Trionfo

Trionfo (Italian: [triˈoɱfo]) is an Italian word meaning "triumph", also "triumphal procession", and a triumphal car or float in such a procession. The classical triumphal procession for victorious generals and Emperors known as the Roman Triumph was revived for "Entries" by rulers and similar occasions from the Early Renaissance in 14th and 15th-century Italy, and was a major type of festival, celebrated with great extravagance. The cars are shown as open-roofed, many clearly utilitarian four-wheeled carts dressed-up for the occasion. Others were two-wheeled chariots. In art, they might be pulled by all sorts of exotic animals.

Two of the triumphal cars, carrying Chastity (pulled by unicorns) and Love, from a lavish illuminated manuscript (early 16th century) of Petrach's Triomphi
Two elaborate sugar sculpture triomfi, personifications of Earth and Air from the Four Elements, for a dinner given by the Earl of Castlemaine, British Ambassador in Rome, 1687

Another specialized sense of the word was an elaborate sugar sculpture; these decorated tables on important occasions in the Renaissance and Baroque periods, especially in Italy and France. Eventually they were replaced by the silver surtout de table or porcelain centrepieces.[1]

The word may derive from a call of triumph during antique triumphal processions: "Io triumpe".

Art and literature

Triumphs were described in literature, the cars often carrying classical gods or personified virtues, with Petrach's Triomphi (1374) being extremely influential, for example on Hypnerotomachia Poliphili (1499). This had woodcut illustrations, and such scenes were very popular in art, perhaps culminating in the enormous woodcut Large Triumphal Carriage by Albrecht Dürer (1522), a triumphal car carrying the Emperor Maximilian that is the climax of the Triumphs of Maximilian (several artists). The Triumphs of Caesar by Andrea Mantegna (by 1492) were also very influential.

Other

The Italian sculptor Giuseppe Cassioli named his Olympic medal design Trionfo. First used in 1928, the design was used for Summer Olympic Games until it was replaced at the 2004 Olympic Games.

Notes
  1. Strong, 216-223
  2. Temperance, Fortitude, Justice and Prudence sit on Federico’s car, Battista is accompanied by Chastity and Modesty, and Charity and Faith sit at the front of her car.
gollark: I mean, it would be less arbitrary by some metrics to go "nothing is a person, human life has value 0" but people don't like that.
gollark: A more arbitrary rule might be better if it lines up with moral intuitions even.
gollark: That is still not actually objective. Also, threshold of probability on that?
gollark: The best you can do is pick a "less arbitrary" one somehow.
gollark: Again, is-ought problem, you can't objectively get the Right™ definition for human life.

References
  • Strong, Roy, Feast: A History of Grand Eating, 2002, Jonathan Cape, ISBN 0224061380
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