The Black Market (film)
The Black Market (Spanish:Mercado negro) is a 1953 Argentine crime film directed by Kurt Land and starring Olga Zubarry, Santiago Gómez Cou and Mario Passano.[1] The film's sets were designed by Carlos T. Dowling. A policeman discovers that his girlfriend's father heads a drug smuggling outfit.
The Black Market | |
---|---|
Directed by | Kurt Land |
Written by | Miguel Briante Roberto Iglesias Miguel Ligero Virgilio Muguerza |
Starring | Olga Zubarry Santiago Gómez Cou Mario Passano |
Music by | Anatole Pietri |
Cinematography | Humberto Peruzzi |
Edited by | José Cardella |
Production company | Mapol Film |
Release date | 25 June 1953 |
Running time | 83 minutes |
Country | Argentina |
Language | Spanish |
Cast
- Olga Zubarry as Laura
- Santiago Gómez Cou as Inspector Alfredo Herrera
- Fausto Padín as Camionero
- Eduardo de Labar as Don Ramón
- Mario Passano
- Nelly Panizza
- Luis Otero
- José De Angelis
- Miguel Ligero
- Félix Rivero
- José María Pedroza
- Mario Lozano
- César Fiaschi
- Carlos Cotto
- Fernando Labat
- Carlos Fioriti
- Antonio Capuano
- Perla Molina
- Luis Mora
- Salvador Sinai
- Tito Perlat
- Oscar Llompart
- Alfredo Almanza
- Carlos Guisone
- Horacio de Bello
- Jorge Arias
- Arsenio Perdiguero
- Elena Cruz
- Alberto Barcel
- Alberto Bello
- Amalia Bernabé
gollark: They must have so many weird special cases everywhere for slightly broken software or hardware.
gollark: I've read a bit about it, and it's probably 80% insanity given the amount of stuff they do to maintain backward compatibility.
gollark: Yes, they could probably just put basically anything in there and it would be hard to do anything about it.
gollark: No, I mean it would be hard to do in the various open source OSes.
gollark: > Maybe you've never thought about this, but if there are 100 devs working for free you'd only need to hire 50 devs to compromise all their code.That's, um, still quite a lot given the large amounts of developers involved, and code review exists, and this kind of conspiracy could *never* stay secret for very long, and if you have an obvious backdoor obvious people are fairly likely to look at it and notice.
References
- Elena & Lopez p.169
Bibliography
- Elena, Alberto & Lopez, Marina Diaz. The Cinema of Latin America. Columbia University Press, 2013.
External links
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