This Midnight Hour

This Midnight Hour is an orchestral composition by the British composer Anna Clyne. The work was co-commissioned by the Orchestre national d'Île-de-France, for which Clyne was then composer-in-residence, and the Seattle Symphony. It was first performed by the Orchestre national d'Île-de-France conducted by Enrique Mazzola at the Théâtre Espace Coluche, Plaisir, on November 13, 2015.[1]

Composition

This Midnight Hour is cast in a single movement and has a performance duration of approximately 12 minutes. The music was inspired by two poems: "La Musica" by Juan Ramón Jiménez and "Harmonie du soir" by Charles Baudelaire.[2] Nevertheless, Clyne commented in the score program note, "Whilst it is not intended to depict a specific narrative, my intention is that it will evoke a visual journey for the listener."[1]

Instrumentation

The work is scored for a large orchestra consisting of two flutes, piccolo, two oboes, two clarinets, two bassoons, four horns, two trumpets, two trombones, bass trombone, tuba, timpani, two percussionists, and strings.[1]

Reception

Reviewing a performance by the BBC Philharmonic, Robert Beale of The Arts Desk described This Midnight Hour as "accessible music, with recognisable chords, repetition of coherent units within its themes, reprises of some important sections, and the instrumentational ability to make even a straight unison sound thrilling." He added, "It's also at times quite filmic in style, with a big tune in string octaves, folksy woodwind solos, and a slow, sentimental role for two trumpets, either side of the stage, with very traditional harmonies to accompany them. It’s also got some effective brass and woodwind chorus writing, which Ben Gernon balanced with skill."[3] Reviewing a performance by the St. Louis Symphony Orchestra, Sarah Bryan Miller of the St. Louis Post-Dispatch wrote, "It opens with the low strings of the large orchestra giving the effect of someone running steadily in darkness, and builds on that in stormy music. There are lyrical moments, taking turns with the running motif, and a hymn-like melody to conclude. Clyne packs a lot of emotions into its 12-minute length."[4]

Scott Cantrell of The Dallas Morning News was more critical of the piece, however, remarking, "Fourteen minutes long, it's certainly a loose-strung stream of consciousness. Restless scrambles from lower strings evoke the opening of Wagner's Die Walküre, then various chatters and dithers work their way through the orchestra." He added, "Dark treadings, downward slithers and suggestions of wild animal calls ensue. More tempests subside to make room for big cinematic effusions that seem oddly out of place, as do subsequent folksongish episodes. At least on first hearing, whatever logic there may be to the piece eluded me."[5]

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References
  1. Clyne, Anna (2015). "This Midnight Hour". Boosey & Hawkes. Retrieved July 19, 2020.
  2. Hughes, Andrew S. (September 18, 2019). "Of heroes and heroines: The South Bend Symphony Orchestra opens its season with three dramatic works". South Bend Tribune. Retrieved July 19, 2020.
  3. Beale, Robert (March 5, 2018). "Goode, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review – making beautiful music". The Arts Desk. Retrieved July 19, 2020.
  4. Miller, Sarah Bryan (January 19, 2020). "Strong start to the new year from Denève, Thibaudet and the SLSO". St. Louis Post-Dispatch. Retrieved July 19, 2020.
  5. Cantrell, Scott (September 22, 2018). "A bold season opener from SMU's Meadows Symphony Orchestra: Beethoven, Bernstein and Anna Clyne". The Dallas Morning News. Retrieved July 19, 2020.
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