UFO (Daugherty)

UFO for solo percussion and orchestra (1999) and for solo percussion and symphonic band (2000) by American composer Michael Daugherty, is a composition written for percussionist Evelyn Glennie.

The world of American pop culture inspires much of Daugherty's music, in the present case, the unidentified flying objects that have been an obsession in American popular culture since 1947 (Scott 2003, 35).

History

UFO for solo percussion and orchestra was commissioned by the National Symphony Orchestra through a grant from the John and June Hechinger Commissioning Fund. It was first performed by Evelyn Glennie and the National Symphony Orchestra conducted by Leonard Slatkin at the Kennedy Center, Washington D.C. on April 10, 1999. In 2000, on a commission from Michigan State University, the University of Michigan, Baylor University, the Arizona State University, and the University of North Texas, Daugherty adapted the orchestral part for symphonic band. This version was premiered by the Michigan State University Symphony Band conducted by John Whitwell, with solo percussionist Allison Shaw, on October 7, 2000, at Michigan State University, East Lansing, Michigan (Scott 2003, 41), and by Evelyn Glennie, solo percussion and the North Texas Wind Symphony conducted by Eugene Migliaro Corporon on April 19, 2001 in Denton, Texas.[1]

Instrumentation

In five movements with a total duration of about 40 minutes, the concerto is scored for piccolo, 2 flutes, 2 oboes, English horn, B♭ clarinet, E♭ clarinet, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones, tuba, and strings.

The symphonic band version is scored for piccolo, 4 flutes, 2 oboes, English horn, E♭ clarinet, 4 B♭ clarinets, bass clarinet, 2 bassoons, contrabassoon, soprano, alto, tenor, and baritone saxophones, 4 horns, 4 trumpets, 2 trombones, bass trombone, 3 euphoniums, 2 tubas, and contrabass.

Movements
  1. Traveling Music
  2. Unidentified
  3. Flying
  4. ???
  5. Objects

Discography
  1. American Classics - Michael Daugherty: Philadelphia Stories/UFO for solo percussion and orchestra
    Evelyn Glennie - solo percussion
    Colorado Symphony Orchestra, Marin Alsop, Conductor
  2. UFO - Music of Michael Daugherty: Desi/Motown Metal/Niagara Falls/Red Cape Tango/UFO for solo percussion and symphony band
    Evelyn Glennie - solo percussion
    North Texas Wind Symphony, Eugene Migliaro Corporon, Conductor
gollark: If living programmers remain, they will be neurally scanned and their memories used to reassemble site code. Alternatively, the contents of their neural scan can be backfilled from public (or nonpublic) data.
gollark: In this case it may become necessary to simulate the universe backward such that you attain a time when the site existed.
gollark: Now, of course, the servers it finds may not or no longer contain the site code, in which case it can try data recovery operations or piece it together from logs.
gollark: In parallel, it can attempt to access governmental IP traffic logs and find historical copies of the site to use.
gollark: If no exploitable vulnerabilities are found the next step is to launch a physical layer assault to access the servers in question.

References
  1. official site of the composer
  • Scott, Judson. 2003. "Michael Daugherty". In A Composer's Insight, Vol 1: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Yasuhide Ito, Cindy McTee, Alfred Reed, Joseph Schwantner, David Tanhope, James Syler, edited by Timothy Salzman, 35–46. A Composer's Insight: Thoughts, Analysis, and Commentary on Contemporary Masterpieces for Wind Band: Meredith Music Resource Series 1. Galesville, MD: Meredith Music Publications. ISBN 9780634058271.
  • Program notes from Naxos recording
  • Official site of Michael Daugherty
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.