Virna Haffer

Virna Haffer (1899–1974) was an American photographer, printmaker, painter, musician, and published author.[1]

Virna Haffer
Born1899
Aurora, Illinois
Died1974 (aged 74–75)
Spouse(s)
  • Clarence Schultz
  • Paul Raymond Haffer
  • Norman Randall

Biography

Born in 1899 in Aurora, Illinois, Haffer and her family moved to the utopian community of Home in South Puget Sound in Washington state in 1907.[2] When she was 15 years old Haffer became the apprentice of the photographer Harriette H. Ihrig.[2] She opened her own portrait photography studio in Tacoma, Washington and began publishing her photographs in 1924. Haffer was known for experimenting with unusual, quirky techniques and created her own artistic style that stretched the boundaries of artistic classifications in the early twentieth century.[3] Haffer's work was eccentric; she produced pictorialist, modern, surreal, and documentary style work.

Haffer was married three times, the second time to socialist and labor advocate Paul Raymond Haffer, with whom she had one son, Jean Paul Haffer. One of her works as a commercial photographic portraitist was a childhood picture of future glass artist Dale Chihuly.[1]

Haffer's work was first exhibited in 1924 in the Fifth Annual F&N Salon of Pictorial Photography, and in 1928 at the Seattle Camera Club's Fourth International Exhibition. By 1930 her work was internationally recognized, and often appeared in publications such as the American Annual of Photography. In addition, she won recognition and prizes in photographic competitions in the United States in the 1930s.[4] In the 1960s she took an interest in producing photograms, and in 1969 she published a book about the process called Making Photograms: The Creative Process of Painting With Light.[5] Haffer's work was also the subject of several solo exhibitions at locations including the Massachusetts Institute of Technology, 1960; California Museum of Science and Industry, Los Angeles, 1964; New York Camera Club, 1967 and the Museum of Contemporary Crafts, NYC, 1968.[6] A posthumous retrospective of her work, A Turbulent Lens: The Photographic Art of Virna Haffer, was produced at the Tacoma Art Museum in 2011.[1]

gollark: Why would you want two piholes?
gollark: <@252242879257247751> Wild guess: a loose cable?
gollark: Or ARM or something.
gollark: 32 bit? Must be ancient.
gollark: You may be able to run the storage on a potato, but it'll be hard.

References
  1. Upchurch, Michael. "Virna Haffer's photos resurrected at TAM". Retrieved March 11, 2019.
  2. Henderson, Christina S., Margaret Bullock and David Martin (2011). A Turbulent Lens: The Photographic Art of Virna Haffer. Tacoma Art Museum.
  3. Sang-Hee Lee, Shelly. "Good American Subjects Done Through Japanese Eyes: Race, Nationality, and The Seattle Camera Club, 1924-1929". JSTOR 40491806. Cite journal requires |journal= (help)
  4. Sandler, Martin W., Against The Odds: Women Pioneers in The First Hundred Years Of Photography. St. Martins Press, 2002.
  5. Cascadia Art Museum Volunteers. "Biography NW Realism" (PDF). Retrieved May 9, 2018.
  6. Seattle Camera Club. "Virna Haffer". Archived from the original on 2018-05-24. Retrieved May 9, 2018.
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