Uchida Kuichi

Uchida Kuichi (内田 九一, 1844 – February 17, 1875) was a pioneering Japanese photographer from Nagasaki. He was greatly respected as a portrait photographer and was the only photographer granted a sitting to photograph the Emperor Meiji.[1]

View of Nagasaki Japan, 1872
Portrait of the Emperor Meiji by Uchida Kuichi, 1873. Albumen silver print
In this Japanese name, the family name is Uchida.

Uchida was adopted at the age of 13, following his father's death, by the physician Matsumoto Jun (formerly Matsumoto Ryōjun) (1832 - 1907), who was at that time studying photography with J. L. C. Pompe van Meerdervoort (1829 - 1908).[2]

Uchida studied photography under Ueno Hikoma in their native city of Nagasaki. When he was 16 years old, he purchased his first photographic equipment and by 1863, when he was 19, he was importing and selling photographic equipment. He opened his first photographic studio in 1865 with Morita Raizō in Osaka, the first studio in that city.[3]

In 1866 Uchida moved his studio to Bashamichi in Yokohama, then in 1869 moved the studio again, this time to the district of Asakusa in Tokyo.[4] He soon became known as the best portrait photographer in Tokyo.[3]

Having achieved this reputation for excellence, Uchida Kuichi was the only photographer granted a sitting by the Emperor Meiji, who was considered a living deity and rarely seen in public. The portrait session took place in 1872 on a commission by the Imperial Household Ministry to photograph the Emperor and Empress Haruko in full court dress and everyday robes. In 1873, Uchida again photographed the Emperor, who this time wore military dress, and a photograph from this sitting became the official imperial portrait.[5] Copies of the official portrait were distributed among foreign heads of state and Japanese regional governmental offices and schools, but their private sale was prohibited. Nevertheless, many copies of the photograph were made and circulated on the market.[6] The emperor was not photographed again until 1888 or 1889.[7]

In 1872 Uchida was commissioned to accompany the emperor on a tour through central Japan and Kyūshū, and to take photographs of the people and places during the journey. He was not permitted to photograph the emperor, however.[8]

Uchida was very successful commercially and his life was even the subject of a kabuki play written and performed in 1870.[8]

He died in 1875 of tuberculosis.[8]

  • A contemporary ukiyo-e print depicts a beautiful woman looking at a carte de visite with Uchida's stamp.
  • Portrait of Empress Consort Haruko (posthumously known as Empress Shōken, consort of Meiji, Emperor of Japan). Albumen silver print by Uchida Kuichi, 1872.
  • Nagasaki, pre-1874
  • c.1870s Nagasaki Ebisu Shrine
  • C1870s Nagasaki Dejima Island
  • c.1870s Nagasaki Nakashima River
  • c.1870s Nagasaki Inasa Coast

Notes
  1. Worswick (1979), 136.
  2. Bennett, 54.
  3. Orto and Matsuda, 365.
  4. Orto and Matsuda, 365. Bennett states that Uchida opened his studio in Tokyo in 1866 and opened a second studio in Yokohama in 1868. Bennett, 54.
  5. Ishii and Iizawa; Orto and Matsuda, 365.
  6. Kinoshita, 27-28.
  7. Kinoshita gives 1888, p. 28. Bennett gives 1889, p. 144, fig. 128.
  8. Orto and Matsuda, 366.
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References
  • Anglo-American Name Authority File, s.v. "Matsumoto, Jun", LC Control Number n 80039010. Accessed 11 September 2006.
  • Bennett, Terry. Early Japanese Images (Rutland, Vermont: Charles E. Tuttle Company, 1996), 54-56; p. 144, fig. 128.
  • Ishii, Ayako, and Kotaro Iizawa. "Chronology". In The History of Japanese Photography (New Haven, Connecticut: Yale University Press, 2003), 314.
  • Kinoshita, Naoyuki. "The Early Years of Japanese Photography". In The History of Japanese Photography (New Haven, Connecticut: Yale University Press, 2003), 27-28.
  • Orto, Luisa, and Takako Matsuda, compilers. "Artist Profiles". In The History of Japanese Photography (New Haven, Connecticut: Yale University Press, 2003), 365-366.
  • Tucker, Anne Wilkes, et al. The History of Japanese Photography (New Haven, Connecticut: Yale University Press, 2003), p. 54, pl. 29.
  • Worswick, Clark. "The Disappearance of Uchida, Kyuichi and the Discovery of Nineteenth-Century Asian Photography." Image, vol. 36, nos. 1-2 (Spring-Summer 1993), p. 16, fig. 1; p. 30, fig. 10.
  • Worswick, Clark. Japan: Photographs 1854-1905 (New York: Pennwick/Alfred A. Knopf, 1979), p. 41, repr; pp. 136, 148.
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