The Hurdy-Gurdy Player

The Hurdy-Gurdy Player (French - Le Vielleur) is an oil on canvas painting by Georges de La Tour. The artist neither signed nor dated it, but it was produced in the first phase of his career, probably between 1620 and 1625.[1] It is also known as The Hurdy-Gurdy Player in a Hat (Le Vielleur au chapeau) or The Hurdy-Gurdy Player with a Fly (Le Vielleur à la mouche). It is now in the Musée d'Arts de Nantes.

The Hurdy-Gurdy Player
ArtistGeorges de La Tour
Yearc.1620-1625
Mediumoil on canvas
Dimensions162 cm × 105 cm (64 in × 41 in)
LocationMusée d'Arts de Nantes, Nantes

History, attribution and provenance

19th century - celebrated and attribution doubted

The first recorded mention of the work is in the collection of the Nantes-born diplomat François Cacault (1847-1805) at Clisson - a posthumous assessment of his collection on 6 November 1808 called the work "very capital", attributed it to Murillo and valued it at 6000 francs. The city collection bought it and it was hung in mayor Bertrand Geslin's office in the town hall, before being moved to its present home in 1830.[2] From 1830 until 1903 the museum's catalogues noted it as a work by Murillo or the Spanish school.[3] In 1836 Prosper Mérimée, then inspector general of France's historic monuments, admired the work during a trip to survey paintings in western France.

1923 - reattribution


Other works on the same subject by Georges de La Tour
  • The Musicians' Brawl, 94 × 104,1 cm, Los Angeles, The J. Paul Getty Museum, c. 1620-1625
  • Hurdy-Gurdy Player, fragment of A Consort of Musicians, 85 × 58 cm, Bruxelles, musées royaux des Beaux-Arts de Belgique, c. 1620-1625
  • The Hurdy-Gurdy Player with a Dog, 186 × 120 cm, musée municipal de Bergues, c. 1622-1625
  • The Waidmann Hurdy-Gurdy Player, 157 × 94 cm, Remiremont, musée municipal Charles-Friry
  • The Hurdy-Gurdy Player with a Ribbon (fragment), 84 × 61 cm, Madrid, museo del Prado, c.1640

Analysis
gollark: Zachary's laptop camera is just bad.
gollark: `/dev/null`, obviously.
gollark: Done.
gollark: I looked a perfectly reasonable human color last time I checked.
gollark: I see.

References
  1. Rosenberg & Mojana 1992, p. 44.
  2. Cuzin & Rosenberg, p. 136, « Historique ».
  3. Cuzin & Rosenberg, p. 138.

Bibliography (in French)
  • Daniel Arasse, Le Détail : pour une histoire rapprochée de la peinture, Paris, Flammarion, 2008 (1re éd. 1992), 384 p. (ISBN 978-2-0812-1740-9), p. 128 & 214-215.
  • Jean-Pierre Cuzin et Pierre Rosenberg (préf. Jacques Thuillier), Georges de La Tour : Paris, Galeries nationales du Grand Palais, 3 octobre 1997-26 janvier 1998, Paris, Réunion des musées nationaux et du Grand Palais des Champs-Élysées, 1997, 320 p. (ISBN 2-7118-3592-8), p. 136-139 (catalogue no 23, Le Vielleur, dit aussi Le Vielleur au chapeau ou Le Vielleur à la mouche).
  • Jean-Pierre Cuzin and Dimitri Salmon, Georges de La Tour : histoire d'une redécouverte, Paris, Gallimard, Réunion des musées nationaux, coll. « Découvertes Gallimard / Arts » (no 329), 1997, 176 p. (ISBN 2-07-030053-6).
  • Pascal Quignard, Georges de La Tour, Paris, Éditions Galilée, 2005 (ISBN 978-2718606705), p. 70.
  • Pierre Rosenberg and Marina Mojana, Georges de La Tour : catalogue complet des peintures, Paris, Éditions Bordas, coll. « Fleurons de l'art », 1992 (ISBN 978-2040195984), p. 44.
  • Jacques Thuillier, Tout l'œuvre peint de Georges de La Tour, Paris, coll. « Les Classiques de l'Art », 1985, 2e éd. (1re éd. 1973), 104 p. (ISBN 2-08-010258-3).
  • Jacques Thuillier, Georges de La Tour, Paris, Flammarion, coll. « Les Grandes monographies », 2012 (1re éd. 1992), 318 p. (ISBN 978-20812-86085), p. 82-91, et « Catalogue des œuvres » no 20, p. 285.
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