Violin Concerto No. 3 (Mozart)
The Violin Concerto No. 3 in G major, K. 216, was composed by Wolfgang Amadeus Mozart in Salzburg in 1775 when he was 19 years old. In a letter to his father, Mozart called it the 'Straßburger-Concert'. Researchers believe this epithet comes from the opening orchestral motive in the third movement, a local, minuet-like dance that already had appeared as a tune in a symphony by Carl Ditters von Dittersdorf.[1][2]
Violin Concerto in G major | |
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No. 3 | |
by Wolfgang Amadeus Mozart | |
Key | G major |
Catalogue | K. 216 |
Composed | 1775 |
Movements | Three (Allegro, Adagio, Rondeau) |
Scoring |
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Instrumentation
The work is scored for solo violin, two flutes (second movement only), two oboes (tacet in the second movement), two horns in G and D, and strings.
Movements
The piece is in three movements:
I. Allegro
The Allegro is in sonata form, opening with a G major theme played by the orchestra. The main theme is a bright and happy discussion between the solo violin and the accompaniment, followed by a modulation to the dominant D major, then to its parallel key D minor. It experiments in other keys, but does not settle and eventually, heads back to the tonic, G major, in the recapitulation.
II. Adagio
The second movement is in ternary form in the dominant key of D major. The orchestra begins with the main theme, which the violin imitates one octave higher. The winds then play a dance-like motif in A major, which the violin concludes. The violin restates the main theme in A major, although the melody features A sharp instead of A natural, creating a brief modulation to B minor. It soon modulates back to A major, then to the home key of D major through the main theme. After the cadenza, the violin plays the main theme again, thus concluding the movement in D.
This is the only movement in the five violin concertos by Mozart where a pair of flutes are used instead of oboes.
Notable recordings
Year | Violin | Conductor | Orchestra | Record company | Format |
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1962 | Arthur Grumiaux | Colin Davis | London Symphony Orchestra | Philips Records | Vinyl[4] |
1969 | Henryk Szeryng | Alexander Gibson | New Philharmonia Orchestra | Philips Records | Multiple |
1971 (03-23) | David Oistrakh | David Oistrakh | Berliner Philharmoniker | EMI Records | Multiple |
1983 | Itzhak Perlman | James Levine | Wiener Philharmoniker | Deutsche Grammophon | Multiple |
1984 | Anne-Sophie Mutter | Herbert von Karajan | Berlin Philharmonic Orchestra | Deutsche Grammophon | Multiple |
1987 | Takako Nishizaki | Stephen Gunzenhauser | Cappella Istropolitana | Naxos Records | CD[5] |
2007 | Hilary Hahn | Gustavo Dudamel | Radio-Sinfonieorchester Stuttgart des SWR | Deutsche Grammophon | Multiple |
References
- Lempfrid, Wolfgang. "Wolfgng Amadeus Mozart: Konzert für Violine und Orchester in D-Dur, KV 218" (in German). koelnklavier.de. Retrieved 30 July 2019., EMI CD booklet contribution
- Steinberg, Michael (1998). The Concerto: A Listener's Guide. Oxford University Press. pp. 324–325. ISBN 978-0-19-513931-0.
- Irving, John. "Richard Tognetti - Australian Chamber Orchestra - Violin Concertos 3 & 5 - Sinfonia Concertante: Liner notes" (PDF). BIS Records. Retrieved 29 March 2017.
- "Mozart – Arthur Grumiaux – The London Symphony Orchestra, Colin Davis – Violin Concerto No. 3 In G Major, K.216; Violin Concerto No. 5 In A Major K.219". Discogs.
- "Mozart: Violin Concerto No. 3 / Beethoven: Violin Concerto in D major". Naxos Digital Services Ltd. Retrieved August 29, 2011.
External links
- Concerto in G K. 216: Score and critical report (in German) in the Neue Mozart-Ausgabe
- Violin Concerto No. 3: Scores at the International Music Score Library Project (IMSLP)