Twelfth Apostle
Twelfth Apostle is the 22nd album by Jandek. After the crazed purging of "The Electric End," the sidelong piece that ended Lost Cause, many thought Jandek was finished. But the Twelfth Apostle appeared in 1993, marking a return to straight acoustic and vocals. It was released as Corwood #0760.
| Twelfth Apostle | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1993 | |||
| Recorded | unknown | |||
| Genre | Folk, outsider | |||
| Length | 42:26 | |||
| Label | Corwood Industries | |||
| Producer | Corwood Industries | |||
| Jandek chronology | ||||
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Overview
Twelfth Apostle carries a lot of baggage, being as it marked both the start of the "second acoustic phase" and the last vinyl LP to be released by Corwood Industries. Because of the latter fact, it was only available a short time when first released - not long after the first Corwood CDs came out, all vinyl was removed from the catalog with Corwood saying "vinyl LPs no longer available." This seems to coincide both with a major flood in Houston and a period of time when customers received "wet" CDs, so the theory is that a flood may have destroyed Corwood's remaining vinyl inventory, but that has not been confirmed.
Another interesting aspect is the title. The "twelfth apostle" of Jesus Christ was Judas, the traitor. What all this means (and there have been many speculations) is impossible to know, but the title track definitely references religious imagery. "They say you’re the one to rely on all the days/ they say you died before/ and you’re smiling now/Well I would like to know you." But by song's end salvation has not been received, with the singer moaning "where are you going/come back again." Is this a man who cannot be "saved?" Hard to know, but an interesting twist.
Musically, this sounds similar to the last all-acoustic album by Jandek, Nine-Thirty. The songs are slow and mostly picked and the guitar is tuned to very dissonant sounds. One major change (that will show up again) is the use of the studio (4 Track?) to modify the guitar sounds. On "Whiskers," the second to last track, the pitch of the guitar is sped up and slowed down while Jandek sings over it. It's an odd effect, but it suits the curious song and provides some diversity to an album that is loaded with dark images - perhaps the morning after the out-of-control party of Lost Cause, when regrets are beginning to form.
Track listing
| No. | Title | Length |
|---|---|---|
| 1. | "Walking" | 3:14 |
| 2. | "You're Not Even Alive" | 3:47 |
| 3. | "Native Land" | 4:00 |
| 4. | "Rooftop Sunset" | 2:28 |
| 5. | "Bedside" | 2:57 |
| 6. | "Solid Stone" | 2:49 |
| 7. | "Out in the Rain" | 3:24 |
| 8. | "The Gone Wait" | 3:32 |
| 9. | "Could Be Anyone" | 3:03 |
| 10. | "Twelfth Apostle" | 4:30 |
| 11. | "White Knob" | 3:24 |
| 12. | "Whiskers" | 2:17 |
| 13. | "Four by Four" | 3:01 |
| Total length: | 42:26 | |
Reviews
His playing, singing, and writing are at a peak here... No one is creating a body of work w/ more offtrack cohesion and beauty than Jandek.
-- Byron Coley Forced Exposure #18