Terceto Yoyo

Terceto Yoyo was a Cuban son trio active during the 1920s. It was formed by Heliodoro "Yoyo" Rodríguez (güiro), Jesús "Chuchú" Arístola (marímbula) and Celedonio Hernández (guitar).[1][2][3] They recorded up to twenty songs for Victor in Havana,[4] enjoying great popularity at the time, although only three of their recordings have survived.[1][5] These are considered the oldest son recordings featuring the marímbula, together with those by the Sexteto Habanero.[6]

Terceto Yoyo
Background information
OriginHavana, Cuba
Genres
Years active1923-1930
LabelsVictor
Past members
  • Heliodoro "Yoyo" Rodríguez
  • Jesús "Chuchú" Arístola
  • Celedonio Rodríguez

Their recording of the "El cangrejito" is the only one issued on CD, as it was included in the Hot Music from Cuba 1907-1936 compilation released by Harlequin Records.[7]

In the early 1960s, Chuchú, Yoyo and Celedonio briefly reunited for a tour promoted by the new Revolutionary Government; Chuchú had to retire from the tour for health reasons.[8]

Recordings

  • "La Virgen de Regla" (1925)
  • "El cangrejito" (1925)
  • "El picadillo" (1930)
gollark: *taken before the images even load in for me*
gollark: That was fast.
gollark: ↓
gollark: I got it.
gollark: You must really like Blacks.

References

  1. Díaz Ayala, Cristóbal (Fall 2013). "Terceto Yoyo" (PDF). Encyclopedic Discography of Cuban Music 1925-1960. Florida International University Libraries. Retrieved 16 October 2016.
  2. Blanco Aguilar, Jesús (1992). Ochenta años del son y los soneros del Caribe, 1909-1989 (in Spanish). Caracas, Venezuela: Fondo Editorial Tropykos. p. 27.
  3. Dalmace, Patrick. "Terceto Yoyo". Montuno Cubano (in French). Retrieved April 8, 2018.
  4. Reyes Fortún, José (2005). "Formatos instrumentales del son". Revista Música Cubana (in Spanish). 1: 25.
  5. "Terceto Yoyo (Musical group)". Discography of American Historical Recordings. Retrieved 16 October 2016.
  6. Shepherd, John; Horn, David, eds. (2003). Continuum Encyclopedia of Popular Music of the World: Volume II - Performance and Production. London, UK: Continuum. p. 390.
  7. Gibbs, Craig Martin (2013). Black Recording Artists, 1877-1926: An Annotated Discography. Jefferson, NC: McFarland & Company. p. 424.
  8. Veitia, Héctor (1966). La Herrería de Sirique [film]. Havana, Cuba.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.