Wind machine

For the agricultural device, see Frost Protection Methods.


Historical wind machine (c. 1900) at the Konzerthaus in Ravensburg, Germany
A modern wind machine during the performance of Vaughan Williams's Sinfonia antartica by Hong Kong Philharmonic Orchestra in January 2013.

The wind machine (also called aeoliphone) is a friction idiophone, which is a class of instrument which produces sound through vibrations within the instrument itself.[1] It is a specialist musical instrument used to produce the sound of wind in orchestral compositions and musical theater productions.[2]

Construction

The wind machine is constructed of a large cylinder made up of several wooden slats which measures approximately 75–80 centimeters in diameter.[2][3] The cylinder body of the instrument rests upon a stand and is typically covered with silk, canvas, or other material which is in a fixed position. A crank handle, used by the player to rotate the cylinder and create the sound, is attached to the cylinder.[1]

Another method of construction implements an electric fan, which is fitted with lengths of cane, rather than blades. However, this method is less popular because it does not provide the player with the ability to control the speed of rotation.

Technique

The wind machine is played by rotating the crank handle, which is attached to the cylinder, to create friction between the wooden slats and the material covering that touches the cylinder but does not rotate as the crank handle is turned. This friction between the wood and the material covering creates the sound of rushing wind.[2] The volume and pitch of the sound is controlled by the rate at which the crank is turned. The faster the handle is turned, the higher the resulting pitch and the louder the sound. The slower the handle is turned, the lower the pitch and the softer the volume. The sound of the wind machine can also be controlled by the tightness of the fabric covering the cylinder.[2][4]

Classical works that use the instrument

gollark: ddg! Dual_EC_DRBG
gollark: I think drawing the line is fairly hard.
gollark: I thought of two ways, although they are a bit contrived.
gollark: <@738361430763372703> This being cryptography, you realize that it would be fairly easy to construct flaws which can't practically be exploited by anyone but you?
gollark: I will not. You will have to link it.

References

  1. Baines, Anthony, The Oxford Companion to Musical Instruments, (New York: Oxford University Press, 1992), 104, 173. ISBN 9780193113343.
  2. Peinkofer, Karl and Fritz Tannigel, Handbook of Percussion Instruments, (Mainz, Germany: Schott, 1976), 16, 172-173.
  3. Blades, James, Percussion Instruments and their History, (Westport, CT: Bold Strummer, 1992), 346, 394-395. ISBN 9780933224612.
  4. James Blades and James Holland. "Wind machine." Grove Music Online. Oxford Music Online. Oxford University Press, accessed October 5, 2014, http://www.oxfordmusiconline.com/subscriber/article/grove/music/30403.
  5. Jones, Barrie (2014). The Hutchinson Concise Dictionary of Music, p.731. Routledge. ISBN 9781135950187.
  6. Peinkofer and Tannigel (1976), p.172.
  7. Chion, Michel (2015). Sound: An Acoulogical Treatise, unpaginated. Duke University. ISBN 9780822374824.

Further reading

  • The Ultimate Encyclopedia of Musical Instruments, ISBN 1-85868-185-5, p. 109
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