The Grey Car

The Grey Car
Directed by	Enrique Rosas
Produced by	Enrique Rosas
Written by	José Manuel Ramos, Enrique Rosas, Miguel Necoechea
Starring	María Tereza Montoya; Juan Canals de Homs; Juan Manuel Cabrera; Ángel Esquivel; Ángel Esquivel
Production; company	Azteca Films – Rosas y Cía
Release date	December 11, 1919;
Running time	117 minutes
Country	Mexico

The Grey Car (Spanish: El automóvil gris) is a 1919 film directed by Enrique Rosas which is the number 98 in 100 Mexican best movies.[1][2][3]

Synopsis

Detective Cabrera wants to re-establish peace in Mexico City after a vandalism wave.

gollark: Ah.

gollark: Farmers... are workers, though? Do you mean specific workers of some sort?

gollark: That seems implausibly high.

gollark: I've heard it said that house prices are high in many cities because the people there have a lot of influence on zoning and such, but also have an incentive to not allow more buildings because it would reduce the amount their house is worth.

gollark: Neat.

References

"Las 100 mejores películas del cine mexicano".
Charles Ramírez Berg (1 September 2015). The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films. University of Texas Press. pp. 51–. ISBN 978-1-4773-0805-9. The Legacy of El automóvil gris The film was an immediate, unqualified, and unprecedented commercial and critical success. Silvestre Bonnard (Carlos Noriega Hope), the astute film reviewer for El Universal, singled out its “splendid ...
Paul A. Schroeder Rodríguez (8 March 2016). Latin American Cinema: A Comparative History. University of California Press. pp. 39–. ISBN 978-0-520-96353-5. While El automóvil gris is local in its politics, it is very cosmopolitan in its aesthetics, and a good example of the kind of triangulated dialogue that Latin American films have continuously had with European and Hollywood cinemas. As Ramírez ...

External links

El automóvil gris on IMDb

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[1] "Las 100 mejores películas del cine mexicano".

[Berg2015-2] Charles Ramírez Berg (1 September 2015). The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films. University of Texas Press. pp. 51–. ISBN 978-1-4773-0805-9. The Legacy of El automóvil gris The film was an immediate, unqualified, and unprecedented commercial and critical success. Silvestre Bonnard (Carlos Noriega Hope), the astute film reviewer for El Universal, singled out its “splendid ...

[Rodríguez2016-3] Paul A. Schroeder Rodríguez (8 March 2016). Latin American Cinema: A Comparative History. University of California Press. pp. 39–. ISBN 978-0-520-96353-5. While El automóvil gris is local in its politics, it is very cosmopolitan in its aesthetics, and a good example of the kind of triangulated dialogue that Latin American films have continuously had with European and Hollywood cinemas. As Ramírez ...