Comédie-Française

The Comédie-Française (French: [kɔmedi fʁɑ̃sɛːz]) or Théâtre-Français (French: [teɑtʁ(ə) fʁɑ̃sɛ]) is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2 rue de Richelieu on the Place André-Malraux in the 1st arrondissement of Paris.

Comédie-Française
  • Théâtre-Français
  • Théâtre de la République
Principal theatre of the Comédie-Française, the Salle Richelieu, seen from the intersection of the Rue de Richelieu with the Avenue de l'Opéra
MottoSimul et singulis
Founded1680
FounderLouis XIV
Purposetheatre company
Headquarters2 rue de Richelieu, 1st arrondissement of Paris, France
Coordinates48.8635°N 2.3362°E / 48.8635; 2.3362
Websitewww.comedie-francaise.fr
Comédie-Française, late 18th century
A performance of Marivaux's La Double Inconstance in 2015

The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name.[1]

History
Iconic corner, entry to the Salle Richelieu, 2009.

The Comédie-Française was founded on 8 August 1680 by a decree of Louis XIV merging the only two Parisian acting troupes of the time, the troupe of the Guénégaud Theatre and that of the Hôtel de Bourgogne.[2] On the death of Molière in 1673, the troupe at the Guénégaud had been formed by a merger of the Théâtre du Marais and the Troupe de Molière.[3] Two years later they received a royal grant of 12,000 livres per year; and seven years later they received their present designation.[1] Thus the Comédie-Française may be said to have an unbroken tradition reaching back to the days of Molière.[1]

The company gave its first performance on 25 August 1680 at the Guénégaud.[4] Its leading actors included Molière's widow, Armande Béjart, her husband, Guérin d'Estriché, La Grange, Mlle Champmeslé, Baron, Hauteroche, and Raymond Poisson.[5] The repertoire consisted of the collection of theatrical works by Molière and Jean Racine, along with a few works by Pierre Corneille, Paul Scarron and Jean Rotrou.

In the 18th century, the Comédie-Française was often enjoyed by the French nobility, since the price to watch at the theater was expensive.

On the performance of Joseph Chénier's anti-monarchical play Charles IX in 1789, violent political discussions arose among the performers, and ultimately they split into two sections: the Republican party, under the young tragedian Talma, establishing a new theatre under the name "Théâtre de la République," on the site of the present building in the Rue de Richelieu; while the Royalist section took the title "Théâtre de la Nation."[2] On 3 September 1793, during the French Revolution, the Théâtre de la Nation was closed by order of the Committee of Public Safety for putting on the allegedly seditious play Pamela, and the actors were imprisoned though gradually released later. On 31 May 1799, the new government made the Salle Richelieu available and allowed the actors to reconstitute the troupe.

The Comédie-Française today has a repertoire of 3,000 works and three theatres in Paris (Salle Richelieu, next to the Palais Royal; théâtre du Vieux-Colombier; Studio-Théâtre).

Theatre buildings

The Comédie-Française has had several homes since its inception in 1680 in the Salle Guénégaud. In 1689, it was established in a theatre across from the Café Procope. From 1770 to 1782, the Comédie performed in the theatre in the royal palace of the Tuileries. In 1782, the company moved into the Salle du Faubourg Saint-Germain, designed by architects Marie-Joseph Peyre and Charles De Wailly and located on the site of today's Odéon. Since 1799, the Comédie-Française has been housed in the Salle Richelieu (architect Victor Louis) at 2, rue de Richelieu. This theatre was enlarged and modified in the 1800s, then rebuilt in 1900 after a severe fire.[6] The actress Jane Henriot was the only casualty of the fire.[7]

Theatrical troupe
Main article: Sociétaires of the Comédie-Française

The membership of the theatrical troupe is divided into "sociétaires" and "pensionnaires." The former are regular members of the organisation and as such receive a pension after 20 years of service, while the latter are paid actors who may, after a certain length of service, become "sociétaires." The names of nearly all the great actors and dramatists of France have, at some time in their career, been associated with that of the Comédie-Française.[1]

Administrators of the Comédie-Française
Main article: Administrators of the Comédie-Française

The chief administrator of the Comédie-Française has been given the title administrateur général since Simonis' term of 1850. Before that, a variety of titles were given.

gollark: Which planes need. A lot.
gollark: Except fuel-y stuff is actually energy- and power-dense.
gollark: > One inadequately solved design problem was the need for heavy shielding to protect the crew and those on the ground from acute radiation syndrome; other potential problems included dealing with crashes.[2] ah yes.
gollark: That is not much of an issue. The carbon dioxide production from them is. If we ran out somehow, it would be possible to synthesize more (with energy input, obviously).
gollark: Also, I think there are some nuclear plane concepts? Generally they use the heat from the nuclear stuff directly in some way.

See also

Notes
  1. Rines, George Edwin, ed. (1920). "Comédie Française" . Encyclopedia Americana.
  2. Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Comédie Française" . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
  3. Hartnoll 1983, p. 168; Clarke 1998, pp. 13–14.
  4. Brocket & Hildy 2008, p. 195.
  5. Hartnoll 1983, p. 169; Gaines 2002, p. 210 (Guérin), pp. 249–250 (La Grange).
  6. Wild 2012, pp. 99–100, 383–384.
  7. "Pierre-Auguste Renoir "Madame Henriot" 1876 Framed Art Giclée Giclee On Canvas". WorthPoint. Retrieved 2020-05-04.

Bibliography
  • Brockett, Oscar G.; Hildy, Franklin J. (2008). History of the Theatre, tenth edition. Boston: Pearson. ISBN 9780205511860.
  • Clarke, Jan (1998). The Guénégaud Theatre in Paris (1673–1680). Volume One: Founding, Design and Production. Lewiston, New York: The Edwin Mellen Press. ISBN 9780773483927.
  • Gaines, James F. (2002). The Molière Encyclopedia. Westport, Connecticut: Greenwood Press. ISBN 9780313312557.
  • Hartnoll, Phyllis, editor (1983). The Oxford Companion to the Theatre (fourth edition). Oxford: Oxford University Press. ISBN 9780192115461.
  • Laugier, Eugène (1853). Documents historiques sur la Comédie-Française pendant le règne de S. M. l'Empereur Napoléon Ier. Paris: Firmin-Didot. Copies 1, 2, and 3 at Internet Archive.
  • Maurice, Charles (1860). Le Théâtre-Français, monuments et dépendances, second edition, revised and enlarged. Paris: Garnier. Copies 1 and 2 at Internet Archive.
  • Sanjuan, Agathe; Poirson, Martial (2018). Comédie-Française: une histoire du théâtre. Paris: Éditions du Seuil. ISBN 9782021343755.
  • Wild, Nicole (2012). Dictionnaire des théâtres parisiens (1807–1914). Lyon: Symétrie. ISBN 9782914373487. OCLC 826926792.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.