William Hawes

William Hawes (1785 – 18 February 1846) was an English musician.

Life

Hawes was born in London, and was for eight years (1793–1801) a chorister of the Chapel Royal, where he studied music, mainly under Edmund Ayrton. He subsequently held various musical posts, being master of the choristers at St Paul's Cathedral in London from 1812 to 1846. Additionally, in 1817 he was appointed Master of the Children of the Chapel Royal.[1] According to one of the choristers under his charge at that time, Samuel Sebastian Wesley, William Hawes was a disciplinarian who would freely whip the choirboys with a riding whip when they made mistakes. Wesley remembered Maria Hackett giving them succulent buns to help alleviate the pain.[2]

Hawes also carried on the business of a music publisher, and was for many years musical director of the Lyceum Theatre, London, then devoted to English opera. In this capacity (on 23 July 1824), he introduced Weber's Der Freischütz for the first time in England, at first slightly curtailed, but soon afterwards in its entirety. Winter's Interrupted Sacrifice, Mozart's Così fan tutte, Marschner's Der Vampyr and other important works were also brought out under his auspices.[1]

Hawes wrote or compiled the music for numerous pieces. Better were his glees and madrigals, of which he published two series. He also edited and published in 1814 the first re-edition of The Triumphs of Oriana.[1]

gollark: Regardless of what's actually happening with news, you can probably dredge up a decent amount of examples of people complaining about being too censored *and* the other way round.

gollark: With the butterfly-weather-control example that's derived from, you can't actually track every butterfly and simulate the air movements resulting from this (yet, with current technology and algorithms), but you can just assume some amount of random noise (from that and other sources) which make predictions about the weather unreliable over large time intervals.

gollark: That seems nitpicky, the small stuff is still *mostly* irrelevant because you can lump it together or treat it as noise.

gollark: Why are you invoking the butterfly effect here?

gollark: That would fit with the general pattern of governments responding to bad things.

References

One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Hawes, William". Encyclopædia Britannica. 13 (11th ed.). Cambridge University Press. p. 94.
Chappell, P.; Dakers, L. (1977). Dr. S. S. Wesley, 1810-1876: Portrait of a Victorian Musician. Mayhew-McCrimmon. pp. 9–10. ISBN 978-0-85597-198-4. Retrieved 20 June 2020.

Cultural offices
Preceded by John Stafford Smith	Master of the Children of the Chapel Royal 1817-1846	Succeeded by Thomas Helmore

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[EB1911-1] One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Hawes, William". Encyclopædia Britannica. 13 (11th ed.). Cambridge University Press. p. 94.

[Chappell_Dakers_1977_p.-2] Chappell, P.; Dakers, L. (1977). Dr. S. S. Wesley, 1810-1876: Portrait of a Victorian Musician. Mayhew-McCrimmon. pp. 9–10. ISBN 978-0-85597-198-4. Retrieved 20 June 2020.