Tibor Kalman

Tibor Kalman (July 6, 1949 – May 2, 1999) was an American graphic designer of Hungarian origin, well known for his work as editor-in-chief of Colors magazine.[1][2][3][4]

Tibor Kalman
Born
Tibor Kalman

( 1949 -07-06)July 6, 1949
Budapest, Hungary
DiedMay 2, 1999(1999-05-02) (aged 49)
Puerto Rico
NationalityAmerican
Known forgraphic design

Early life

Kalman was born in Budapest and became a U.S. resident in 1956, after he and his family fled Hungary to escape the Soviet invasion, settling in Poughkeepsie, New York.[5] Both of his parents had Jewish ethnic roots, and converted to Catholicism to avoid persecution, so 'Kalman only became aware that he was Jewish at the age of 18'.[6] In 1967, he enrolled in NYU, dropping out after one year of Journalism classes to travel to Cuba to harvest sugar cane and learn about Cuban culture, as a member of the Venceremos Brigade.[5][7]

Career

In 1971, Kalman returned to New York City where he was hired by Leonard Riggio for a small bookstore that eventually became Barnes & Noble. He later became the creative director of their in-house design department where he created advertisements, store signs, shopping bags, and the original B&N bookplate trademark.[7][8] In 1979, Kalman - along with Carol Bokuniewicz, and Liz Trovato - started the design firm M & Co., which did corporate work for such diverse clients as the Limited Corporation, the new wave rock group Talking Heads, and Restaurant Florent in New York City's Meatpacking District.[9] He sought to challenge mundane design thinking and aspired to create unpredictable work.[10] Kalman also worked as creative director of Interview magazine in the early 1990s.[5]

By the 1980s, Kalman was known for being 'the 'bad boy' of graphic design' because of his antics and radical consciousness. He believed that award-winning design was only possible when the client was ethical, and frequently called other designers out when he did not agree with their actions. He defined good design as a benefit to everyday life and should be used to increase public awareness of social issues.[10][11] Kalman adopted a vernacular style as a way to protest corporate International Style which was the primary design style of the time.[8]

Kalman became founding editor-in-chief of the Benetton-sponsored magazine Colors, in 1991. Two years later, Kalman closed M & Co. and moved to Rome, to work exclusively on Colors.[3] Billed as 'a magazine about the rest of the world', Colors focused on multiculturalism and global awareness. This perspective was communicated through bold graphic design, typography, and juxtaposition of photographs and doctored images, including a series in which highly recognizable figures such as the Pope and Queen Elizabeth were depicted as racial minorities.[5][10]

In 1999, Kalman won the AIGA medal as the 'design profession's moral compass and its most fervent provocateur'.[10]

Personal life

From 1981 up until his death, Kalman was married to the illustrator and author Maira Kalman.

Death and legacy

The onset of non-Hodgkin's lymphoma forced Kalman to leave Colors in 1995, and return to New York. In 1997, he re-opened M & Co. and continued to work until his death on May 2, 1999 in Puerto Rico.[5][11]

Tibor Kalman: Perverse Optimist, a book about Kalman's work and that with M&Co, was published by Princeton Architectural Press in 1999.[5]

gollark: Aren't most of those things quite obviously bad?
gollark: I read all the channels except <#664551114091528225> and the (other) spammy ones, but I may just have too much spare time right now.
gollark: Yes, immortality would be very neat.
gollark: I think home 3D printing is pretty recent too, although mostly because of patent weirdness.
gollark: Hmm, blue LEDs seem to be older than 2010 but home lighting based on them seems to have been a recent thing.

See also

References
  1. Heller, Steven (1999). "Tibor Kalman: Provocateur". AIGA. Retrieved 2010-01-03.
  2. Heller, Steven (May 5, 1999). "Tibor Kalman, 'Bad Boy' of Graphic Design, 49, Dies". New York Times. Retrieved 2010-01-03.
  3. Poynor, Rick (17 May 1999). "Obituary: Tibor Kalman". The Independent. Retrieved 2010-01-03.
  4. Haber, Matthew (May 19, 1999). "Tibor Kalman: A highly innovative and influential designer, the onetime editor of Colors magazine died May 2". Salon.com. Retrieved 2010-01-03.
  5. "Tibor Kalman | Contributors | COLORS Magazine". www.colorsmagazine.com. Retrieved 2019-06-10.
  6. Paola Antonelli, Tibor Kalman, Perverse Optimist, Booth-Clibborn Editions (1998), p. 54
  7. "Tibor Kalman". ADC • Global Awards & Club. Retrieved 2019-06-11.
  8. Heller, Steven (1999-05-05). "Tibor Kalman, 'Bad Boy' of Graphic Design, 49, Dies". The New York Times. ISSN 0362-4331. Retrieved 2019-06-11.
  9. Makovsky, Paul (March 20, 2006). "Restaurant Florent - 1985: A New York restaurateur creates a cultural hub by combining politics with design, activism with good food". Metropolis. Retrieved 2010-01-03. Quote: Florent Morellet "left most of the 1950s luncheonette features intact, and gave Tibor Kalman and M & Co. free reign [sic] to create ads and graphics that cultivated a Florent culture that survives today and extends well beyond the walls of the space."
  10. Heller, Steven. "Tibor Kalman". AIGA | the professional association for design. Retrieved 2019-06-10.
  11. Heller, Steven (1999-05-05). "Tibor Kalman, 'Bad Boy' of Graphic Design, 49, Dies". The New York Times. ISSN 0362-4331. Retrieved 2019-06-10.
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