The Brides of Dracula

The Brides of Dracula is a 1960 British supernatural horror film produced by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, David Peel, Freda Jackson, Yvonne Monlaur, Andrée Melly, and Martita Hunt.[2] The film is a sequel to the 1958 film Dracula (also known as Horror of Dracula), though the character of Count Dracula does not appear in the film, and is instead mentioned only twice. Christopher Lee would reprise his role as Dracula in the film Dracula: Prince of Darkness (1966).

For the characters from the novel, see Brides of Dracula.

The Brides of Dracula
Theatrical release poster
Directed byTerence Fisher
Produced byAnthony Hinds
Screenplay byJimmy Sangster
Peter Bryan
Edward Percy
Uncredited:
Anthony Hinds
StarringPeter Cushing
Martita Hunt
Freda Jackson
Yvonne Monlaur
Music byMalcolm Williamson
CinematographyJack Asher
Edited byAlfred Cox
Production
company
Distributed by
Release date
  • 7 July 1960 (1960-07-07)
Running time
85 minutes
CountryUnited Kingdom
LanguageEnglish
Box office1,266,561 admissions (France)[1]

Filming began for The Brides of Dracula on 16 January 1960 at Bray Studios.[3] It was developed under the working titles Dracula 2 and Disciple of Dracula. The finished film premièred at the Odeon Marble Arch on 6 July 1960. It was distributed theatrically in 1960 on a double bill with The Leech Woman.

Plot

A gloomy wood is seen as a voice is heard, narrating:

"Transylvania, land of dark forests, dread mountains and black unfathomable lakes. Still the home of magic and devilry as the nineteenth century draws to its close. Count Dracula, monarch of all vampires, is dead. But his disciples live on to spread the cult and corrupt the world.

Peter Cushing in The Brides of Dracula

Marianne Danielle, a young French schoolteacher en route to take up a position in Transylvania, is abandoned at a village inn by her coach driver. Ignoring the warnings of the locals, she accepts the offer of Baroness Meinster to spend the night at her castle. There, she sees the Baroness's handsome son, who is said to be insane and kept confined. When she sneaks into his quarters to meet him, she is shocked to find him chained by his leg to the wall, and when he tells her that his mother has usurped his rightful lands and pleads for her help, she agrees to steal the key to his chain from the Baroness' bedroom.

Discovering this, the Baroness is horrified; yet when her son appears, she obeys him and accompanies him back to his room. Later, Marianne discovers the Baroness' servant Greta, who has also taken care of the Baron since he was a baby, in hysterics: She shows Marianne the Baroness' corpse, and the puncture marks in her throat. Marianne flees into the night upon seeing this, while Greta chastises the Baroness for raising her son on cruelty and cavorting with bad company in the past, which lead to one such being (Dracula) turning him into a vampire and the Baroness having to chain him in his room and feeding him any girls that she lured to the castle. Despite knowing the evil he intends to the village, Greta remains loyal to the Baron.

Marianne is later found, exhausted, by Dr. Van Helsing the following morning. She doesn't remember all that has happened, nor is she familiar when asked about the words "undead" or "vampirism." He escorts her to the school where she's to be employed.

When Van Helsing reaches the village inn, he finds there is a funeral in progress. A young girl has been found dead in the woods with wounds upon her throat. Van Helsing contacts Father Stepnik, who had requested Van Helsing's presence, having suspicions about the castle and the Baroness. He tries to dissuade the girl's father from burying her, but he doesn't listen, allowing her transformation to be completed. Stepnik and Van Helsing go to the cemetery that night, only to find Greta aiding the newly vampirised village girl to rise from her grave. The men try to stop them, but Greta holds them off and allows the girl to flee. Van Helsing goes to the castle and discovers the Baroness, now risen as a vampire herself, as well as the Baron. After a brief scuffle, the Baron flees on a coach driven by the village girl, abandoning his mother, who is full of self-loathing and guilt over her actions with her son. Knowing that the transformation was Meinster's revenge on his mother for locking him up, Van Helsing takes pity on her and, after sunrise the next morning, kills her with a wooden stake as she slumbers.

The Baron, meanwhile, visits Marianne at the school and asks her to marry him. She accepts, much to the good-natured envy of her roommate Gina. However, once Gina is alone, Baron Meinster appears in her room and drains her of her blood. When Van Helsing visits the next day, he finds the school in an uproar over Gina's death. After inspecting Gina's body, Van Helsing orders that her body be placed in a horse stable with people watching it until he returns. That night, Marianne relieves the headmaster's wife of her watch. Initially she is with the stable keeper, Severin, when one of the padlocks on the coffin falls off without unlocking. Severin goes outside to fetch another lock, but is killed by a vampire bat. Inside, the last lock falls from the coffin; the lid is pushed open, and Gina rises, now a vampire. As she approaches Marianne, Gina reveals the whereabouts of the Baron, who is hiding at the old mill.

Van Helsing discovers the body of Severin and enters the stable, saving Marianne from being bitten by Gina, who then flees. Van Helsing takes Marianne back to the school to calm her down, and makes it clear to her that the Baron and his vampiric consorts pose a danger to her. Reluctantly, Marianne tells Van Helsing what Gina told her. The vampire hunter goes to the old mill and manages to find the Baron's coffin, but is soon confronted by both of Meinster's brides as well as Greta. Van Helsing wards the brides off with his cross, but Greta, who is still human, wrestles it away from him, only to trip and plummet from the rafters, dying in the fall. The cross falls into the well below the mill and is now out of Van Helsing's reach as the Baron arrives. In the fight that follows, the Baron manages to subdue Van Helsing and bites him, inflicting him with vampirism before leaving. When Van Helsing wakes, he heats a metal tool in a brazier until it is red hot, then cauterises his throat wound and pours holy water on it to purify it, upon which the wounds disappear.

Baron Meinster, meanwhile, abducts Marianne from the school and brings her to the mill, intending to vampirise her in front of Van Helsing. As Meinster attempts to hypnotise her to make her compliant to his will, Van Helsing throws the holy water into the Baron's face, which sears him like acid. Meinster kicks over the brazier of hot coals, starting a fire. He runs outside as the brides make their escape. Van Helsing takes Marianne up into the mill, then out via the huge sails, which he moves to form the shadow of a gigantic cross over Meinster, who is killed by his exposure to the symbol. Van Helsing comforts Marianne as the mill burns.

Cast
Martita Hunt

Production notes

Hammer commissioned Jimmy Sangster to write a sequel script, Disciple of Dracula, with Count Dracula only making a cameo and the rest of the film about an acolyte of the vampire. This script was rewritten by Peter Bryan to remove references to Dracula, although Van Helsing was added. The script was then rewritten by Edward Percy.[4]

  • "My own personal involvement in a film like Brides was always 100 percent, not because I felt it to be my duty but because I felt very strongly that the pictures were mine. No doubt Terry [Fisher] thought they were his and Jimmy Sangster thought they belonged to him. And Peter C knew they were his." — Producer Anthony Hinds[5]
  • Most of the interior shots were done at Bray Studios. The exterior shooting locations were in nearby Black Park and Oakley Court.
  • The ending was to have originally had the vampires destroyed by a swarm of bats released from Hell by an arcane ritual. This ending was rejected by Peter Cushing, who claimed that Van Helsing would never resort to the use of black magic. The concept of this ending was used three years later for the climax of Hammer's The Kiss of the Vampire.
  • Christopher Lee was rumoured to have been approached to reprise his role as Dracula for the original version of this film, but this has never been 100% confirmed.
  • Jimmy Sangster, director Terence Fisher and Peter Cushing were reportedly involved in rewriting the script.
  • The scene in which the locks drop from Gina's coffin was derived from M.R. James’ story ‘Count Magnus’.

Reception

The Monthly Film Bulletin of the UK wrote: "The genuinely eerie atmosphere of traditional Vampire folk-lore continues to elude the cinema. This latest sequel in Hammer's apparently endless series adds little to the Dracula legend other than a youthful, good-looking vampire, and nothing to the familiar Hammer format of inappropriate colour and décor, a vague pretence at period and a serious surface view of the proceedings."[6] Bosley Crowther of The New York Times dismissed the film as "but another repetition of the standard tale of the vampire ... There is nothing new or imaginative about it."[7] Variety called the film "technically well-made" but thought the script "adds little to the Dracula legend and follows formula horror gimmicks," and that "it would have been considerably more scary if it had been filmed in old-fashioned black and white."[8] Harrison's Reports wrote that Martita Hunt and Freda Jackson were "excellent" in the film and the direction and photography were "first class," but that it was "not overly frightening."[9]

The Brides of Dracula holds a score of 71% on Rotten Tomatoes. The famous Spanish cult film director Jesus Franco credits this film as the one that inspired him to enter the horror film genre in 1961, resulting in his highly acclaimed The Awful Dr. Orloff.

Home media
  • A region 1 DVD edition of the film (in a two double-sided disc box set, along with seven other Hammer classics originally distributed by Universal International) was released on 6 September 2005. This set was re-released on Blu-ray on 13 September 2016.
  • A region 2 DVD edition of the film was released on 15 October 2007.
  • A region B Blu-ray/DVD Double Play was released on 26 August 2013.[10] In this release, the original aspect ratio was overcropped from 1.66 to 2.0.
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See also

References
  1. Box office information for Terence Fisher films in France at Box office Story
  2. unclecreepy (18 May 2012). "Ving Rhames Needs His Legs in Latest Piranha 3DD Clip". Dread Central.
  3. Rigby, Jonathan (July 2000). English Gothic : A Century of Horror Cinema. Reynolds & Hearn. p. 256. ISBN 978-1903111017. OCLC 45576395.
  4. "The Brides of Dracula". Turner Classic Movies.
  5. Little Shoppe of Horrors #14, 1999
  6. "The Brides of Dracula". The Monthly Film Bulletin. 27 (319): 111. August 1960.
  7. Crowther, Bosley (6 September 1960). "The Screen: Double Bill". The New York Times: 41.
  8. "The Brides of Dracula". Variety: 6. 18 May 1960.
  9. "'Brides of Dracula' with Peter Cushing, Freda Jackson and Martita Hunt". Harrison's Reports: 83. 21 May 1960.
  10. "The Brides of Dracula Blu-ray" – via www.blu-ray.com.
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