The Lad from Old Ireland

The Lad from Old Ireland, also called A Lad from Old Ireland, is a one-reel 1910 American motion picture directed by and starring Sidney Olcott and written by and co-starring Gene Gauntier. It was the first film appearance of prolific actor/director J.P. McGowan.

The Lad from Old Ireland
Directed bySidney Olcott
Written byGene Gauntier
StarringSidney Olcott
Gene Gauntier
Thomas O'Connor
CinematographyGeorge K. Hollister
Distributed byKalem Company
Release date
November 23, 1910
CountryUnited States
LanguageSilent (English intertitles)

Production background

The film was the first ever production by an American movie studio to be filmed on location outside of the United States. Filming took place around Cork and Killarney in Ireland, and in New York City.[1]

In August 1910, the Kalem Company of New York City sent director Sidney Olcott and a film crew to film in Europe. In Ireland, Olcott made The Lad From Old Ireland from a script written by Gene Gauntier. Shot by cinematographer George K. Hollister, the film was described in the publicity releases for its November premiere as "Kalem’s Great Trans-Atlantic Drama."[2]

Laurene Santley doubles the Irish grandmother in the indoor sequence shot in the Kalem New York studio.[3]

During that trip in Ireland Olcott shot a second film : The Irish Honeymoon.[4]

Plot

An Irish boy (Olcott) emigrates to America to escape the desperate poverty of Ireland. After finding work in construction, he finds success in politics. He returns to Ireland after receiving a letter from his sweetheart (Gauntier) just as her destitute family is being forced off their land.[5]

Cast

Reception

The film was a critical and popular success, particularly with Irish immigrants in America. Unlike other films of the time, the Irish characters were not cartoonish caricatures, and the story was a familiar and hopeful one for immigrants.[1] William Wright, Kalem's treasurer, recalled "Of that subject we sold in London alone 160 prints – a record-breaking achievement for a thousand-foot picture."[6] The success prompted Kalem to send a larger company under the direction of Olcott the next year in 1911, which produced 18 films that summer.[2]

The Moving Picture World noted that the film was "quite a success", but complained that the audience was not informed of and thus unable to appreciate "the important characteristics of the picture", referring to the authentic portrayal of Irish rural life.[7]

gollark: The government just doesn't tractor-beam the sun.
gollark: That's a ridiculous conspiracy theory, it's tractor beams, not magnets.
gollark: They can tractor-beam it from above, obviously. You probably have exposed non-metal parts.
gollark: Or possibly the edge, to fake it being round.
gollark: The government will just use the tractor beams to move you back to the middle.

See also

References
  1. Langan, Sheila (January 2012). "Blazing the Trail to Ireland: The Kalem Film Company". Irish America. Retrieved December 31, 2015.
  2. Flynn, Arthur (2005). The Story of Irish Film. Dublin: Currach Press. pp. 13–15. ISBN 9781856079143.
  3. Michel Derrien, Aux origines du cinéma irlandais: Sidney Olcott, le premier oeil, p. 10.
  4. Michel Derrien, Aux origines du cinéma irlandais: Sidney Olcott, le premier oeil, p. 15.
  5. "Irish Silent Films". Trinity College, Dublin. November 9, 2011. Retrieved December 30, 2015.
  6. Michel Derrien, Aux origines du cinéma irlandais: Sidney Olcott, le premier oeil, p. 12.
  7. "Observations By Our Man About Town". The Moving Picture World. Vol. 7 no. 24. New York: The World Photographic Publishing Company. December 10, 1910. p. 1343. Retrieved October 24, 2016.

Further reading
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