Ululani McQuaid

Ululani Papaikaniau McQuaid Robertson (later Jabulka) (1890–1970) was a Hawaiian opera singer and civic leader.[1][2]

Ululani and her husband A. G. M. Robertson (in the foreground, left) attending the 1914 Kamehameha Day celebration with Prince Jonah Kūhiō Kalanianaʻole and Queen Liliʻuokalani

Biography

McQuaid was born to family with large landholdings in Kupanihi Valley on Oahu island, and with royal ancestry on her mother's side. Her father was an Englishman, James H. McQuaid.[2]

McQuaid's soprano voice became recognised as notable, and she began to take singing lessons from Elizabeth Mackell in Honolulu and performed in local recitals and plays. In the 1920s Mackell moved to California to teach singing at Mills College, and McQuaid went with her; her goal, she said, was to develop her voice as an accomplishment. She later moved on to study with Marcella Sembrich in New York.[2] McQuaid returned to Honolulu regularly, and performed there in 1922 and 1924.[2]

In around 1925 McQuaid went to Europe to study voice further, taking lessons in Italy with Guiseppe Benvenuto and Pietro Mascagni. She performed in operas such as Puccini's La bohème and Madama Butterfly in Milan, Paris and other European cities. In Paris she debuted under the stage name Madame la Princesse Ululani and continued to perform under this name for several seasons, returning to Hawaii in 1933.[1]

Following her retirement from singing, McQuaid served the community of Honolulu on the City and County Board of Public Parks and Recreation, and was a member of the Hawaiian Civic Club, the Garden Club and the Outdoor Circle.[2]

Personal life

In 1907, McQuaid married Alexander G. M. Robertson, a politician who later became Chief Justice of the Supreme Court of Hawaii.[1] McQuaid was still a teenager at the time of her marriage, and Robertson was more than twice her age.[2] In 1959, after Robertson's death, she married Jan Jabulka, a newspaper executive, and they lived in Washington D.C. for a number of years.[2]

gollark: Which didn't stop people trying SQL injection on my bot when I said that I had switched some features over to SQLite instead of a big JSON file.
gollark: If you're doing it as a challenge thing, it's hard because it has to be/seem/work as if it is insecure in a way which is generally applicable but not *actually* insecure such that your stuff can be compromised.
gollark: I mean, sure, but you would have to go to significant effort.
gollark: People still tried SQL injection on my discord bot because of course.
gollark: Modern programming environments and stuff make it quite hard to *accidentally* introduce that kind of bug. Although people still manage.

References
  1. Stannard, David E. (2006). Honor Killing: Race, Rape, and Clarence Darrow's Spectacular Last Case. Penguin.
  2. Hall, Dale E. (1992). "Two Hawaiian Careers in Grand Opera" (PDF). The Hawaiian Journal of History. 26: 165–183.
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