Werner Schlichting
Werner Schlichting (1904–1996) was a German art director who worked on over a hundred films during a lengthy career. He worked on a number of Austrian films including The Congress Dances and The Last Ten Days (1955).[1]
Werner Schlichting | |
---|---|
Born | 27 June 1904 |
Died | 8 March 1996 |
Occupation | Art Director |
Years active | 1928 - 1971 (film) |
Selected filmography
- Luther (1928)
- The Flame of Love (1930)
- Calais-Dover (1931)
- No More Love (1931)
- Two Hearts Beat as One (1932)
- The Song of Night (1932)
- How Shall I Tell My Husband? (1932)
- All for Love (1933)
- A Song for You (1933)
- My Heart Calls You (1934)
- So Ended a Great Love (1934)
- My Heart Is Calling You (1934)
- Victoria (1935)
- Artist Love (1935)
- Casta Diva (1935)
- The Emperor's Candlesticks (1936)
- Court Theatre (1936)
- Serenade (1937)
- A Mother's Love (1939)
- Bel Ami (1939)
- Destiny (1942)
- The Secret Countess (1942)
- Late Love (1943)
- Bonus on Death (1950)
- Maria Theresa (1951)
- Heidi (1952)
- Fireworks (1954)
- The Congress Dances (1955)
- The Last Ten Days (1955)
- Crown Prince Rudolph's Last Love (1956)
- The Saint and Her Fool (1957)
- The Priest and the Girl (1958)
- Arena of Fear (1959)
- Jacqueline (1959)
- Via Mala (1961)
- Long Legs, Long Fingers (1966)
- Morning's at Seven (1968)
- At the Height of the Moon (1969)
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gollark: So I can ethically murder future parents if I consider murdering children first! Cool.
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gollark: Various feedback loops constrain local cat populations.
References
- Fritsche p.253
Bibliography
- Fritsche, Maria. Homemade Men in Postwar Austrian Cinema: Nationhood, Genre and Masculinity. Berghahn Books, 2013.
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