The Red Boy

The Red Boy is the popular name of a portrait made in 1825 by Sir Thomas Lawrence. It was originally entitled Master Lambton and depicts Charles William Lambton, the eldest son of John Lambton (later created Earl of Durham).

Master Lambton: The Red Boy
ArtistSir Thomas Lawrence
Year1825 (1825)
MediumOil on canvas
Dimensions140 cm × 110 cm (54 in × 44 in)

Master Lambton

Charles William Lambton was born 16 January 1818, the eldest son of John Lambton, who was then a Member of Parliament for County Durham, and his second wife Louisa. He was baptised on 12 February 1818 at St Mary and St Cuthbert, Chester-le-Street, which at the time was the parish church of his family home, Lambton Castle.[1] He was named for his grandfathers, Charles Grey, 2nd Earl Grey, who later became Prime Minister of the United Kingdom, and William Henry Lambton.

John Lambton was raised to the peerage as Baron Durham in 1828, whereupon Master Lambton became The Honourable Charles William Lambton and heir to his father's title and estates. However, Charles died young at Brighton on 24 September 1831, aged 13 from tuberculosis. He was buried at St Mary and St Cuthbert, Chester-le-Street on 7 October 1831.[2] Charles's younger brother D'Arcy thus became the heir. After John Lambton was further created Earl of Durham in 1833, D'Arcy inherited the titles on the death of his father in 1840.

Early history

The portrait of seven year old Charles William Lambton was painted for the subject's father by Sir Thomas Lawrence for the price of 600 guineas (about £46,000/$57,000 in 2014) and was completed in 1825.[3]

William T. Whitley's Art of England 1821-1837 (1930) states a contemporary writer in News of Literature and Fashion reported that Lawrence had originally painted the boy's clothes in yellow, despite the latter's father being called the "yellow dandy". John Lambton tormented Lawrence "on the score of the unfitness of the colour, until he got it blotted out by the crimson." Whitley also mentions that when the painting was exhibited at the Royal Academy in 1825, the Hanging Committee of George Jones, Alfred Edward Chalon and Thomas Phillips chose the painting to be hung high up in the School of Painting, away from the Great Room. Lambton believed this to be due to him being a Whig and declared he would never buy another picture from a Royal Academician.[4] However, D. E. Williams's The Life and Correspondence of Sir Thomas Lawrence, Kt. published in 1831 claims that the original yellow "produced an unpleasant monotony with the browns of the gravel and rocks forming the back ground."[5] The painting later attracted much praise when it was exhibited in Paris in 1827.[6]

Later history

The death of the third Earl of Durham in 1928 and the fourth earl a year later in 1929 brought large death duties. As the new fifth earl used Lambton Castle only occasionally, he closed it and held an auction of its valuable furniture and paintings in 1932, which included The Red Boy.[7][8] However, after two years, the reserve was not met after each bid and the painting remained unsold in 1934.[9]

In 1929, the painting was exhibited at the North East Coast Exhibition, then in 1934 at Bessie Surtees House, both in Newcastle Upon Tyne.[10] It was also exhibited as part of an exhibition that ran alongside the Festival of Britain at Bowes Museum in 1951 and again there in 1988.[11][12]

Reproduction

Albert Scholick Wilkin featured the painting on his Wilkins Red Boy Toffee.[13]

Megan Marshall's The Peabody Sisters: Three Women Who Ignited American Romanticism (2005) mentions Sophia Hawthorne and Elizabeth Peabody as having copied the painting.[14]

In 1936, Charles's great-niece, Diana Mary Lambton, married William Hedworth Williamson at St Margaret's, Westminster, and their pageboys wore matching outfits to the painting.[15] Raymond Jolliffe (later Baron Hylton) also wore the same as a pageboy at Lord Lovat's wedding in 1938.[16]

In 1967, the painting appeared on a British postage stamp.[17]

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gollark: Where?
gollark: *no, seriously, and I've forgotten half of it*

References
  1. "England Births and Christenings, 1538-1975," database, FamilySearch; accessed 16 November 2015, Charles William Lambton, 12 Feb 1818; citing CHESTER LE STREET,DURHAM,ENGLAND, reference ; FHL microfilm 91,090.
  2. "England Deaths and Burials, 1538-1991," database, FamilySearch; accessed 16 November 2015), Charles William Lambton, 07 Oct 1831; citing , reference 58; FHL microfilm 1,894,227.
  3. Lawrence H. Officer and Samuel H. Williamson, "Five Ways to Compute the Relative Value of a UK Pound Amount, 1270 to Present," MeasuringWorth, 2015
  4. William T. Whitley, Art of England 1821-1837 (1930), Read Books, 2007 ISBN 1-4067-5294-0
  5. The Life and Correspondence of Sir Thomas Lawrence, Kt., D. E. Williams; 1831; page 364
  6. M Levey 2005 Sir Thomas Lawrence. New Haven and London: Yale University Press; pages 249–258
  7. Ottawa Citizen, 12 November 1931
  8. The Times, April 18, 1932; page 8; Issue 46110; col D
  9. The Sunderland Daily Echo and Shipping Gazette, 22 December 1934; page 2
  10. The Sunderland Daily Echo and Shipping Gazette, 25 January 1934; page 2
  11. The Sunderland Daily Echo and Shipping Gazette, 17 April 1951; page 2
  12. The Bowes Museum, Past Exhibitions, accessed 2015-11-19
  13. North East Life Mag - Albert Scholick Wilkin -Cremona toffee, accessed 2015-11-19
  14. The Peabody Sisters: Three Women Who Ignited American Romanticism (2005); page 507 ISBN 9780547348759
  15. Yorkshire Post and Leeds Intelligencer, 11 December 1936
  16. Dundee Evening Telegraph, 10 October 1938 [incorrectly referred to as a painting by Thomas Gainsborough]
  17. British First Day Covers, accessed 2015-11-19
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