Thoroughfare Gap
Thoroughfare Gap is a studio album by American singer-songwriter Stephen Stills, released in 1978. It was a critical and commercial disappointment that only charted at number 84 in the US. This album is now available as a three-album set on two CDs with Stills & Illegal Stills, having never been released on its own on CD.
Thoroughfare Gap | ||||
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Studio album by | ||||
Released | October 31, 1978 | |||
Recorded | June 1978 | |||
Studio | Criteria Studios, Miami, The Record Plant, Los Angeles, The Record Plant, Sausalito | |||
Genre | Rock, Disco | |||
Length | 35:32 | |||
Label | Columbia | |||
Producer | Stephen Stills, The Albert Brothers | |||
Stephen Stills chronology | ||||
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Singles from Thoroughfare Gap | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Content
In a radio interview at the time, Stills said he worked extremely hard on the album, and there were 12 inch mixes of "Can't Get No Booty" ready to be released.[2] He recorded some disco tracks after playing percussion on the Bee Gees' "You Should Be Dancing" through the Joe Lala connection. So he hired their arranger Mike Lewis and used the Bee Gees' younger brother Andy Gibb on backing vocals.
Stephen Stills described the record as "disco and swamp rock". Stills said The song "Thoroughfare Gap" was him drawing upon his history, and
the title of the album was named after an escape route used during the Civil War. Mosby's guerrillas used to run through Thoroughfare Gap when they felt harassed. They'd just disappear into the Blue Ridge Mountains. For me, the record represents a little gap between one part of my career and the other, a cut in the pass.[3]
George Terry is quoted as saying he thinks it's about Neil Young's Lionel Trains.[4]
Stills said about the perceived negative reception of going disco. "There are elements of disco I like the percussion and the guitar. I have played on so many Bee Gees songs I don't which ones I played on and which ones I didn't. 'Cause Barry (Gibb) is an old friend of mine and I just sat in and played a chickum-chit, chickum-chit, a little wacka-wacka guitar, then said use them or dont use them, I had a great time. You dont even have to use my name."[5]
He continued on Thoroughfare Gap "Maybe some of the tunes weren't as good as others I've written but I am just messing around trying to find something new. I can't do the same thing for eight years.[3]
He said he "recorded "Not Fade Away" after seeing the Buddy Holly Story movie and went into the studio the next night to record it. Kind of a combination of the Stones version and the original version".[6]
The song "Thoroughfare Gap", dates back to 1972, with Chris Hillman remembering Manassas attempting to record it, but not being able to get the right take.
Reception
Critical reception was mixed, but generally negative. In a contemporary review, People magazine said "Stills succeeds handsomely in soldering his Southern Cal rock (scorching guitar, lavish harmonies, introspective lyrics) to an ultraswayed disco feel (thudding drums, Caribbean cowbells, congas, high-volume strings and horns). Against great odds, it adds up to a fresh sound, thanks to stalwart studio work by drummer Joe Vitale, percussionist Joe Lala, bassist George "Chocolate" Perry and Eric Clapton's guitarist George Terry. Their efforts are particularly noteworthy on You Can't Dance Alone, What's the Game and Can't Get No Booty. Especially reassuring is the title track, an acoustic ballad with a haunting fiddle solo by Al Gould. It harks back to Stills' finest work over the years, songs like Helplessly Hoping, 4 and 20 and As I Come of Age."[7]
Trouser Press, in a largely negative review, called the songwriting "monotonous" and said he was enthusiastically "trying to renovate his sound for today's scene". They did have praise for "Thoroughfare Gap", but still noted that it was six years old, saying it was the only the song that had "the folksy funk style that once made him worthwhile".[8]
Track listing
All tracks are written by Stephen Stills except where indicated.
No. | Title | Writer(s) | Length |
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1. | "You Can't Dance Alone" | 4:14 | |
2. | "Thoroughfare Gap" | 3:31 | |
3. | "We Will Go On" | 2:41 | |
4. | "Beaucoup Yumbo" | Stills, Joe Vitale | 3:33 |
5. | "What's the Game" | 3:32 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Midnight Rider" | Gregg Allman | 3:39 |
7. | "Woman Lleva" | 3:13 | |
8. | "Lowdown" | 3:46 | |
9. | "Not Fade Away" | Buddy Holly, Norman Petty | 3:26 |
10. | "Can't Get No Booty" | Danny Kortchmar, Stills | 3:44 |
Total length: | 35:32 |
Personnel
- Stephen Stills - vocals (1-10), guitar (1-10), horns & string arrangements (1,4-8), percussion (1), bass (10), acoustic guitar (2), synthesizer (3), Moog (7), piano (10), organ (9)
- Mike Finnigan - vocals (8), piano (1, 3, 6, 8) , organ (7)
- Albhy Galuten - piano (7)
- Andy Gibb - vocals (1, 5)
- Al Gould - fiddle (2)
- Paul Harris - piano (2)
- Brooks Honeycutt - vocals (8)
- Gerald Johnson - bass (7)
- Kenny Kirkland - piano (5)
- Danny Kortchmar - vocals (10), guitar (10), percussion (10)
- Joe Lala - percussion (1, 3, 6, 10)
- Paul Lee - drums (2)
- Mike Lewis - horns & strings arrangement (1,4-8), flute arrangement (3)
- Dave Mason - vocals (1,5 6)
- Joey Murcia - guitar (1)
- Richard O'Connell - drums (7)
- George Perry - vocals (8, 9), bass (1, 3-6, 8-9)
- Kitty Pritikin aka Kitty Woodson Terry - vocals (name misprint) (8)
- Verna Richardson - vocals (8)
- Lisa Roberts - vocals (8)
- Whitt Sidner - flutes (3)
- George Terry - guitar (3, 5, 7)
- Gerry Tolman - guitar (6)
- John Sambataro - vocals (1, 3, 5)
- Joe Vitale - vocals (9), drums (1, 2-6, 8-10)
Technical Personnel
- Producers - Stephen Stills and The Albert Brothers
- Engineers - The Albert Brothers, Michael Braunstein, Steve Gursky
- Design - Stephen Stills & John Berg
- Photography - Jim McCrary
- Mangement - Michael John Bowen
Special thanks to Guillerma Giachetti, Gerry Tolman, Armando Hurley, Harper Dance, Home At Last
Charts
Chart (1978) | Peak
position |
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US Billboard Top LPs & Tape[9] | 83 |
Canadian RPM 100 Albums[10] | 82 |
US Cash Box Top 100 Albums[11] | 135 |
US Record World Album Chart[12] | 140 |
Tour
This tour including Stills' backing group the California Blues Band. The 1979 run at The Roxy, Los Angeles, was professionally recorded.
Date | City | Country | Venue | Attendance | Gross | Notes |
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4 September 1978 | Los Angeles | United States | Greek Theatre | Bread and Roses Festival | ||
1979 California Blues Band Tour | ||||||
Date | City | Country | Venue | Attendance | Gross | Notes |
25 January 1979 | Los Angeles | United States | The Roxy[13] | Sold Out | ||
26 January 1979 | ||||||
27 January 1979 | ||||||
28 January 1979 | ||||||
3 March 1979 | Havana | Cuba | Havana Jam | |||
7 March 1979 | Cincinnati | United States | Cincinnati Music Hall | |||
9 March 1979 | Chicago | Auditorium Theatre | ||||
11 March 1979 | Louisville | Louisville Gardens | ||||
14 March 1979 | Michigan | Centre Stage | 1,628 | $22,228[14] | ||
17 March 1979 | Upper Derby | Tower Theatre | ||||
18 March 1979 | New York City | The Palladium | 3,300 | $27,000[14] | ||
23 March 1979 | Pittsburgh | Stanley Theatre | 7,442 | $71,545[15] | ||
24 March 1979 | Passaic | Capitol Theatre | 3.456 | $28,172[15] | ||
27 March 1979 | Middletown | Wesleyen University | 3,010 | $22,116[16] | ||
29 March 1979 | Reading | Bollman Center | ||||
1 April 1979 | Blacksburg | Cassell Coliseum | ||||
4 April 1979 | Nashville | The Grand Ole Opry House | ||||
7 April 1979 | Kansas City | Memorial Hall | 2,880 | $23,040[17] | ||
8 April 1979 | St. Louis | Kiel Opera House | 2,607 | $21,997[17] | ||
4 June 1979 | Irvine | Crawford Hall | ||||
8 June 1979 | Santa Barbara | Santa Barbara Bowl | 4,888 | $32,633[18] | ||
9 June 1979 | San Francisco | Fox Warfield Theatre | 2,248 | $44,960[18] | ||
19 June 1979 | Edwardsville | Mississippi River Festival | ||||
20 June 1979 | East Troy | Alpine Valley Music Theatre | ||||
24 June 1979 | New York | Belmont Park | ||||
27 June 1979 | Buffalo | Kleinhans Music Hall | ||||
1 July 1979 | Columbia | Merriweather Post Pavilion | ||||
2 July 1979 | New York | Wollman Skating Ring | ||||
7 July 1979 | New Jersey | Garden States Arts Centre | ||||
7 September 1979 | New York | Woodstock '79 | ||||
8 September 1979 | New York | Parr Meadows Racetrack | ||||
9 December 1979 | Northridge | Cal State University | ||||
31 December 1979 | Riverside | Ben H. Lewis Hall | ||||
1980 European Tour | ||||||
4 July 1980 | ||||||
14 July 1980 | Milano | Italy | Stadio San Siro | Supported Angelo Branduardi | ||
15 July 1980 | Turin | Stadio Comunale | ||||
17 July 1980 | Nyon | Switzerland | Parc Du Lac | Nyon Folk Festival | ||
18 July 1980 | Turin | Italy | Turin Municipal Stadium | Supported Angelo Branduardi | ||
21 July 1980 | Rimini | |||||
22 July 1980 | Nyon | Switzerland | La Prairie De Colovray | |||
23 July 1980 | Italy | Bolzano Stadium | ||||
24 July 1980 | Munich | Germany | Olympiahalle | |||
26 July 1980 | St. Goarshausen | Freilichtbuhne Loreley | ||||
27 July 1980 | Stadium Wurzburg | |||||
29 July 1980 | Naples | Italy | Stadio San Paolo | |||
4 August 1980 | ||||||
1980 United States | ||||||
23 August 1980 | Indianapolis | United States | Hilton U. Brown Theatre | |||
29 August 1980 | New York | Central Park |
Personnel
Stephen Stills and the California Blues Band
- Stephen Stills - Guitar, Percussion, Vocals
- Dallas Taylor - Drums (Roxy Theater 1979 only)
- Mike Finnigan - Keyboards, Vocals
- Joe Lala - Percussion, Vocals
- Billy Meeker - Drums
- Michael Sturgis - Guitar
- Trey Thompson - Bass
- Bonnie Bramlett - Vocals
- Graham Nash - Appeared during some dates of the European 1980 tour
Typical setlist
All songs written by Stephen Stills, except where noted.
- Precious Love
- For What It's Worth
- You Can't Dance Alone
- Cuba Al Fin
- Go Back Home
- How Wrong Can You Be
- Love The One You're With
- Make Love To You
- Cherokee
- Rock And Roll Crazies/Cuban Bluegrass (Stills, Dallas Taylor/ Stills, Joe Lala)
- Jet Set (Sigh)
- Thoroughfare Gap
- Come On In My Kitchen (Robert Johnson)
References
- Chrispell, J. "Thoroughfare Gap - Stephen Stills | AllMusic". allmusic.com. Retrieved July 26, 2011.
- Stephen Stills 1978 Radio Interview, retrieved January 18, 2020
- Roberts, David; Gedge, David (October 28, 2016). Stephen Stills: Change Partners. This Day In Music Books. ISBN 978-1-78759-101-1.
- Roberts, David; Gedge, David (October 28, 2016). Stephen Stills: Change Partners. This Day In Music Books. ISBN 978-1-78759-101-1.
- Roberts, David; Gedge, David (October 28, 2016). Stephen Stills: Change Partners. This Day In Music Books. ISBN 978-1-78759-101-1.
- Roberts, David; Gedge, David (October 28, 2016). Stephen Stills: Change Partners. This Day In Music Books. ISBN 978-1-78759-101-1.
- "Picks and Pans Review: Thoroughfare Gap Gap". PEOPLE.com. Retrieved March 17, 2020.
- "Trouser Press Magazine Archive". Trouser Press. Retrieved June 1, 2020.
- "Stephen Stills". Billboard. Retrieved July 5, 2020.
- Canada, Library and Archives (April 16, 2013). "The RPM story". www.bac-lac.gc.ca. Retrieved July 5, 2020.
- "CASH BOX MAGAZINE: Music and coin machine magazine 1942 to 1996". worldradiohistory.com. Retrieved July 5, 2020.
- "RECORD WORLD MAGAZINE: 1942 to 1982". worldradiohistory.com. Retrieved July 5, 2020.
- "Billboard Concert Review" (PDF).
- "Billboard Magazine" (PDF).
- "Billboard Box Office" (PDF).
- "Billboard Box Office" (PDF).
- "Billboard Box Office" (PDF).
- "Billboard Box Office" (PDF).