Through the Morning, Through the Night

Through the Morning, Through the Night is the second and final album from the country rock duo Dillard & Clark, released in 1969.

Through the Morning, Through the Night
Studio album by
ReleasedAugust 1969
Recorded1969
GenreCountry rock, progressive bluegrass
Length38:45
LabelA&M
ProducerLarry Marks
Gene Clark chronology
The Fantastic Expedition of Dillard & Clark
(1968)
Through the Morning, Through the Night
(1969)
White Light
(1971)
Singles from Through the Morning, Through the Night
  1. "Don't Let Me Down" / "Rocky Top"
    Released: November 1969

Background

The musicians included country rock and folk rock pioneers Gene Clark, Doug Dillard, Bernie Leadon, Chris Hillman, Sneaky Pete Kleinow, Byron Berline, and Michael Clarke. However, the addition of Dillard's girlfriend Donna Washburn as a full-time harmony vocalist (and lead vocalist on "Rocky Top"), replacing Leadon, caused Leadon to leave the group and join Hillman, Clarke and Kleinow in the Flying Burrito Brothers, although he, Hillman and Kleinow appear as "special pickers" on the album.

The core band on this album included Clark, Dillard, Washburn, David Jackson, fiddler Byron Berline, and drummer Jon Corneal, who had quit the Burritos, which made room for Clarke to join them. The large number of cover songs included on the album caused critical reaction to be decidedly less positive than on the prior album. As a result, Gene Clark also left the band after the album. Although Doug Dillard tried to continue the group as the Doug Dillard Expedition, the group soon came to an end.

The tracks "Through the Morning, Through the Night" and "Polly" were covered by Alison Krauss and Robert Plant on their 2007 collaboration Raising Sand.

Reception

Professional ratings
Review scores
SourceRating
Allmusic [1]

Music critic Richie Unterberger, writing for Allmusic, called the album "a disappointment in relation to their far more eclectic and original prior effort, The Fantastic Expedition of Dillard & Clark. The primary difference is that whereas the earlier record had leaned on Gene Clark's original compositions, and a reasonably adventurous attitude toward country-rock fusion in general, the follow-up saw them turning into a much more traditional folk/bluegrass act... Taken on its own, it's a fair, pleasant, heavily bluegrass-flavored outing with few surprises."[1]

Track listing

  1. "No Longer a Sweetheart of Mine" (Don Reno, Red Smiley, Swift) – 3:16
  2. "Through the Morning, Through the Night" (Gene Clark) – 4:06
  3. "Rocky Top" (Boudleaux Bryant, Felice Bryant) – 2:47
  4. "So Sad" (Don Everly, Phil Everly) – 3:21
  5. "Corner Street Bar" (Gene Clark) – 3:35
  6. "I Bowed My Head and Cried Holy" (Traditional, arranged by Dillard & Clark) – 3:33
  7. "Kansas City Southern" (Gene Clark) – 3:40
  8. "Four Walls" (George Campbell, Marvin Moore) – 3:40
  9. "Polly" (Gene Clark) – 4:22
  10. "Roll in My Sweet Baby's Arms" (Bill Monroe) – 2:50
  11. "Don't Let Me Down" (John Lennon, Paul McCartney) – 3:52

Personnel

Production

  • Producer: Larry Marks
  • Recording Engineers: Dick Bogert & Ray Gerhardt
  • Art Direction: Tom Wilkes
  • Photography: Jim McCrary
  • Liner notes: Barry Ballard
gollark: Ah yes, very acronymical.
gollark: There are optimizations you could make to this. So many optimizations.
gollark: My really lazy networking algorithms™ (ideas mostly stolen from rednet, to be honest...) work by just broadcasting a packet to every computer and having them *re*broadcast it, but dropping ones with a UUID they've already seen recently.
gollark: What is this "tharp"?
gollark: `event.listen`

References

  1. Unterberger, Richie. "Through the Morning, Through the Night > Review". Allmusic. Retrieved January 10, 2017.
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