Una Johnson

Una Johnson (1905 – April 28, 1997) was an American curator and art historian. She was the head curator of prints and drawings at the Brooklyn Museum for more than 25 years.

Early life and education

Una Johnson was born in Dayton, Ohio in 1905. She studied art history and literature at the University of Chicago and at Case Western Reserve University in Cleveland.[1]

Career

Johnson worked at the Cleveland Museum of Art before taking a job in 1936 as assistant curator of prints and drawings at the Brooklyn Museum. In 1937, she oversaw the purchase of a complete set of Francisco Goya's Caprichos print series for the museum's collection.[2] When curator Carl O. Schniewiend retired in 1941, she was promoted to his position, which she would hold for the next 28 years.[1]

Johnson curated many major exhibitions for the Brooklyn Museum, including the first exhibition of the work of art dealer and publisher Ambroise Vollard (1941), the first exhibition of Edvard Munch prints in the United States (1942), the internationally recognized survey American Woodcuts 1670-1950 (1950), and New Expressions in Fine Printmaking (1952).[2] In 1947, she curated the Brooklyn Museum's first National Print Exhibition, an event she organized annually until 1968.[1] During her tenure, the Brooklyn Museum made important acquisitions for its print collection, including works by Daumier, a collection of Japanese prints, and many contemporary European works.[2]

She published numerous books and monographs about printmaking, focusing on artists like Georges Rouault, Isabel Bishop, and Adja Yunkers.[1] She was a Ford Foundation grant recipient, which enabled her to write a series of monographs about American artists including John Paul Jones and Milton Avery.[2] Johnson also wrote catalogues raissone for the artists Karl Schrag and Louise Nevelson.[3][4]

Johnson retired from her post at the Brooklyn Museum in 1969 and was named a curator emeritus of the institution in 1973. She also spent three years as director of the Storm King Art Center in Mountainville, New York.[1]

In 1997, Johnson died at the age of 91 in New York City.[1]

Selected publications
  • Isabel Bishop, Prints and Drawings: 1925-1964, Brooklyn, New York: Brooklyn Museum (1964)
  • American Woodcuts 1670-1950, Brooklyn, New York: Brooklyn Museum (1950)
  • Adja Yunkers: Prints 1927-1967, Brooklyn, New York: Brooklyn Museum (1969)
  • 20th-Century Master Drawings, Boston: Little, Brown (1976)
  • Ambroise Vollard, éditeur: prints, books, bronzes, New York: Museum of Modern Art (1977)
  • American Prints and Printmakers, Garden City, New York: Doubleday (1980)
gollark: Ah yes, just never make mistakes.
gollark: Performance: no.Safe: not *really*, because you can easily mess with the wrong bits of memory.
gollark: Brain[REDACTED] fuzzers when?
gollark: It isn't exactly very safe or performant, though.
gollark: I don't want to do that, but you could if you wanted to.

References
  1. Smith, Roberta (1997-05-05). "Una E. Johnson, 91, An Expert on Prints Who Led a Museum". The New York Times. ISSN 0362-4331. Retrieved 2018-04-27.
  2. Brooklyn Museum. "Records of the Department of Prints, Drawings, and Photographs (1878–2001)" (PDF). Brooklyn Museum. Retrieved 2018-04-27.
  3. Raynor, Vivien. "ART; Paintings and Prints That Speak in a 'Language of Forms'". Retrieved 2018-04-27.
  4. Langa, Helen (2017-07-05). "American Women Artists, 1935-1970 ": "Gender, Culture, and Politics ". Routledge. ISBN 9781351576758.

Portrait of Una Johnson by Karl Schrag, 1974, at the Smithsonian American Art Museum

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.