Torre de la Parada

The Torre de la Parada is a former hunting lodge that was located in present-day Monte de El Pardo in Fuencarral-El Pardo, near the Royal Palace of El Pardo, some way outside Madrid in the Sierra de Guadarrama. It was mostly destroyed by fire when taken in 1714 by Austrian troops in the War of Spanish Succession, though the ruins remain.[1]

Torre de la Parada by Felix Castello ca. 1640.
Print of 1656

History

It was first built in 1547-49, with Luis de Vega as the architect. During the years 1635–40 it was a site for a major architectural and decorative project by King Philip IV of Spain who was a great hunting enthusiast. He commissioned the Spanish architect Juan Gómez de Mora to renovate it in 1636, and had it decorated by leading painters, including Rubens and Velázquez, who contributed some of his "jester" portraits, including The Jester Don John of Austria, The Jester Don Diego de Acedo, Portrait of Francisco Lezcano and Portrait of Pablo de Valladolid.[2] His Aesop and Menippus are also thought to have been intended for the lodge, as well as several of his well-known portraits of the royal family relaxed in hunting or riding clothes, including Prince Balthasar Charles as a Hunter.

Rubens was commissioned in 1636 to produce sixty mythological paintings, which he managed to do in about 18 months, assisted by Jacob Jordaens, Cornelis de Vos, Peter Snayers, Thomas Willeboirts Bosschaert, Theodoor van Thulden, Jan Boeckhorst and others, working to his designs. Forty of the paintings survive, as well as many of Rubens' oil sketches and drawings.[3] Most of all these works are in the Prado in Madrid.

The best paintings were later moved elsewhere, especially in 1710, but in 1806 a travel book describes paintings by the Flemish painters Paul de Vos, Erasmus Quellinus II, Thomas Willeboirts Bosschaert, Jan Cossiers, and "Yoris" (possibly Joris van Son who worked with Erasmus Quellinus).[4]

Notes
  1. Aerial photo from El Pardo site
  2. Tinterow, nos. 72, 73, 75
  3. Prado
  4. A view of Spain: comprising a descriptive itinerary Vol. III by Alexandre de Laborde, 1806
gollark: The Lua client connects to a JS websocket server which relays messages between the sockets.
gollark: All those using skynet must update or else. I have made a new version including:* one websocket for all channels, which is probably better* a different protocol (contact me for instructions on out-of-game use)* a slightly different API - shouldn't really be noticeable* actual handling of the server failingand it's backwards-incompatible, so like I said, update or else.
gollark: At least it doesn't use proof of stake or something!
gollark: You can trade for krist, but not well.
gollark: The protocol is fairly simple: open websocket to `wss://osmarks.tk/skynet/connect/[channel name]` and send/receive JSON.

References
  • "Prado" Prado Museum "Torre de La Parada" (in Spanish)
  • Tinterow, Gary, Manet/Velázquez: The French Taste for Spanish Painting, Metropolitan Museum of Art, 2003, ISBN 1588390403, 9781588390400

Further reading
  • Alpers, Svetlana, The Decoration of the Torre de la Parada, Corpus Rubenianum Ludwig Burchard (HMCRLB 9), 1978, Harvey Miller, ISBN 9780199210152
  • Vlieghe, Hans, "Jacob Jordaens's Activity for the Torre de la Parada", The Burlington Magazine, Vol. 110, No. 782 (May, 1968), pp. 262–265+267-268, JSTOR

Media related to Torre de la Parada at Wikimedia Commons

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.