The Brutalist Bricks
The Brutalist Bricks is the sixth album by the northeast American punk band Ted Leo and the Pharmacists. It was released March 9, 2010[2] by Matador Records. It is the band's first album for Matador Records.[2]
The Brutalist Bricks | ||||
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Studio album by | ||||
Released | March 9, 2010 | |||
Recorded | 2009 | |||
Genre | Art punk, punk rock, indie rock | |||
Length | 41:50 | |||
Label | Matador | |||
Ted Leo and the Pharmacists chronology | ||||
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Singles from The Brutalist Bricks | ||||
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The album received a nod from Exclaim! as the No. 3 Punk Album of 2010.[3]
Track listing
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
SPIN | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | (7.9/10)[7] |
All songs written by Ted Leo.
- "The Mighty Sparrow" - 2:37
- "Mourning in America" - 2:59
- "Ativan Eyes" - 4:22
- "Even Heroes Have to Die" - 3:46
- "The Stick" - 1:57
- "Bottled in Cork" - 3:18
- "Woke Up Near Chelsea" - 3:51
- "One Polaroid a Day" - 4:10
- "Where Was My Brain?" - 2:19
- "Bartolomeo and the Buzzing of Bees" - 3:21
- "Tuberculoids Arrive in Hop" - 2:26
- "Gimme the Wire" - 2:55
- "Last Days" - 3:47
- "Everything Gets Interrupted" (iTunes Exclusive Bonus Track) - 2:39
Personnel
- Ted Leo - guitar/vocals
- James Canty - guitar
- Marty Key - bass
- Chris Wilson - drums
Chart performance
Chart | Peak Position |
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Billboard 200 | 114 |
US Independent Albums | 11 |
gollark: What makes them better than the advertising companies then?
gollark: I am leaving off the second half so as not to fill more than a screen or so.
gollark: No, Richard, it's 'Linux', not 'GNU/Linux'. The most important contributions that the FSF made to Linux were the creation of the GPL and the GCC compiler. Those are fine and inspired products. GCC is a monumental achievement and has earned you, RMS, and the Free Software Foundation countless kudos and much appreciation.Following are some reasons for you to mull over, including some already answered in your FAQ.One guy, Linus Torvalds, used GCC to make his operating system (yes, Linux is an OS -- more on this later). He named it 'Linux' with a little help from his friends. Why doesn't he call it GNU/Linux? Because he wrote it, with more help from his friends, not you. You named your stuff, I named my stuff -- including the software I wrote using GCC -- and Linus named his stuff. The proper name is Linux because Linus Torvalds says so. Linus has spoken. Accept his authority. To do otherwise is to become a nag. You don't want to be known as a nag, do you?(An operating system) != (a distribution). Linux is an operating system. By my definition, an operating system is that software which provides and limits access to hardware resources on a computer. That definition applies whereever you see Linux in use. However, Linux is usually distributed with a collection of utilities and applications to make it easily configurable as a desktop system, a server, a development box, or a graphics workstation, or whatever the user needs. In such a configuration, we have a Linux (based) distribution. Therein lies your strongest argument for the unwieldy title 'GNU/Linux' (when said bundled software is largely from the FSF). Go bug the distribution makers on that one. Take your beef to Red Hat, Mandrake, and Slackware. At least there you have an argument. Linux alone is an operating system that can be used in various applications without any GNU software whatsoever. Embedded applications come to mind as an obvious example.
gollark: Oh, wait, better idea.
gollark: Hey, I *said* (GNU[+/])Linux, isn't that good enough for you, Stallman?!
References
- Daniel, Britt, "Ted Leo and the Pharmacists – Bottled in Cork free digital single", Matador Records Blog, June 1st 2010
- Gerard, "Ted Leo & The Pharmacists – New Album, New MP3, New (Global) Dates", Matador Records Blog, November 30th 2009
- "Year in Review: Punk". Exclaim!.
- Sendra, Tim. "Review: The Brutalist Bricks". Allmusic. Retrieved 12 March 2010.
- "Slant Magazine review".
- "SPIN review".
- "Pitchfork Media".
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