Yo-Yo Boing!

Yo-Yo Boing!
	First edition cover
Author	Giannina Braschi
Language	English, Spanish, Spanglish
Series	Discovery
Subject	Inspiration, Poetry, Creative Process, Democracy, Puerto Rican culture, Writer's Block, Discrimination, Racism, Sexism, US Colonialism,
Genre	Cross-genre; Hysterical realism; Metamodernism; satire; postmodernism; Experimental Fiction;
Published	Pittsburgh, PA : Latin American Literary Review Press, 1998
Media type	Book
Pages	205
ISBN	9780935480979
OCLC	39339100

Yo-Yo Boing! (1998) is a Postmodern novel in English, Spanish, and Spanglish by Puerto Rican author Giannina Braschi.[1][2] The cross-genre work is a structural hybrid of poetry, political philosophy, musical, manifesto, treatise, bastinado, memoir, and drama.[3] The work addresses tensions between Anglo-American and Hispanic-American cultures in the United States.[4]

Giannina Braschi

Giannina Braschi, a National Endowment for the Arts fellow, is considered an influential and "revolutionary voice" in contemporary Latin American literature.[5][6][7][8] Braschi's Empire of Dreams is a postmodern poetry classic, first published in Spain in 1988.[9][10][1] Her most recent work is the postcolonial dramatic novel United States of Banana (2011).[11] Braschi's collective work explores the politics of empire and independence, while capturing the trials and tribulations of the Latin American immigrant in the United States.[12][13] With the republication of United States of Banana and her other works in 2011, CARAS Magazine ranked Braschi in 2012 as one of the most influential Puerto Ricans of the year.[14]

Description

Yo-Yo Boing! has many examples of the linguistic phenomena of code-switching[15] between English and Spanish, as spoken by millions of Latinos and Hispanic-Americans in the United States and in Puerto Rico.[16] It is the first full-length novel to use Spanglish as a high art form.[1] The translingualism in this Latino narrative anticipated multicultural readers who could readily decode both languages in order to co-construct the storyworld.[1]

Through dramatic dialogues and conversations among a nameless chorus of voices, the work treats subjects as diverse as racial, ethnic, and sexual prejudice, discrimination, colonialism, Puerto Rican independence, revolution, domestic violence, and writer's block. In the book, intellectuals and artists debate English-only laws, ethnic cleansing campaigns, and the corporate censorship.[17][18]

The dialogue also refers to popular culture, Latin American boom, films, sex, poetry, and Puerto Rican artistic expression in New York. Artists and celebrities such as Woody Allen, Almodovar, Michael Jackson, Madonna, Pavarotti, Martin Scorsese, Fellini, Pee-Wee Herman, and Nabokov are celebrated and derided.[19]

Reception

Marc Zimmerman qualified the reception of Yo-Yo Boing! by Latin American scholars as "a work heralded by such gurus as Jean Franco, Doris Sommer, and Diamela Eltit and seen as the most complex and experimental of US Puerto Rican fiction yet to be written." [20] Frederick Luis Aldama stated, "Braschi is recognized as one of today’s foremost experimental Latinx authors. Braschi’s vibrant, bilingually shaped creative expressions and innovation spring from her Latinidad, her Puerto Rican-ness. (In this work) we discover as much about US/Puerto Rico sociopolitical histories as we encounter the metaphysical and existential explorations of a Cervantes, Rabelais, Diderot, Artaud, Joyce, Beckett, Stein, Borges, Cortázar, and Rosario Castellanos."[21] In "Yo-Yo Boing! and Its Critical Reception," Christopher Gonzalez noted the early reviews published in English by monolingual reviewers were "at once laudatory and hesitant." [Publishers Weekly called it "a literary liberation and a frustrating challenge"[22][19] and Kirkus Reviews called it "a fractious comic novel by Braschi, a highly praised Puerto Rican poet... This in-your-face assertion of the vitality of Latino culture has many agreeable moments, but—let’s face it—how much of its potential readership will be able to understand more than half of it?"[23][22]?] Gonzalez posits that "because Braschi owns every aspect of her story-world blueprint due to her equal mastery and fluency in Spanish and English," non-Spanish speaking reviewers considered the work "an affront."[1] Whereas, he notes that bilingual reviewers, such as David William Foster in Review of Contemporary Fiction praised Yo-Yo Boing! for its "superb exploration for the lived experiences of Hispanics."[22] Debra A. Castillo qualified the work's artistry in this way, “While the author may write big books in terms of the traditional expectations about the poetic genre, she is as concerned about the microlevel of her work as the most highly elaborated lyricist. Braschi’s attention to tone and rhythm, to the music of her text, is extreme.” Harold Augenbraum, Ilan Stavans, Doris Sommer, Adriana Estill[24], Christopher Gonzalez, and other critics have used the phrase "a tour de force" to describe Yo-Yo Boing![22]

Ilan Stavans stated in Spanglish, "I have always visto a Giannina Braschi como mi heroína. And I’m an adicto... There is something mágico in her juego de palabras, her exploration of tenses, her anxious, uncompromising bilingüismo que ni es de aquí ni es de aquí ni es de allá, ni tiene age ni porvenir, y ser feliz es su color, su identity. Braschi crea una lexicography that is and isn’t atrapada en el presente.”[25] Stavans was among the first professors to teach Yo-Yo Boing! (Amherst 2002) and dedicate a conference to Spanglish literature (Amherst 2004).[26] Nearly 20 years later, in 2020, Yo-Yo Boing! is now on the course syllabus for classes in Spanglish, Bilingualism, Linguistics, Latino/a Literature, Puerto Rican Studies, Nuyorican Poetry, Latin American fiction, Experimental Literature, and Avant-garde Theater and Performance.[25]

gollark: Please note that "reality" does not offer saved game support or sandbox mode.

gollark: It's called "reality" and you can play it now!

gollark: If you're talking about lunar exploration, it's money quite far off, so it would likely take a lot longer to happen.

gollark: Hopefully less crashiness...

gollark: I think he means ASCII art and stuff?

References

González, Christopher. Permissible Narratives: The Promise of Latino/a Literature. Ohio State University Press, 2017.
Castillo, Debra A. "Language Games: Hinojosa-Smith, Prida, Braschi,: Redreaming America: Toward a Bilingual American Culture (pp. 172-186), State University of New York, 2005
Aldama, Frederick Luis (2020). Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. ISBN 9780822946182.
Perez, Rolando (2020). "The Bilingualisms of Latino/a Literatures." The Oxford Handbook of Latino Studies. Oxford University Press.
"Giannina Braschi". National Book Festival. Library of Congress. 2012. Retrieved 11 Dec 2015. 'one of the most revolutionary voices in Latin America today'
"Giannina Braschi: Book Fest 12". National Book Festival Transcript and Webcast. Washington, DC: Library of Congress. September 2012. Retrieved 11 Dec 2015. 'Braschi, a poet, essayist and novelist often described as cutting-edge, influential and even revolutionary'
Johnson, Hannah (May 26, 2011). "#BEA11: Books on Display, the Amazon Publishing Booth". Publishing Perspectives. 'Braschi is Puerto Rico's most influential and versatile writer of poetry, fiction, and essays'
Perisic, Alexandra. "Precarious Crossings: Immigration, Neoliberalism, and the Atlantic". ohiostatepress.org. Retrieved 2020-04-30.
Carrion, Maria M. (April 15, 2013). "La autora de Yo-Yo Boing!, Giannina Braschi, y la historiadora latinoamericana Arleen Diaz". University of Puerto Rico. Retrieved April 20, 2013. Empire of Dreams, considered a postmodern classic.
"Escritora e historiadora visitan la isla". ForoNoticioso.com. April 12, 2013. Retrieved April 20, 2013.
Hitchcock, Peter. "Novelization in Decolonization, or, Postcolonialism Reconsidered". springerprofessional.de. Retrieved 2020-04-30.
Jacobson, Matthew Frye (September 15, 2012). "American Studies Association President's Overview: 2012 ASA Convention Archives" (PDF). ASA. Retrieved 2013-04-20.
Jacobson, Matthew Frye (March 15, 2013). "American Studies Association News From the Editors: Reflections on the Annual Meeting". Retrieved 11 Dec 2015.
de la Torre, Patricia (December 2012 – February 2013). "CARAS 2012: Los grandes protagonistas de Puerto Rico". TELEVISA.
Moreno, Francisco (2020). "Yo-Yo Boing! Or Literature as a Translingual Practice". Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. Aldama, Frederick Luis and O'Dwyer, Tess, eds. ISBN 9780822946182.
Martiza G. Stanchich, Insular interventions: diasporic Puerto Rican literature bilanguaging toward a greater Puerto Rico, University of California, Santa Cruz, 2003.
Doris Sommer & Alexandra Vega-Merino, "Either Or", Introduction to Yo-Yo Boing!, Latin American Literary Review Press, Pittsburgh, 1998
Marta S. Rivera Monclova, Discrimination, Evasion, and Liability in Four New York Puerto Rican Narratives, Tufts University, 2010.
"Fiction Book Review: Yo-Yo Boing!". www.publishersweekly.com. Retrieved 2020-04-30.
Zimmerman, Marc (2011-09-15). Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans. University of Illinois Press. ISBN 978-0-252-09349-4.
Aldama, Frederick Luis (2020). Exclamations and Interjections: Introduction to Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. Pittsburgh. ISBN 9780822946182.
Gonzalez, Christopher (2017). "Translating Minds, Narrative Encounters: Yo-Yo Boing! and Its Critical Reception," Permissible Narratives. Ohio. ISBN 978-0-8142-5441-7.
YO YO BOING! | Kirkus Reviews.
Estill, Adriana. "Review of Yo-Yo Boing!". Letras Femininas. 25 (12): 224–225 – via JSTOR.
Stavans, Ilan; Aldama, Frederick Luis (2020). Forward to "Poets, Philosophers, Lovers: On the Writings of Giannina Braschi". 2020: Pittsburgh University Press. ISBN 9780822946182.CS1 maint: location (link)
Stavans, Ilan. "First International Spanglish Conference". Amherst College.

External links

Author bio: Library of Congress, 2012.
, video "Future of the Spanish Language," Oppenheimer Presents, Miami, November 21, 2009.
, video "United States of Banana," Michael Somoroff, Director, New York, September 2011.
, bilingual excerpts from Yo-Yo Boing!
, WAPA TV, "Escritora puertorriqueña que poco a poco se ha abierto paso en Estados Unidos" by Normando Valentín, December 2011.
"Nuyorican Power," program on Nuyorican culture, featuring Giannina Braschi, Produced By: Evan B. Stone & Carrie Pyle for CURRENT TV.
Latino Poetry
A la Vielle Russie Evergreen Review

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[:0-1] González, Christopher. Permissible Narratives: The Promise of Latino/a Literature. Ohio State University Press, 2017.

[2] Castillo, Debra A. "Language Games: Hinojosa-Smith, Prida, Braschi,: Redreaming America: Toward a Bilingual American Culture (pp. 172-186), State University of New York, 2005

[3] Aldama, Frederick Luis (2020). Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. ISBN 9780822946182.

[4] Perez, Rolando (2020). "The Bilingualisms of Latino/a Literatures." The Oxford Handbook of Latino Studies. Oxford University Press.

[5] "Giannina Braschi". National Book Festival. Library of Congress. 2012. Retrieved 11 Dec 2015. 'one of the most revolutionary voices in Latin America today'

[6] "Giannina Braschi: Book Fest 12". National Book Festival Transcript and Webcast. Washington, DC: Library of Congress. September 2012. Retrieved 11 Dec 2015. 'Braschi, a poet, essayist and novelist often described as cutting-edge, influential and even revolutionary'

[7] Johnson, Hannah (May 26, 2011). "#BEA11: Books on Display, the Amazon Publishing Booth". Publishing Perspectives. 'Braschi is Puerto Rico's most influential and versatile writer of poetry, fiction, and essays'

[8] Perisic, Alexandra. "Precarious Crossings: Immigration, Neoliberalism, and the Atlantic". ohiostatepress.org. Retrieved 2020-04-30.

[9] Carrion, Maria M. (April 15, 2013). "La autora de Yo-Yo Boing!, Giannina Braschi, y la historiadora latinoamericana Arleen Diaz". University of Puerto Rico. Retrieved April 20, 2013. Empire of Dreams, considered a postmodern classic.

[10] "Escritora e historiadora visitan la isla". ForoNoticioso.com. April 12, 2013. Retrieved April 20, 2013.

[11] Hitchcock, Peter. "Novelization in Decolonization, or, Postcolonialism Reconsidered". springerprofessional.de. Retrieved 2020-04-30.

[Jacobson-12] Jacobson, Matthew Frye (September 15, 2012). "American Studies Association President's Overview: 2012 ASA Convention Archives" (PDF). ASA. Retrieved 2013-04-20.

[Jacobson_2-13] Jacobson, Matthew Frye (March 15, 2013). "American Studies Association News From the Editors: Reflections on the Annual Meeting". Retrieved 11 Dec 2015.

[14] Torre, Patricia (December 2012 – February 2013). "CARAS 2012: Los grandes protagonistas de Puerto Rico". TELEVISA.

[15] Moreno, Francisco (2020). "Yo-Yo Boing! Or Literature as a Translingual Practice". Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. Aldama, Frederick Luis and O'Dwyer, Tess, eds. ISBN 9780822946182.

[16] Martiza G. Stanchich, Insular interventions: diasporic Puerto Rican literature bilanguaging toward a greater Puerto Rico, University of California, Santa Cruz, 2003.

[17] Doris Sommer & Alexandra Vega-Merino, "Either Or", Introduction to Yo-Yo Boing!, Latin American Literary Review Press, Pittsburgh, 1998

[18] Marta S. Rivera Monclova, Discrimination, Evasion, and Liability in Four New York Puerto Rican Narratives, Tufts University, 2010.

[:1-19] "Fiction Book Review: Yo-Yo Boing!". www.publishersweekly.com. Retrieved 2020-04-30.

[20] Zimmerman, Marc (2011-09-15). Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans. University of Illinois Press. ISBN 978-0-252-09349-4.

[21] Aldama, Frederick Luis (2020). Exclamations and Interjections: Introduction to Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. Pittsburgh. ISBN 9780822946182.

[:2-22] Gonzalez, Christopher (2017). "Translating Minds, Narrative Encounters: Yo-Yo Boing! and Its Critical Reception," Permissible Narratives. Ohio. ISBN 978-0-8142-5441-7.

[23] YO YO BOING! | Kirkus Reviews.

[24] Estill, Adriana. "Review of Yo-Yo Boing!". Letras Femininas. 25 (12): 224–225 – via JSTOR.

[:3-25] Stavans, Ilan; Aldama, Frederick Luis (2020). Forward to "Poets, Philosophers, Lovers: On the Writings of Giannina Braschi". 2020: Pittsburgh University Press. ISBN 9780822946182.CS1 maint: location (link)

[26] Stavans, Ilan. "First International Spanglish Conference". Amherst College.