Ten More Tales of Grand Illusion

Ten More Tales of Grand Illusion is the third album from British progressive rock band Balance of Power. It was released in 1999.

Ten More Tales of Grand Illusion
Studio album by
Released1999
RecordedPOD Studios & Summit Studios, 1999
GenrePower metal, progressive metal
Length52:52
LabelPony Canyon (Japan)
Point Records (Europe)
ProducerLionel Hicks
Balance of Power chronology
Book of Secrets
(1998)
Ten More Tales of Grand Illusion
(1999)
Perfect Balance
(2001)
Professional ratings
Review scores
SourceRating
Allmusic[1]

Production and recording

The album was produced by drummer Lionel Hicks. It was recorded at POD Studios and Summit Studios, both in London, England. Lance King and Hicks were in charge of mixing at Oarfin Studios in Minneapolis, US.

Art design was done by Duffelcoat Creative.[2]

Track listing

All tracks written by Tony Ritchie and Pete Southern, except where noted.

  1. "Day Breaker" - 4:22
  2. "Prisoner of Pride" - 5:53
  3. "Savage Tears" (Lance King, Ritchie, Southern) - 7:07
  4. "Under the Spell" - 5:07
  5. "Blind Man" - 6:51
  6. "About to Burn" - 5:20
  7. "Under Innocence Wing" (Southern) - 1:21
  8. "Sins of the World" (Lionel Hicks, Ritchie, Southern) - 4:48
  9. "The Darker Side" (Hicks, King, Ritchie, Southern) - 4:32
  10. "Ten More Tales of Grand Illusion" - 7:31

Personnel

Band members

Additional musicians

Production and recording

  • Lionel Hicks - producer, engineer, mixer
  • Lance King - mixer
  • Todd Fitzgerald - mixer
  • Duffelcoat Creative - art design
gollark: The triangles could reasonably be considered 0 (not actually linear axes), 1 (just one... unit of data?), 2 (they exist in 2D) or 3 (they can vary in three directions, but not freely).
gollark: Yes. Anyway, it is clearly a good* model.
gollark: (note: may not contain 100 axes or things. I did not count them)
gollark: ↓ GTech™ (not actually produced by GTech™) 100-axis gender model.
gollark: Wow, it's like the cool vaguely beeish language I had imagined slightly but not imagined and actually extant.

References

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