The Marriage of a Young Stockbroker

The Marriage of a Young Stockbroker is a 1971 American romantic comedy-drama film released in 1971, based on a novel of the same title by Charles Webb. It was directed and produced by Lawrence Turman, whose credits most notably include producing 1967's high-grossing hit The Graduate, which also was adapted from a book by Webb.

The Marriage of a Young Stockbroker
Theatrical release poster
Directed byLawrence Turman
Produced byLawrence Turman
Written byLorenzo Semple Jr
Charles Webb
StarringRichard Benjamin
Joanna Shimkus
Elizabeth Ashley
Adam West
Patricia Barry
Music byFred Karlin
CinematographyLászló Kovács
Edited byFredric Steinkamp
Distributed by20th Century Fox
Release date
  • August 19, 1971 (1971-08-19)
Running time
95 minutes
CountryUnited States
LanguageEnglish
Budget$2,230,000[1] or $1.5 million[2]

It stars Richard Benjamin in the title role and Joanna Shimkus as his beleaguered wife, with Adam West, Elizabeth Ashley, Patricia Barry, and Tiffany Bolling in supporting roles.

Synopsis

The story mainly deals with the crumbling marriage of William Alren (Richard Benjamin) and his wife Lisa (Joanna Shimkus), and how William uses voyeurism and extra-marital affairs to "spice up" his marriage. William gives up his career as a stockbroker, and takes up voyeurism full-time.

After putting up with her husband's various dalliances, Lisa is advised by her outspoken sister Nan (Elizabeth Ashley) to get a divorce. Nan's own marriage to Chester (Adam West) is in no better shape than Lisa's and equally on the rocks. The film ends with William and Lisa reunited, but not before Lisa finally gets "revenge" on her husband.

Cast

Critical reception

Critic Leonard Maltin felt that while the film was a "humorous and sad depiction of marital breakdown", the cast was let down by a script that "seems uncertain as to what point it wants to drive across" (Maltin, 1991: 769). Steven Scheuer concurred somewhat, saying that while the film was "occasionally amusing" it also tended to be "generally heavy-handed" (Scheuer, 1990: 672).

Roger Greenspun generally found the picture to be miscast, especially Richard Benjamin, feeling that while he is "a good comedian [he is] miscast [in this role]" (Greenspun, 1971). He also thought it closer to an "unsuccessful television pilot" than a movie, in terms of its treatment of themes such as "sexual mechanics, the mechanics of marital supremacy, [and] the nuclear family as a machine for getting on in the suburbs" (Greenspun, 1971). Leslie Halliwell called it a "sardonic adult comedy of the battle of the sexes" (Halliwell, 2000: 522).

gollark: Or, well, not all the time.
gollark: You still need people to get food and stuff! You can't have everyone go in torture chambers!
gollark: A brutal totalitarian dictatorship ruthlessly optimizing for suffering could probably work better.
gollark: If you want higher total suffering, that would be hard... hmmm...
gollark: But there would not be any humans quite rapidl.y

See also

References
  • Greenspun, Roger (1971) "The Marriage of a Young Stockbroker" The New York Times, August 20, 1971. (accessed 6 April 2008).
  • Halliwell, Leslie (2000) Walker, John (ed.) Halliwell's Film & Video Guide 2001, HarperCollinsEntertainment, London.
  • Maltin, Leonard (1991) Leonard Maltin's Movie and Video Guide 1992, Signet, New York.
  • Scheuer, Steven H. (1990) Movies on TV and Videocassette, Bamtam Books, New York.

Notes
  1. Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p256
  2. ALJEAN HARMETZ (Jan 24, 1971). "But They Still Say 'Larry Who?': They Say 'Larry Who?'". New York Times. p. D13.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.