down and kill Vicuña Porto. In the middle of the night Zama wakes to find the horses being stolen and has a conversation with one of the men in his group, who claims he is Vicuña Porto.

Later, the men are captured by an indigenous tribe, who ultimately let them go. The survivors are completely bedraggled and the captain tells Zama they cannot return without Vicuña Porto, prompting Zama to reveal Vicuña Porto's identity. Porto and his men tie up Zama and the Captain, the only two remaining members of the expedition who are not faithful to Porto. The men kill the captain and let Zama live as they believe he has information about hidden jewels that will make them rich. When Zama tells them no such riches exist they cut off his hands. Zama manages to survive but his future is uncertain as he awakes with no hands on a raft, having been rescued by an indigenous man and child.

Cast

Production

The film had a slow production process with director Lucrecia Martel first announcing her attachment to the film in 2012.[8] The film was rumoured to begin filming by 2014, but a still was released in May 2015 shortly after filming actually began.[9] The film then spent two years in post-production after Martel learned she had cancer and she struggled to maintain her health and complete the film.[10]

Reception

Zama received widespread acclaim from critics. On review aggregator website Rotten Tomatoes the film has an approval rating of 95% based on 85 reviews, with an average rating of 8.3/10. The website's critical consensus states, "Zama offers a series of scathingly insightful observations about colonialism and class dynamics — and satisfyingly ends a long wait between projects from writer-director Lucrecia Martel."[11] Metacritic, another review aggregator, assigned the film a weighted average score of 88 out of 100, based on 23 critics, indicating "universal acclaim".[12] Following its screening at the Toronto International Film Festival, The A.V. Club's A.A. Dowd gave the film a B+ grade and wrote: "Zama, despite its setting, isn’t such a radical departure for Martel; it preserves her talent for tracking an individual through chaotic social spheres".[13]

Upon its theatrical release, Zama received universal acclaim from the Argentine press. On the Argentine website Todas Las Críticas, which collects local reviews, the film has an average rating of 82 out of 100 and an approval rating of 88%, based on 41 reviews.[14] Luciano Monteagudo of Página/12 praised Martel's direction and considered Zama to be "a new peak in her work, a film with a visual and sound complexity that is out of the norm in contemporary cinema, capable of breaking with narrative linearity to go in search of a colonial past that can only be imagined in a fragmentary way, as one who explores his identity in the remnants of what is called History."[15] An enthusiastic review came from Clarín's Pablo O. Scholz, who called it "an invitation to the senses, a film that floods, overflows in more than one meaning" and a "captivating experience."[16] Writing for La Nación, María Fernanda Mugica stated that Zama was "work of art that requires an attentive, patient and open viewer", feeling that "it is admired since the first shot but it begins to be better appreciated later, when the fascination for the beauty of the images and the intensity of the sounds leave room in the viewer for a connection with the frustration experienced by its protagonist".[17] Writing for Otros Cines, Diego Batlle gave the film the highest rating and compared it to the work of Terrence Malick, Werner Herzog, John Ford and Claire Denis, while stating: "but Martel's cinema is unique, non-transferable, inimitable, incomparable."[18]

In 2019 TIFF Cinematheque named the film the best film of the decade as voted on by Canadian journalists, critics, and historians.[19]

gollark: Nobody actually reads them, and by the time they are ratified it will be *too late*.
gollark: Solution: Infiltrate the standards committees. While they're distracted bikeshedding function names and cylindrical Bessel functions and such, swap out some of the pages of the new standard for ones from Boost docs.
gollark: Also, potatOS would inevitably stop it.
gollark: Might it not delete itself, then?
gollark: It's much more maintainable due to not doing accursed things with unsafe raw memory access.

See also

References
  1. "Zama (2017)". Box Office Mojo. Retrieved December 14, 2018.
  2. "Zama". Box Office Mojo. Retrieved December 17, 2017.
  3. Hopewell, John (May 20, 2015). "Cannes: Lucrecia Martel Rolls on 'Zama'". Variety. Penske Business Media. Retrieved August 20, 2017.
  4. "Lucretia Martel - Zama". La Biennale di Venezia. Retrieved August 20, 2017.
  5. Pond, Steve (August 15, 2017). "Aaron Sorkin, Brie Larson, Louis CK Movies Added to Toronto Film Festival Lineup". TheWrap. Retrieved August 20, 2017.
  6. ""Zama", a los Oscar". Página/12 (in Spanish). Editorial La Página S.A. September 29, 2017. Retrieved October 23, 2017.
  7. Mango, Agustin (September 29, 2017). "Oscars: Argentina Selects 'Zama' for Foreign-Language Category". The Hollywood Reporter. Prometheus Global Media. Retrieved September 29, 2017.
  8. Jagernauth, Kevin. "First Look At Lucrecia Martel's 'Zama' As Production Begins". Retrieved October 29, 2018.
  9. Hopewell, John. "Cannes: Lucrecia Martel Rolls on 'Zama' (EXCLUSIVE)". Retrieved October 29, 2018.
  10. Kohn, Eric. "How Pedro Almódovar Pushed Argentina's Greatest Filmmaker to Make Her Best Movie Ever". Retrieved October 29, 2018.
  11. "Zama (2017)". Rotten Tomatoes. Fandango. Retrieved August 27, 2018.
  12. "Zama Reviews". Metacritic. CBS Interactive. Retrieved April 30, 2018.
  13. Dowd, A.A. (September 12, 2017). "Jake Gyllenhaal's Boston Marathon bombing film isn't too bad, and other surprises at Toronto". The A.V. Club. The Onion. Retrieved November 19, 2017.
  14. "Zama - Críticas". Todas Las Críticas (in Spanish). Retrieved October 23, 2017.
  15. Monteagudo, Luciano (September 28, 2017). "Exiliado en su subjetividad". Página/12 (in Spanish). Retrieved November 19, 2017.
  16. Scholz, Pablo O. (September 27, 2017). ""Zama": Sí, es cautivante". Clarín (in Spanish). Retrieved November 19, 2017.
  17. Mugica, María Fernanda (September 28, 2017). "Zama: una obra de arte que recompensa con creces al espectador". La Nación (in Spanish). Retrieved November 19, 2017.
  18. Batlle, Diego (September 25, 2017). "Crítica de "Zama" + Entrevista a Lucrecia Martel". Otros Cines (in Spanish). Retrieved October 23, 2017.
  19. Vlessing, Etan. "Toronto Film Festival Ranks Best Movies of the Decade". Retrieved November 29, 2019.

Further reading
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